Books Read & Recommended, 2018

A very eclectic collection, read by the fire, on planes, in the garden. And/or heard, in bed…

Kate Atkinson, Transcription

Belinda Bauer, Snap

Carleigh Baker, Bad endings: stories *

Sarah Bakewell, At the existentialist café: freedom, being and apricot cocktails with Jean-Paul Sartre [and others]

Sharon Bala, The Boat People*

Deirdre Baker, Becca fair and foul*

John Banville, Mrs. Osmond*

Linwood Barclay, A Noise Downstairs

Julian Barnes, The lemon table: stories

Billy-Ray Belcourt, This wound is a world: poems

Chloe Benjamin, The Immortalists

Diana Beresford-Kroeger, Arboretum America: a philosophy of the forest; photographs by Christian H. Kroeger; foreword by Edward O. Wilson

Jill Bialosky, Poetry will save your life: a memoir*

Holly Black, Doll bones; with illustrations by Eliza Wheeler *

Leonard Cohen, The Flame

Christopher Paul Curtis, The journey of little Charlie

E.D. Blodgett, Transfiguration* 
E.D. Blodgett, Apostrophes: woman at a piano* 

George Bowering, No one (Not recommended~!)

Alan Bradley, The Grave’s a Fine and Private Place*

Dionne Brand, Tessa McWatt, Rabindranath Maharaj, editors / Luminous ink: writers on writing in Canada

Brené Brown, Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone*

Stephen Harrod Buhner, Plant intelligence and the imaginal

Steve Burrows, A tiding of magpies

Jessie Burton, The miniaturist: a novel *

Rhonda Byrne, The Power*

Heather Cadsby, Standing in the flock of connections

Anne Carson, Red Doc

Kate Cayley, How you were born: stories*

David Chariandy, Brother*

Svetlana Chmakova, Brave*

Noam Chomsky ; created and edited by Peter Hutchinson, Kelly Nyks & Jared P. Scott. Requiem for the American dream: the 10 principles of concentration of wealth & power /

Noam Chomsky; interviews with David Barsamian, Global discontents

Kim Clark and Dawn Marie Kresan, Canadian Ginger: an anthology of poetry & prose*

Ta-Nehisi Coates, We Were Eight Years in Power: an American tragedy*

Marina Cohen, The doll’s eye; illustrations by Nicoletta Ceccoli

Billy Collins, The rain in Portugal: poems

Cressida Cowell, The Wizards of Once*

Cressida Cowell, How to Fight a Dragon’s Fury. How to Train Your Dragon Series, Book 12. Read by David Tennant *

Lorna Crozier, What the soul doesn’t want: poems*

Tom Cull, Bad animals*

Rachel Cusk, Outline*

Rachel Cusk, Transit *

Rachel Cusk, Kudos*

Lauren B. Davis, The Grimoire of Kensington Market *

Elisabeth de Mariaffi, Hysteria *

Edmund de Waal, The Hare with Amber Eyes: A Hidden Inheritance

Mai Der Vang, Afterland: poems *

David Demchuk, The Bone Mother

Patrick deWitt, French Exit    cd

Cherie Dimaline, The Marrow Thieves*

Jeramy Dodds, Drakkar Noir

Brian Doyle, editor. A sense of wonder: the world’s best writers on the sacred, the profane, and the ordinary

Norman Dubie, The quotations of bone

Esi Edugyan, Washington Black: A Novel

Jennifer Egan, Manhattan Beach*

Deborah Eisenberg, Twilight of the Superheroes *

Dave Eggers, Heroes of the frontier: a novel*

Dave Eggers, The monk of Mokha. Mokhtar Alkhanshali *

Cecilia Ekbäck, The midnight sun

Cecilia Ekbäck, Wolf Winter

Louise Erdrich, Future Home of the Living God *

Susan Faludi, In the darkroom*

  1. A. C. Farrant, The days: forecasts, warnings, advice *

Elena Favilli, Francesca Cavallo. Good Night Stories for Rebel Girls

Aminatta FornaHappiness*
Aminatta Forna,The hired man*

Philip Freeman, Searching for Sappho: the lost songs and world of the first woman poet including new translations of all of Sappho’s surviving poetry*

