Gathering Voices in Response to Peril

POEMS IN RESPONSE TO PERIL, our anthology with 48 Canadian poets in support of Ukraine, will be launched May 28, 2 pm, Blackfriars Bistro, 46 Blackfriars St., London ON! All welcome, an outdoor patio.

The anthology, all 122 pages, is out now and it is beautiful… a fitting tribute in solidarity with Ukraine!
Order from r_sitoski@yahoo.ca: $25 plus post till our launch on May 28, then $30 plus post.

POETS IN RESPONSE TO PERIL, our Zoom on April 2, is now up, thanks to Richard-Yves Sitoski: h4. Truly a labour of love, from Canadian poets to Ukrainian poets and people. What a profound and poignant event, gathering 100 poets and participants coast to coast— holding fast for over three hours of words that we so needed to hear. Poetry is the ability to respond, and the poets did, in voices eloquently and powerfully expressed. This blog is intended to keep that community vibe flowing.

Part 1 of our zoom, https://www.youtube.com/watch?v=ETCb_gHO0R4, features Penn Kemp, Richard-Yves Sitoski, Susan McCaslin, Svetlana Ischenko, Russell Thornton, Albert Dumont, Bänoo Zan, Celeste Snowber, Blaine Marchand and Marsha Barber.

The Zoom recording Part 2 is on https://www.youtube.com/watch?v=l-XxPmrqMhE&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=43&t=18s. Featuring Caroline Morgan Di Giovann,i David Brydges, Diana Hayes, George Elliott Clarke, Charlie Petch, Harold Rhenisch, Jennifer Wenn, Karl Jirgens, Kate Braid, Katerina Fretwell, Kim Fahner, Lorri Neilsen Glenn, Marianne Micros, Murray Reiss, Patricia Keeney, Peggy Roffey, Solo and RL Raymond.

Part 3: https://www.youtube.com/watch?v=JkkLB2mso7E&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=45 . Featuring Richard-Yves Sitoski, Robert Girvan, Robert Priest, R. Pyx Sutherland, Sharon Thesen, Sheri-D Wilson, Susan McMaster and Akinlabi Ololade Ige, Susan McCaslin, Susan Wismer, Tanis MacDonald, Tolu Oloruntoba, Yvonne Blomer.

Kudos to Rico (Richard-Yves Sitoski), our indomitable host, along with Owen Sound Public Library!  Rico continues to gather our voices in poetry on https://www.youtube.com/user/veggiemeister/playlists, 49 so far! Send your videos to him, r_sitoski@yahoo.ca. And please take a listen when you can, when you need to hear these poems. Here’s celebrating National Poetry Month, #npm22.

Attached is our cover for POEMS IN RESPONSE TO PERIL, designed by Rico.

Here’s to the community of poets! Gathering voices: so many ways of maintaining connection.
May the conversation continue! For updates, please see Gathering Voices, https://www.facebook.com/groups/PendasProductions.

And here’s my poem, “Toward”, written on the day of the Zoom: https://share.icloud.com/photos/0b2Kvbbwo24LY4DdFhsgtDt6g

May peace prevail, inner and outer,
Penn

Gathering Voices: poets and participants respond to our Zoom

A wonderful event! Still glowing from the sense of purpose generated when poets come together for an important cause. Poetry forever!
Marsha Barber

Thank you all so much for what was an amazing event. Penn, Susan and Richard for your dedication to this cause, and all the poets and audience. It was deeply moving.
Yvonne Blomer

– it was deeply moving, and healing.  Thank you all!
Kate Braid

It was an extraordinary afternoon hearing all the poets read, relating to these dreadful events in Ukraine. The strange thing is that I didn’t realize how I needed to hear the human reactions, responses poetically—Facing this issue head on (through poetry) is, to my mind, part of the eventual reconstruction of world community.
Holly (& Allan) Briesmaster

Richard/Penn: Congratulations on an impressive Zoom launch! Of all the Zoom events in the past few years i have attended this was the most high profile and meaningful with poets caring about the Ukrainian crisis. Plus so many other topics that they are passionate about. I am so heartened Canadian poets are deeply engaged in the tragedies of the day. I look forward to seeing the anthology and am proud that when the history of these times is written there will not be a blank page for the poets.
David Brydges