Patrick Friesen, Songen*

Cornelia Funke, Ruffleclaw; illustrated by the author; translated by Oliver Latsch *

Neil Gaiman, Odd and the Frost Giants; illustrated by Brett Helquist*

Jorie Graham, Fast*

Shari Green, Macy McMillan and the rainbow goddess *

Camilla Grudova, The Doll’s Alphabet

Lisa Halliday, Asymmetry*

Richard Harrison, On Not Losing My Father’s Ashes in the Flood *

Paula Hawkins, Into the water

Elizabeth Hay, All Things Consoled: A Daughter’s Memoir

Emma Healey, Stereoblind: poems  *

Emma Healey, Whistle in the dark*

Chris Hedges, Unspeakable: Chris Hedges on the most forbidden topics in America / with David Talbot

Sheila Heti, Motherhood *

Brenda Hillman, Seasonal Works with Letters on Fire*

Alice Hoffman, Survival Lessons

Alice Hoffman, The rules of magic*

Alice Hoffman, Here on Earth*

Robert Hogg, There is No Falling

Nancy Holmes, Valancy and the new world *

Gail Honeyman, Eleanor Oliphant Is Completely Fine*

Cornelia Hoogland, Trailer park elegy*

Emma Hooper, Our Homesick Songs*

Susan Howe, Debths

David Huebert, Peninsula Sinking *

Helen Humphreys, The ghost orchard: the hidden history of the apple in North America*

Helen Humphreys, Machine Without Horses

Kazuo Ishiguro, My twentieth century evening and other small breakthroughs: the Nobel lecture*

Walter Isaacson, Leonardo da Vinci*

Annie Jacobson, Phenomena: The Secret History of the U.S. Government’s Investigations Into Extrasensory Perception and Psychokinesis*

Maureen Jennings, Let darkness bury the dead: a Murdoch mystery *

Amanda Jernigan, Years, months, and days: Poems *

Jim Johnstone, editor. The next wave: an anthology of 21st century Canadian poetry

Kij Johnson, The Fox Woman *

The Journey prize stories: the best of Canada’s new writers

Han Kang, Human acts: a novel; translated from the Korean and introduced by Deborah Smith*

Thomas King, Cold Skies*

Barbara Kingsolver, Unsheltered

Larissa Lai, When Fox Is a Thousand *

Danielle LaPorte, White Hot Truth*

  1. I. Larry, High risk*, Undercover*

Ursula K Le Guin, Words are my matter: writings about life and books, 2000-2016 with a journal of a writer’s week

John Le Carré, A delicate truth

League of Canadian Poets, Measures of astonishment: poets on poetry / presented by the League

Ann Leckie, Ancillary Justice

David Lehman, Best American Poetry 2016

Donna Leon, Drawing conclusions: a Commissario Guido Brunetti mystery

Donna Leon, The Temptation of Forgiveness

Carrianne Leung, That time I loved you: linked stories

Deborah Levy, Things I Don’t Want to Know

Jennifer LoveGrove, Beautiful Children with Pet Foxes *

Helen M. Luke, Old Age: Journey into Simplicity

Helen M. Luke; edited by Rob Baker. Kaleidoscope: the way of woman and other essays* 

Harriet Alida Lye, Honey Farm*

Kari Maaren, Weave a Circle Round*

Anne McDonald, Miss Confederation: The Diary of Mercy Anne Coles*

Gregory Maguire, Hiddensee: a tale of the once and future Nutcracker *

Terese Mailhot, Heart Berries: A Memoir

Alice Major, Memory’s daughter

Mark Manson: The Subtle Art of Not Giving a Fuck*

Daphne Marlatt, The Collected Earlier Poems, 1968-2008. Edited by Susan Holbrook*

Monia Mazigh, Hope has two daughters *

Alexander McCall Smith, The House of Unexpected Sisters: The No. 1 Ladies’ Detective Agency *

Ami McKay, Half Spent Was the Night *

Steve McOrmond, Reckon*

W.S. Merwin, Sir Gawain and the green knight / a new verse translation*
W.S. Merwin, The river sound: poems

Anne Michaels, All We Saw*

Madeline Miller, Circe**

Valerie Mills-Milde, The Land’s Long Reach*

Thomas Moore, Ageless soul*

Naomi Novik, Uprooted*

John O’Donohue, Conamara blues: poems *

Michael Ondaatje, Warlight*

Helen Oyeyemi, Mr. Fox*

Louise Penny, Kingdom of the Blind: A Chief Inspector Gamache Novel

Richard Powers, The Overstory*

Meredith Quartermain, U girl: a novel *

Sina Queyras, My Ariel*

Matt Rader, Desecrations*

Judy Rebick, Heroes In My Head *

Elizabeth Renzetti, Shrewed*

Noah Richler, The candidate: fear and loathing on the campaign trail*

Eden Robinson, Trickster Drift*

Margaret Rogerson, An Enchantment of Ravens*

Damian Rogers, Dear leader *

Catherine Sheldrick Ross, Lynne McKechnie, Paulette M. Rothbauer, editors. Reading Still Matters: What the Research Reveals about Reading, Libraries, and Community *

Salman Rushdie, The golden house: A Novel *

Karen Russell, Vampires in the Lemon Grove *

Linda Rutenberg, The Garden at Night. Introduction by Christopher Dewdney*

Deborah Samuel, The extraordinary beauty of birds: designs, patterns and details

Richard Sanger, Dark woods. Biblioasis*

Sarah Selecky, Radiant Shimmering Light*

Maria Semple, Where’d You Go, Bernadette*

Kamila Shamsie, Home Fire*

Alexie Sherman, Thunder Boy Jr.*

Merilyn Simonds, Gutenberg’s Fingerprint: Paper, Pixels and the Lasting Impression of Books*

Linda Spalding, The Reckoning*

Barbara Shapiro, The Muralist

Sjon, From the Mouth of the Whale*

Ali Smith, Autumn*

Ali Smith, Winter*

Michael V. Smith, Bad ideas

Murdoch Neil Smith, Boo: a novel

Zadie Smith, Feel Free

Mark Strand, Eavan Boland, editors, The making of a poem: a Norton anthology of poetic forms

J.R. (Tim) Struthers, ed. Clark Blaise: the Interviews

Graham Swift, Tomorrow

Gillian Sze, Panicle

Wisława Szymborska, Map: collected and last poems; edited by Clare Cavanagh

Amy Tan, Where the past begins: a writer’s memoir*

Donna Tartt, The Goldfinch*

Kim Thúy, Vi ; translated from the French by Sheila Fischman

Miriam Toews, Women Talking

Alexandre Trudeau, Barbarian Lost: Travels in the New China*

John Vaillliant, The Jaguar’s Children*

Alberto Villoldo, One Spirit Medicine: Ancient Ways to Ultimate Wellness*

Alberto Villoldo and David Perlmutter, Power up your brain: the neuroscience of enlightenment

Ocean Vuong, Night sky with exit wounds*

Clemantine Wamariya, The Girl Who Smiled Beads. (Julia Zave)

Elizabeth Waterston, Magic island: the fictions of L.M. Montgomery*

Joshua Whitehead, Jonny Appleseed: a novel

Anthony Williams, Medical Medium*

Deborah Willis, The dark and other love stories*

Oprah Winfrey, The wisdom of sundays: Life-Changing Insights from Super Soul Conversations. Oprah Winfrey*

Peter Wohlleben, The Inner Life of Animals*

Peter Wohlleben; translated by Ruth Ahmedzai Kemp. The weather detective: rediscovering nature’s secret signs

Meg Wolitzer, The Female Persuasion*

Lauren Wolk, Wolf Hollow*

Erin Wunker, Notes from a Feminist Killjoy

London Free Press WordsFest 2018_jpg_large

,,, and still reading…

 

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A lovely book of poems from Aeolus House!