Today, I spent almost two hours in zoom poetry reading for “Poets In Response To Peril” as organized by Canadian Poet Penn Kemp. When the invasion of Ukraine began, she wanted to put together a chapbook, but instead, the outpouring of Canadian voices created a full-length book.. within days. 
This is a really remarkable and quick effort, and the reading had me in tears as a poetry and people lover.  My cat enjoyed the reading as well. 🙂
The proceeds of the book sales will go to PEN Ukraine.
Please consider purchasing this book in support of the voices of Ukraine and PEN Ukraine.  email inquiries and orders to:r_sitoski@yahoo.ca 
Sarah M. Daugherty

My sincere thanks to Penn and Richard and the Library Zoom meister for arranging a truly astonishing afternoon of poetry, coast to coast. It was an honour to take part. Our poems now go out like prayers to Ukraine and , sadly, other places in our world where people suffering in peril may find a measure of comfort in our words. Poetry does have power. With love,
Caroline Morgan Di Giovanni

Our time together yesterday reminded me of a statement I made years ago. This is it: “Time is the storage place of our memories. And the human heart is the storage place of our tears. I have gone to that place of memories and visited where tears are kept. What I retrieved was the notion that poetry is delightful to the human spirit.” I hope your Sunday is restful and emotionally uplifting.
Albert Dumont

Congratulations on this impressive mobilization of poetic force in support of our allies and fellow artists under attack in Ukraine.
Neil Eddinger

These poets…so amazing…all of them.
Kim Fahner

What an event dear Penn, and such variety and diversity and even Ukrainian spoken! Brava! A huge life-changing Poets in Response to Peril event. Brava/bravo Richard and Penn!! The variety, poignancy, astoundingly creative and delightful videos all contribute to a masterful, memorable production. 
Katerina Vaughan Fretwell

​We were particularly interested in your latest book since it also benefits those affected in the Ukraine. What a beautiful endeavour that helps shed light on the dreadful situation expressed with poetry. It is so beneficial and of course, our residents love reading poetry!
Rebecca Gee

Dear Penn, Rico, Susan and all who made this special event possible…It was an emotional gathering of coast-to-coast poets and poems and I was honoured to be part of the outpouring of love and grief and hope at this time of peril.
Here’s to peace and freedom indeed!
Diana Hayes

Dear Penn & Rico,
Warm thanks for hosting such a wonderful event! It was fabulous.
I know it took a lot of energy to do that. You’re culture heroes!
Excellent reading. — It came out great!
Good to see and hear so many supportive authors!
A strong reading set! — The book extends vital support of Ukraine while condemning war.
What a massive job. Your combined energies on the reading, video and book are deeply appreciated.
Here’s hoping that the war will come to an end soon. 
The world stands against the atrocities.
It is good that Canadian writers also stand against such martial aggression.
Thank you for it all,
Sunflowers for Ukraine) 🌼🌼 🌼
Karl Jirgens

And thanks dear heart for all your continuing efforts. I love that the whole project began with the conviction that poetry makes everything happen…in its time.
Patricia Keeney

Such an amazing project! I hope the blog post, the project (and the new book!) get lots of well-deserved attention and love!
Renée Knapp

Thank you  Richard-Yves Sitoski and Penn Kemp for all the work you put into Saturday’s very moving “Poets in Response to Peril” event. It felt like a teaser for the upcoming anthology. Now I can’t wait to read “Poems in Response to Peril”.
Mary Little

Wonderful initiative, great event. And thanks to you Penn, to Richard-Yves, to Susan McCaslin who worked so hard to bring it to fruition. Thanks to Tim for the technical support. A great gathering. Splendid poetry. Now people should purchase the Anthology and help support Ukraine. But it was great to feel a part of the poetic community this afternoon. I look forward to reading the anthology. There were many powerful, moving poems this afternoon.  
Blaine Marchand

Dear Penn & Richard,
Thanks to you both for collaborating on this wonderful and meaningful event. I hope more books orders flow in. Thanks for all you are doing to get more poets’ voice out to the public, Penn. And thanks for the links you are providing to preserve people’s responses to Saturday’s amazing event. The event continues opening in ever-widening circles!
Susan McCaslin