Here’s my review of Stanley Fefferman’s The Heart of All Music: Poems about Music and Musicians. Aeolus House, 2018. 52 pp. ISBN 978-1-987872-11-8. $20

Convergence is a word often used to describe the reshaping of our world by such forces as the Internet. This concept also applies to Stanley Fefferman’s latest collection, The Heart of All Music, which can be described, appropriately, as the convergence of a life-time of listening attentively to a wide range of musical genres.

It’s a treat when a poet takes a whole book to explore in depth a single subject. When the topic is music and the poet as knowledgeable as Stanley Fefferman, the result is a gift for all the senses. His work is varied in tone, mood and mode, given a perceptive ear and a gift for translating the complexities of musical experience into language. Fefferman employs a wide spectrum of forms, including prose poems that read like a possible transcription from his original review. The tone of the poems hovers between elegiac and celebratory, performative and prosaic, traditional and contemporary. This elegantly presented book is like a musical score in itself. The Heart of All Music sectioned in the four musical terms of a sonata: “Allegro, “Largo”, “Scherzo”, and the Finale, “Andante Cantabile”.

Fefferman’s preface describes the magic of listening to music. He declares “the feelings that came set off the language centres of the poet-in-me, and the music generated words.” At first I thought of searching YouTube to hear the pieces Fefferman describes. Then I realized that the poems themselves present a complicated translation that is this poet’s specific perception, “sharp as crackling bones/ that fall as feathers filling an entire hall”. The reader experiences Fefferman’s particular vision through his vivid imagery: “Debussy’s unique String Quartet unfolds a shimmer of antique silk/ embroidered with pizzicated rhythms of the new French enthusiasm”.

Metaphors translate the sometime psychedelic experience of a concert. The poet often describes one sense in terms of another, presenting the emotional range of a synaesthete. Indeed, Fefferman includes a poem to Alexander Scriabin, famous for his own synaesthetic correlations. Fefferman offers us fascinating imagery to describe specific works. His phrase, “crennellated patterns”, conjures an instant image of fortified battlements, an image immediately followed by “notes that roll/ like a silken standard in the wind”. We are thrust into a mediaeval scene to accompany Barrios’s “La Cathedral”.

Musicians play off each other; “the players spin solo threads”. Like the musicians Fefferman depicts, the instruments described in these poems have character, indeed personality. “The cello in the scherzo remains sardonic” after “jittery discourses that keen upward till they peter out /— a musical representation of life leaving the body.” Shostakovich’s final sonata is “the corvid utterance of Edgar Allan Poe’s ‘Nevermore’.” The cello continues “dialogues with itself/ among mutterings of ‘es muss sein’”—Beethoven’s motto in his last quartet. The phrase, “It must be”, figures prominently in  Milan Kundera’s novel, The Unbearable Lightness of Being as well, designating an acceptance of fate. A line of poetry also interprets another string quartet in a phrase from Eliot’s The Waste Land. One art is presented in terms of another, engaging both feeling and intellect.

Fefferman’s commentary is a “solo series of precision shifts between attitudes of stillness and repose [that] encode/ a lifetime of contemplation” in a veteran’s “deep acceptance of the world as it is.” Blues, jazz, traditional folk and classical works, Fefferman covers and comments on it all, from O’Carolan to David Bowie to John Hammond to Mozart and Claude Vivier. Fefferman is at his best presenting female singers like Lhasa De Sela in one of his most touching laments, as well as poems to composers cut off too soon by war. His beautiful last poem, dedicated to Dvorak’s Piano Trio in E minor, is a spiritual resolution for both Fefferman and his readers:

“the sound of peace itself
a melody so exquisitely played
the mind is overwhelmed with pleasure
and comes to rest in its own place
like the reflection of sky in lake.”

Fefferman’s epigraph announces that he associates the heart of music with the moment of happiness that he is offering in these poems. Indeed, The Heart of All Music is a paean to Music and Musicians. The cadenced rhythm of these poems will resonate long after the last note, the final phrase. To paraphrase Rumi, in this beautifully produced collection from Aeolus House, “We have fallen into the place where everything is music.”