Yes, thank you Penn, Rico, Tim, Susan, and all of my fellow poets for a most intense and meaningful event. I’ll remember it!
Susan McMaster

One of the poets said that she was falling in love with the community of poets on the zoom. Certainly, it was a wonderful group of poets, both in terms of their poetry and also their humanity. In the midst of sorrow about the war, there was also much beauty in the poets’ words…The breadth and depth of the poems shared by the poets was emotionally moving. Thank you again for putting together such a phenomenal project.
Ola Nowasad

I would like to order a copy of Poems in Response to Peril. I attended the Zoom event on April 2nd and it was phenomenal.
Lisa Reynolds

That was a very rich and varied collection of poems and poets. A delight to be a part of the gathering. Well done, organizers. Thanks!
Peggy Roffey

Sorry Penn for not to be able to participate at event with my voice. I was just ear but not voice. Anyway, I already doing my best with colegues writer here in Bosnia to help some of Ukrainian writer to find temporarry home here in Sarajevo and to be evacuate with great help of German Goethe Institute. I hope I am doing right, aven I have Memory of myself rejecting to leave Sarajevo with my two Children on the beginnig of four years long siege of my city starting 1992.
All the best to you and friends making that event possible.
Goran Simic
Because of a poor connection from Bosnia, Goran was able to be with us only “by ear but not voice.” How ironic, because the voices of those who have known war need to be heard! As this conversation points out:
Dear Mr Simic, (And Everyone else…)
I have not had the pleasure of meeting you, but I do know of your fine work, and have just now read two of your poems, https://www.calvertjournal.com/articles/show/13065/poems-about-migration-love-and-war-by-bosnian-poet-goran-simic. It does not seem right that you could not share your voice at this event, particularly because in addition to your gifts as a poet, you are much closer in many ways to the bloody events unfolding in the Ukraine than many of us here.
Robert Girvan
Dear Robert, thank you for kind words about my poetry. I will be glad to record one of my poems to participate for video Message as Canadian/ Bosnian contribution of poets who alarm the world about attack on Ukrainian state, culture and history. All of my friends writers who survived siege in Sarajevo still feel alive the same scars watching destruction of city and civilians in Ukraina. But with pride for people not to give up struggle. I will do video asap because I spend most of my day on the hill keeping company to the four street abandoned dogs we adopted five years ago.
Goran Simic
Dear Goran,
Excellent! I look forward to seeing you and hearing your voice and words. The lucky ones who have not (yet) faced war, bow their heads to those who have endured it, and listen.
Robert Girvan
Goran has sent the video of his poem for https://www.youtube.com/user/veggiemeister/playlists
I hope you do too. His greetings from Sarajevo and the poem: https://www.youtube.com/watch?v=mW1KSzzPQ9c&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=41.

I am still feeling the pleasure of seeing you in your great blue and yellow costume, and the 
 honour of being involved in the  hours of poetic tension that was so invigorating,  even in the perilous present.
Elizabeth Waterston

All I can say is
Thank you and love to you.
You are a great inspiration,
your spirit, insights and grace
encourage me, inspire.
Sheri-D Wilson

Please let me add my voice to those who have already thanked the organizers and all who attended yesterday’s reading.  It was indeed a marathon and, as one of the final readers, it was gratifying to see how many people hung in through the whole reading in an amazing outpouring of solidarity, support and yes, love. As Richard has noted, if even a fraction of that positive reverse-bomb energy intervenes in places in the world where people’s lives are torn by violence, we will have done our bit for peace and for the sustainable future of humanity. I look forward to receiving my copies of the anthology. 
Susan Wismer

The Cover Reveal!

Reads for International Women’s Day

This month offers recommendations of women’s writing, with comments. In a time of loss and transition and the chaos of world crises, I’m having trouble organising, so I tend to read instead of writing or editing. A sometimes necessary escape these days. A book is so contained with its beginning, middle, and end. Covers we can close with a sense of accomplishment and of completion. I love how books weave around one other, sequentially, thematically, without my conscious intent. So grateful to London Public Library for their engaging and enticing collection! The dregs of winter: a perfect time for tomes and for poems.

Here’s my poem for IWD: “Choose to Challenge”, https://lfpress.com/entertainment/local-arts/london-poet-penn-kemp-marks-womens-day-with-call-to-action. The video of my reading is up on https://www.youtube.com/watch?v=dNC2sbZGp3c&t=6s.

Recommended Reads for International Women’s Day

Angie Abdou, This One Wild Life: A Mother-Daughter Wilderness Memoir. In her dedication, Angie Abdou hopes the reader will receive the book like a long letter from a good friend. And it is: a sweet, endearing, sometimes heart-breakingly honest memoir. But earlier, the price of being so open was a devastating social media attack: Abdou describes the effects in this memoir of healing.  We learn what it is what Abdou plans to do with her “one wild and precious life”. During the Pandemic, it’s a lovely treat to hike in the mountains vicariously with her.  And oh, I loved her cottonwood!

Brit Bennett, The Vanishing Half. Many different ways of exploring identity and choice and choice’s consequences.

Natasha Brown, Assembly. Rachel Cusk, Sheila Heti and Bernardine Evaristo walk into a bar… and meet Natasha Brown. Assembly is honed stiletto-sharp, not a hair out of place, however the protagonist feels in classist, racist England. “Unfair”, whine the various white men who confront her in this short, perfect novel.

Catherine Bush, Blaze Island. Poignant and powerful writing set on Fogol Island, about climate change: “We were very quickly free of the city and out over the most vivid degree of blue permitted on this planet to the human eye.” “It looked like the earth had resisted the imagination of God or poets, I thought in exhilaration.” And this short, tender film from the text, https://www.cbc.ca/arts/canadacouncildigitaloriginals/watch-this-collage-film-love-story-created-by-canadian-artists-in-isolation-1.5804960​.

Sharon Butala, This Strange Visible Air: Essays on Aging and the Writing Life. Always brave, honest and necessary writing in this age of ageism.

Clare Chambers, Small pleasures: a novel. So many charming pleasures: beautiful writing, engaging characters and utterly engaging plot. A delicious read and reprieve from current events.

Sadiqa de Meijer, The outer wardsSadiqa de Meijer, Alfabet / alphabet: a memoir of a first language. “Or was there an influence of origins at work, an onomatopoeic element with ecologically ambient sounds and forms giving rise to each language?”
“I tried to contain where the words went, but there are submerged forces in writing—in the land-water realms of consonant vowel—that require our surrender.”
“a sort of sideways drift has taken place among the words”
“The untranslatable is inherent in all intercultural contact, where its particles may accumulate and become tropes of otherness.”

Junie Désil, Eat salt / gaze at the ocean: poems
“scudding back and forth through history”
“There isn’t a pastness”

Esi Edugyan, Out of the sun: on race and storytellinghttps://www.cbc.ca/listen/live-radio/1-23-ideas/clip/15891798-cbc-massey-lectures-or-5-africa-art?cmp=newsletter_Ideas_5748_403481:
“In the 1800s, Black pioneers established themselves in Priceville, Ont., only to be eventually pushed out by European settlers. The only thing that remained of them was their cemetery.”

Louise Erdrich, The Sentence. Louise Erdrich herself reads the audiobook in a delicious rendition as funny as it is powerfully poignant. And the novel includes a bookseller called Louise! A ghost story that starts on Halloween 2019 and progresses through that annus horribilis till Halloween 2020: one long sentence of the present. Glorious!

Annie Ernaux, Hôtel Casanova: et autres textes brefs. Autofiction écriture at its finest in curious glimpses: “l’écriture, du rapport qu’elle a avec le monde réel.” My school French was good for Ernaux’s lucent prose, until the slang of dialogue…

Lucy Foley, The Guest List. A predictable but fun mystery set on a secluded Island… murder ensues.