//

Poet, performer and playwright Penn Kemp has been lauded as a trailblazer, “a poetic El Nino”, and a “one-woman literary industry”. She was  London’s inaugural Poet Laureate . Her 2018 books of poetry are Local Heroes (Insomniac), and Fox Haunts (Aeolus House). See http://www.pennkemp.weebly.com.

This review is now up on http://bywords.ca/november2018/review1.htm, thanks to Amanda Earl.

Published Works by Penn Kemp

PoemforPeaceVol2BerniceVincentpainting

Publication History

 

BEARING DOWN (1972) poetry.  Coach House Press, 401 Huron St. Toronto ON

TRANCEFORM  (1976) poetry.  Soft Press, Victoria BC. Reprinted 2006, Pendas

THE EPIC OF TOAD AND HERON (1977) play.  Black Moss Press, Windsor ON

Reprinted 1985 by Playwrights Union, Toronto

CLEARING (1977) poetry. B.C. Monthly, Vancouver  BC

CHANGING PLACE (1978) poetry/prose.  Fiddlehead, U.N.B., Fredericton NB

ANGEL MAKERS (1978) play. Playwrights Union, Toronto

TOAD TALES(1981) poetry. White Pine Press 76 Center St. Fredonia NY 14063

CVii: Spiritual Poetry in Canada (1982), ed. Box 3062, Winnipeg R3C 4E5

ANIMUS (1984) poetry.  Caitlin Press. Reprinted, 2005, Pendas Productions, London

BINDING TWINE (1984) poetry. Ragweed Press, Charlottetown PEI

SOME TALK MAGIC (1986) Ergo Productions, Box 4460 London ON N5W 5J2

TRAVELLING LIGHT (1986) poetry. Moonstone Press, London ON

EIDOLONS (1988) poetry. White Pine Press, 76 Center St. Fredonia NY 14063

THROO (1989) poetry.  Moonstone Press, Book. CD, Pendas Productions, London

THE UNIVERSE IS ONE POEM; FOUR POETS TALK POETRY (1990) Simon & Pierre

WHAT WHAT THE EAR HEARS LAST (1994) play. Playwrights Union, Toronto

FOUR WOMEN (1999) poetry. Red Kite Press, Guelph ON

INCREMENTALLY (2000) poetry Pendas Productions, London.  Book and CD combo

TIME LESS TIME (2000) poetry. Pendas Productions

SUITE ANCIENT EGYPT (2001) poetry. Mothertongue Press, BC

VOCAL BRAIDINGS (2001) with Patricia Keeney, poetry. Pendas Productions

WHAT SPRINGS TO MIND (2001), Pendas Productions

Poem for Peace in Many Voices, ed., Vol. 1 & 2 (2002), book and CD

SARASVATI SCAPES (2002) with Angela Hryniuk, Pendas Productions

C’LOUD (2003) poetry, Pendas Productions. Book and CD combo

SARASVATI SCAPES: a sound opera, CD, Pendas Productions

MELISMA, CD (2002) with Angela Hryniuk and Penn Kemp

GATHERING VOICES (2002) with Gloria Mulcahy, Pendas. Book and CD combo

POEMAS ESCOLHIDOS DE PENN KEMP/ Selected Poems (2004) ABECAN, Brazil

PINCELADAS (2005, 2011) with Gloria Mulcahy, Pendas Productions

RE:ANIMATING ANIMUS (2006) Pendas Productions.  Book and CD combo.  London ON

HELWA1 (2011), PigeonBike Press. London ON. CD forthcoming with Light of East Ensemble

FROM DREAM SEQUINS (2012), Lyrical Myrical Press, Toronto ON
THE EPIC OF TOAD AND HERON (2012), reprint. Pendas Productions, London ON
JACK LAYTON: ART IN ACTION (2013), editor, Quattro Books, Toronto

WHAT SPRINGS TO MIND (2016), second edition, forthcoming. Pendas Productions
WOMEN & MEDIA, editor and contributor, Living Archive Series, Feminist Caucus, League of Canadian Poets, http://poets.ca/feministcaucus/. Launched June 17, 2016.
WOMEN & PERFORMANCE, editor and contributor, Living Archive Series. June 18, 2016.

BARBARIC CULTURAL PRACTICE (2016), Quattro Books, Toronto
THE TRIUMPH OF TERESA HARRIS (2017), Playwrights Guild of Canada, Toronto
LOCAL HEROES (2018), Insomniac Press
FOX HAUNTS (2018), Aeolus House

FoxHaunts-CoverPenn Local Heroes LFP

The Call of the Forest

Here’s to the Creative Aging Festival!  I’m delighted to be opening this showcase tonight with a paean of praise to an elder who most exemplifies creative aging!

Diana Beresford Krueger lives on a farm near Lanark, Ontario, but she grew up in Ireland. Diana is a seventy-two year old Leo, appropriately born in the Year of the Wood Monkey, and a proponent/gardener of native species par excellence. Her film, The Call of the Forest, exudes an astute vitality and a whole-hearted commitment to environmental activism. The glory of the film is its in-depth appreciation of trees: a documentary “driven by beauty”*! It is showing at The Hyland Cinema till June 1, and I truly recommend it.

In this film, The Call of the Forest, and in her books like The Global Forest, Diana interprets the nature of trees from both profoundly scientific and spiritual perspectives. Certainly, she emphasizes the healing benefits of specific trees as well as the forest as a whole. Care to go forest bathing to enhance your immune system? Try wandering among the deodar pines of Elsie Perrin Williams estate. Open your lungs and breathe in the powerful antioxidants that will lift your spirits for days.

How to articulate the invisible, the spirit of tree, for example… why, that’s my aim as a poet.  My childhood desire was to understand the language of trees, plants and birds. Diana translates for me, even in this dream poem:

Visit In Tune, In Time

Diana Beresford Kroeger benignly surveys my wild garden.
As I explain that I like to let things grow naturally, to pop up
where they will, she sniffs. “This garden needs more tending,”

she proclaims. Singing along, I set to work weeding. Waving
a hand, she encourages my rhythm to tune in with the plants’
own. So the cardinal colours deepen, burnished lilies bronze

exuberant in sunlight. Impossible Echinacea record no clash
of purple/orange but blare triumph. Songbirds gather, a lilt of
goldfinch, a trill of Carolina wren. Cardinals respond in chords.

Brilliance resounds all around. Redbud, mock-orange boughs
bow in the heightened breeze. Resonance ripples and whirls
to restore, re-story this walled garden, her flowers telling, told.

How do plants communicate to each other… and to us? As botanist and biochemist raised in Ireland’s woodland lore, Diana bridges the false gap between science and the arts, between science and spirituality. Her roots are manifold, both as botanical researcher with a doctorate in medical biochemistry, and as hereditary lineage-holder, steeped in the Celtic tradition that has revered woodlands for centuries. Diana vividly and empathetically expresses the urgency in protecting the forest, especially our northern boreal forest that is so essential for global carbon storage.

She continues to beam a sense of wonder, joy and curiosity grounded in intellectual acuity. And in those traits alone, Diana Beresford Krueger is a triumphantly engaged guide to very creative aging. We can only aspire to learn from such an inspirational mentor. Her message is simple: go plant a native tree every year, and watch it grow! Let’s create our Forest City in reality as well as name!

*A quote in a email from the film’s director, Jeff McKay. Thanks to him for exquisite photography, editing and commentary.
Diana 2017

Hear Diana’s CBC interview about the benefits of forest bathing!

Call of the Forest
248 Princess Street, Winnipeg, MB, Canada
Winnipeg, MB R3B Canada

CalloftheForest.ca
Twitter @DBKTrees
Facebook.com/CallOfTheForest/

Creative Aging Wolf Hall 2017

 

Performing Women: an Anthology

performing-women-2016

Performing Women: Playwrights and Performance Poets is now for sale!