Louise Gluck, Faithful and virtuous night
Louise Gluck, American Originality: Essays on Poetry. Essential and astonishing reading and re-reading for any poet and reader of poetry. “What remains is tone, the medium of the soul.”
“The silenced abandon of the gap or dash, the dramatized insufficiency of self, of language, the premonition of or visitation by immanence: in these homages to the void, the void’s majesty is reflected in the resourcefulness and intensity with which the poet is overwhelmed.”
“the use of the term ‘narrative’ means to identify a habit of mind or type of art that seeks to locate in the endless unfolding of time not a still point but an underlying pattern or implication; it finds in moving time what lyric insists on stopped time to manifest.”

Lauren Groff, Matrix: a novel. “Visions are not complete until they have been set down and stepped away from, turned this way and that in the hand.” Loved this celebration of mediaeval visionary Marie of France!

Joy Harjo, Poet warrior: a memoir
In these quotes, you can experience her voice directly as written: “And the voice kept going, and Poet Warrior kept following no matter
Her restless life in the chaos of the story field.”“Every day is a reenactment of the creation story. We emerge from
dense unspeakable material, through the shimmering power of
dreaming stuff.
This is the first world, and the last.”
“The imagining needs praise as does any living thing.
We are evidence of this praise.”
“When you talk with the dead
You can only go as far as the edge of the bank.”
“Frog in a Dry River”

Amanda Gorman, Call Us What We Carry. An astonishingly accomplished and moving collection.
The Muses, daughters of Memory inspire us.
“History and elegy are akin. The word ’history’ comes form an ancient Greek verb meaning ‘to ask.’” Anne Carson
Lumen means both the cavity
of an organ, literally an opening,
& a unit of luminous flux,
Literally, a measurement of how lit
The source is. Illuminate us.
That is, we too,
Are this bodied unit of flare,
The gap for lux to breach.”

Vivian Gornick, Taking a long look: essays on culture, literature, and feminism in our time. A good read for #InternationalWomensDay! In her memoir, Vivian Gornick, looking back on the feminist movement in which she was deeply involved, understands “what every good memoirist understands: that the writer’s own ordinary, disheveled, everyday self must give way to that of a narrating self — a self who will tell the story that needs to be told.”  #IWD

Bell Hooks, All about love: new visions. “Love invites us to grieve for the dead as ritual of mourning and as celebration… We honor their presence by naming the legacies they leave us.”

Min Jin Lee, Pachinko. Fascination depiction of a war-torn Korean family saga, now filmed. All too relevant still.

Maggie Nelson, On Freedom. I’m listening to Maggie Nelson ON FREEDOM ironically, given Canada’s truck convoy versus convoys to Ukraine. Oh, the loss of innocence in that word’s current associations.

Molly Peacock, Mary Hiester Reid Paints, Travels, Marries & Opens a Door.
A lovely study of painters and painting. Tonalists “connected light both to emotions—and to the sounds of emotions. Using musical vocabulary, like nocturne or symphony, they suggested that emotions could be heard through paint”. “tap into childhood to find the ‘transitional object;” as D.W. Winnicott calls it: “‘Our first adventures into reality are through the objects” with “vitality or reality of [their] own.”

Charlie Petch, Why I Was Late
To be performed with dulcimer.”
“Things You Didn’t Know about Me”
Self-referential and fun. Performative poetry like The nerves centre, but stronger.

Angela Szczepaniak, The nerves centre. A ten-act cast of characters: poetry in performance, poet performing! A study of anxiety, her titles from self-help with dramatis personae. My fave: Mime Heckler. Utterly uttered!

Lisa Taddeo, Animal: a novel is a ferocious diatribe against male sexual violence. Since the book is dedicated to her parents and she lives with her husband and daughter, I wondered about the story behind the novel.

Hanya Yanagihara, To Paradise. Nicely structured fin de siècle tome, over three centuries, based on Washington Square and similarly named characters not to mention Hawaiian royalty. Deja vu, David Mitchell!

Zoe Whittal, The Spectacular. Three generations of women negotiating current, changing times.  It’s complicated, very. Spectacular, if you’re 21.  I’d have liked much more from the oldest woman but it’s a long novel as is. Reminiscent of David Mitchell’s Utopia Avenue.