The anthology is available for $10+ shipping from The League of Canadian Poets, , 416-504-1657, info@poets.ca.  92pages. http://poets.ca/feministcaucus/

And as a copyscript for $12 from Playwrights Guild of Canada, 416-703-0201, sara@playwrightsguild.ca. http://www.playwrightsguild.ca/performing-women-playwrights-and-performance-poets

Contents


Introduction
Penn Kemp, Editor
 

Why Ducks, Anyway?
Kelly Jo Burke

Red Dresses Hang from the Trees and Towers: Red and Rapunzel are Missing

Cornelia Hoogland

Sounding the depth, the surface resounding
Penn Kemp

Zoomorphic Poetics (or, Why I Write So Many Poems About Wildlife)
Catherine Kidd

How does collaboration enhance performance poetry? The Intimate Power of Co-Creation
Susan McMaster

Spoken Word Poetry as Political Act
Sheri-D Wilson

News from the Feminist Caucus, by Anne Burke, http://poets.ca/feministcaucus
“The new printing of Performing Women: Playwrights and Performance Poets
is available from the League Office. I have posted a copy here of the complete list of titles in this popular series. A digital copy was sent to the Playwrights Guild of Canada, our partners for the joint panel at the 2016 Canadian Writers Summit. I came across some amazing interviews which a few of the contributors gave and provide web links here which you need to enter into your internet browser. Thank you to Kelley Jo Burke, Cornelia Hoogland, Penn Kemp, Catherine Kidd, Susan McMaster, and Sheri D Wilson!”
http://poets.ca/wp-content/uploads/2011/05/NewsREVISEDOct2016from-the-Feminist-Caucus.pdf
Interviews with Featured Playwrights Q & A

http://www.playwrightsguild.ca/news/featured-playwright-q-penn-kemp
http://www.playwrightsguild.ca/news/featured-playwright-q-kelley-jo-burke
http://www.playwrightsguild.ca/news/featured-playwright-q-cornelia-hoogland

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Fall Events with Penn Kemp

See you at these Upcoming Events!

November 6, 10am. Penn Kemp and Madeline Bassnett read together for this session @Words, Words, London’s Literary and Creative Arts Festival, http://wordsfest.ca/. The Lecture Theatre, Museum London, 421 Ridout St N, London, ON N6A 5H4. Contact: Joshua D Lambier, Artistic Director, jlambie2@uwo.ca.
http://wordsfest.ca/events/2016/penn-kemp-madeline-bassnett-in-conversation

Saturday, November 26, 2-4, pm. Book signing of Barbaric Cultural Practice and Launch of Women & Multimedia and Performing Women: Playwrights and Performance Poets from The Living Archives Series, The Feminist Caucus, League of Canadian Poets: Penn is essayist and editor of the two anthologies.Brown & Dickson, 609 Richmond Street, London  N6A 3G3. Contact: 519-318-1983, books@brownanddickson.com, http://www.brownanddickson.com

http://www.thelondoner.ca/2016/09/28/penn-kemp-as-barbarian

http://www.londonculture.ca/things-we-do/poet-laureate/past-poet-laureates
Thanks for a grand couple of years to the London Arts Council!

Penn, sounding at Canadian Writers’ Summit at Toronto’s Harbourfront, June 2016.  Photo: Monique Renaud for Playwrights Guild of Canada

penn-sound-performing-women-2016-monique-renaud

Recently…

Wednesday, October 5, 2016; doors open 7:00 pm; start time 7:30 p.m. Quattro Book Launch, Toronto, Supermarket Restaurant, 268 Augusta Ave. (event room at rear of dining area) Free. Contact: info@quattrobooks.ca, http://www.supermarketto.ca/
Six authors: Sanita Fejzić, from Ottawa, with her novella Psychomachia
Penn Kemp, from London ON, with her book of poetry Barbaric Cultural Practice
Susan McCaslin, from Victoria, BC, with her book of poetry Painter, Poet, Mountain
Richard Osler, from Duncan, BC, with his book of poetry Hyaena Season
Cora Siré, from Montreal, with her novella The Other Oscar
Laura Swart, from Calgary, with her novella Blackbird Calling