Joy Williams, Harrow. Harrowing indeed. “a sacred grove, a temenos. It had once meant asylum and within it was asulos—the inviolable. It protected what was within and excluded that which was without.”
Kafka’s hunter “Gracchus, the literal expression in a concrete image of an abstraction.”

The matrilineage:

Photo: Amanda Chalmers

Heraclitus, Ongoing: a poem

Books I read are in the process of shaping, shifting
each time I open them. Not just pages but the content
won’t let me step into the same novel twice. Characters
talk back and letters dance jigs that won’t stand still.

Nor do I step into the same house twice. When I come
home, the front hall shifts to accommodate the change
I bring in my wake from outside realms. And the place
itself has contentedly settled within my absence.

I don’t step into the same dream twice. Oh, I try to return
to change the story, to divert the flow from disaster. But
the dream flips a new twist into its narrative, leaving me
to contend with eddies and currents I never suspected.

I don’t step into the same grief twice. Each has its own
taste, bitter, sweet or bittersweet, its intense specificity.
marked distinct and marking me. Every sorrow forms
a trail you know me by, sure signature of some loss.

I don’t step into the same life twice. Whether I step
into the same death is anyone’s guess: so many small ones
you’d think would prepare me, but who knows what
awaits us over on the other side, en la otra orilla.

I don’t leave my shoes on the bank and wade in.
I don’t recover what is swept away in the current.
Every poem hovers on the bridge over metaphor.
I don’t step into the river at all.

Penn Kemp

“Heraclitus, Ongoing,” P. 28-29.
Paintings by Jim Kemp, P. 49-50.
A Near Memoir: New Poems cover, P. 67.

Beliveau Review #8, June 2021
https://2e8a8d6d-e97c-4235-92c8-7aa31bae0d77.filesusr.com/ugd/830f0d_40d96803476c422d8e7809da400ff2c7.pdf.
Scroll down, https://beliveaubooks.wixsite.com/home/magazines

Jim Kemp,
“Zen Burst”

Jim Kemp, “Moth”


A NEAR MEMOIR: NEW POEMS

A NEAR MEMOIR: NEW POEMS from Beliveau Books is out!

Live! Launching A NEAR MEMOIR: NEW POEMS 

Sunday, September 5, 2021, 7:30-9:35pm. Red Lion Reading Series, 23 Albert St., Stratford ON. I’ll be reading as Featured Poet, https://beliveaubooks.wixsite.com/redlionreadingseries/shows. 
Register: https://www.facebook.com/events/110970911119609/?ref=newsfeed

If you’d like a numbered copy signed to you, let me know, pennkemp@gmail.com. 
If you’d like a numbered copy, unsigned, please contact beliveaubooks@gmail.com.

The cost is $15, including postage. See https://beliveaubooks.wixsite.com/home/books.

But on September 5th in Stratford, it’s $10!

Readings from A Near Memoir

​Thursday, May 20, 3pm, 2021. Feature, Owen Sound Poet Laureate Open Mic series.​ Host: Richard-Yves Sitoski 
Sponsored by the League of Canadian Poets. https://www.facebook.com/events/169826411638195/?ti=ls

And Live!, Sunday, September 5, 2021, 7:30-9:35pm. Red Lion Reading Series, 23 Albert St., Stratford ON. I’ll be reading from A NEAR MEMOIR: NEW POEMS as Featured Poet, https://beliveaubooks.wixsite.com/redlionreadingseries/shows.

Thanks to a CAIP grant from the London Arts Council for time to write these poems.

Press

“Diving into a new book of poems by Penn Kemp is like setting out on an adventure.” https://lfpress.com/entertainment/local-arts/poet-penn-kemp-celebrates-growing-up-in-london-in-new-book-of-verse? with a video of my reading from the book,  a poem, “Choose to Challenge”, commissioned by Brescia for International Women’s Day this March 8: https://youtu.be/dNC2sbZGp3c. And https://lfpress.com/entertainment/books/new-books-by-london-area-authors-offer-variety-for-all-readers-tastes.

“A new book of poetry from prolific Southwestern Ontario writer and spoken word artist Penn Kemp”, https://stratfordbeaconherald.com/enttainment/books/latest-work-from-poet-penn-kemp-published-by-stratford-micropress-beliveau-books.