Friday, October 7, 2016, 7:30- 8:30pm. Tributes + Tributaries, 1971-1989, AGO Friday Nights in October, Signy Eaton Gallery, Art Gallery of Ontario, 317 Dundas Street West, Toronto  M5T 1G4. Call 1-877-225-4246 or 416-979-6648. AGO features Penn Kemp and Paul Dutton, sound poets. The topic is streaming influences from the ’70’s: http://www.ago.net/new-ago-exhibition-explores-the-experimental-energy-of-the-toronto-art-scene-in-the-70s-and-80s.  More details, including a schedule of performances, will be posted on http://www.ago.net. Host Lillian Allen. Toronto: Tributes + Tributaries, 1971-1989 is included with the price of general admission and is free to AGO members.
“I am wanting to feature some of the roots of the aesthetic influence on our city. I am thinking about the important and artistically liberating roles your  (mostly) sound works played. The fact that you were a woman inspired me so much. Your sound explorations and experimentations always make me feel so happy and empowered. The power of your art has never left me. So I am paying tribute to you by asking you to read/perform in this series.” Lillian Allen. https://www.ago.net/toronto-tributes-tributaries-1971-1989

Tuesday, October 11, 7 pm. London launch of Penn’s poetry book, Barbaric Cultural Practice (Quattro Books). Oxford Book Shop, 262 Piccadilly Street, London N6A 1S4.
Contact: Hilary bookorderprocessing@oxfordbookshop.com. Tel: 519-438-8336.

Saturday, October 15, 2016, 2 pm. Penn reading from her play “The Triumph of Teresa Harris” and Barbaric Cultural Practice. With Daniel Kolos, Antony Christie. The Garafraxa Café, 131 Garafraxa Street South (Highway 6), Durham ON. Contact: danielkolos123@gmail.com or Michelle and Kevin Bossi, 226-432-2175, garafraxacafe@gmail.com. Sponsored by Playwrights Guild of Canada.

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at the CANADIAN WRITERS’ SUMMIT

The Feminist Caucus of the League of Canadian Poets is pleased to present the panel “Performing Women: Playwrights and Performance Poets” at the Canadian Writers’ Summit taking place this June at Harbourfront in Toronto. Find out more information about the Summit, and the League’s Annual Conference, at poets.ca/conference.

Friday, June 17, from 7:45 to 9 am, we will host our breakfast business meeting and open readings. We will be launching the anthology Women & Multimedia: Poetry Collaboration/Elaborations, with work from Di Brandt, Terry Carter, Penn Kemp, Moe Clark, Jude Neale, and Cathy Petch. This anthology is edited by Penn Kemp, and contains papers published in our Living Archives Series. This event is free to members of the League, and may be attended without registering for the Summit. Please contact the League office at admin@poets.ca for more information.

Saturday, June 18, from 4 to 5 pm, Miss Lou’s Room. Join six amazing panelists to discuss experiences and ideas concerning performance. Our six panelists are playwrights, performers, poets… and several are all three. We’ll conclude the panel with a Q&A. The panel is a joint venture between Playwrights Guild and the League of Poets. We will be launching PERFORMING WOMEN, an anthology with papers by the panelists, edited by Penn Kemp. It will also be available through the League, or online through playwrightsguild.ca. This panel is only open to Summit registrants. Visit poets.ca/conference to find out more information about registration and pricing. Miss Lou’s Room is located on the second floor of the Bill Boyle Artport, along the south side overlooking the Natrel Pond/Rink and the lake. See www.harbourfrontcentre.com/venues/misslousroom/

Panelists:

Kelly Jo Burke, “Why Ducks, Anyway?”

Cornelia Hoogland, “Red Dresses Hang from the Trees and Towers: Red and Rapunzel are Missing”

Penn Kemp, “I am translated: How does multimedia give form to a poem’s alternate expression?”

Catherine Kidd, “Zoomorphic Poetics (or, Why I Write So Many Poems About Wildlife)”

Susan McMaster, “How does collaboration enhance performance poetry? The Intimate Power of Co-Creation”

Moe Clark will be performing from her piece in WOMEN AND MULTIMEDIA.

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Photo by Daniela Sneppova, cover of WOMEN AND MULTIMEDIA