On Line

Read Richard-Yves Sitowski’s review in “SUSTAINING CONNECTIONS” on http://www.sageing.ca/sageing37.html, P. 25.

Three of the poems in the book are linked online.

A poem in the book, “Choose to Challenge”, was commissioned by Brescia University College to celebrate International Women’s Day! Read it here: https://brescia.uwo.ca/about/who_we_are/choose_to_challenge_poem.php
This poem was presented to the University at Brescia’s Dr. Hanycz Leadership Lecture on March 8, 2021. To see a video of me reading the poem, visit Brescia’s YouTube channel. https://www.youtube.com/watch?v=ThguVNENewQ #.

The London Free Press featured it: https://youtu.be/dNC2sbZGp3c?list=PLfojJEPqDqrTBdAxGfpQaPao8m_ynhfuI&t=11.

With special thanks to Dennis Siren, visionary videographer, for his videopoem of a poem in the book, “Translation”, dedicated to my father, painter Jim Kemp: https://www.youtube.com/watch?v=WMqzgfLJtws&t=22s.

“There you are”, from A Near Memoir, is at 8:14 in my Luminous Entrance: a Sound Opera for Climate Change Action, up on https://www.youtube.com/watch?v=h9mS75i.

Endorsements for A Near Memoir: new poems

The poems in this unusually substantial chapbook reflect with charming insight on key moments and memorable forks in the road in the poet’s early life, then move to more sombre reckonings with mortality, the traumas of war, and the trees and environs of her Souwesto region, and conclude with inspirational “challenges” to us all in facing our uncertain future. Stylistic aplomb is underpinned, throughout, by mindful perception, impassioned concern, and a visionary verve.   
— Allan Briesmaster, author of The Long Bond (Guernica Editions)

d the deep without. It draws from the innermost regions of subjective consciousness while opening to social engagement and planetary awareness. The title suggests a genre both personal and universal, exploring the double lineages of family and the larger polis, our civic communities. Here we meet various members of her family, including her father, the visual artist. Penn has transformed his legacy into spoken word and a poetics where sounds and silences converge: “I still wait with paper’s white space till / words arise, images in words, watching them come into form…” As we participate, we are whirled into places where perception sharpens, and we too are transformed.

Penn Kemp’s A Near Memoir carries the reader simultaneously to the deep within and the deep without. It draws from the innermost regions of subjective consciousness while opening to social engagement and planetary awareness. The title suggests a genre both personal and universal, exploring the double lineages of family and the larger polis, our civic communities. Here we meet various members of her family, including her father, the visual artist. Penn has transformed his legacy into spoken word and a poetics where sounds and silences converge: “I still wait with paper’s white space till / words arise, images in words, watching them come into form…” As we participate, we are whirled into places where perception sharpens, and we too are transformed.
—Susan McCaslin, author of Heart Work (Ekstasis Editions)

A Near Memoir collects a confluence of poems around Penn Kemp’s beloved subjects: art, nature, community, the divine feminine, and flowingness of life.
—Sharon Thesen, author of The Wig-Maker (New Star Books)

Penn Kemp’s A Near Memoir: new poems explores the earliest stirrings of the creative imagination in childhood and the joys of associative thinking. With narrative skill and vivid sensual detail, it discovers and uncovers the effect of adult perspectives on a young mind, the puzzling life lessons of parents and teachers, the wisdom and heartbreak of nature. Ironic and lyrical, accurate and ambiguous, playful and profound, these finely tuned poems—whether enlightened moments or deep dives into an evolving self—flow with the ease and excitement that only a seasoned artist can bring. A book full of surprises and affirmation.
—Patricia Keeney, author of Orpheus in Our World (NeoPoiesis Press)

“Diving into a new book of poems by @pennkemp is like setting out on an adventure. You never know what you’ll come across and @JoeBatLFPress says her newest offering, A Near Memoir: New Poems, is no different.”

Hey, Red! Great poems!!!! So sensuous and lyrical and sly. 
—Catherine Sheldrick Ross, author of The Pleasures of Reading (Libraries Unlimited)

Penn Kemp ‘s book is wonderful in her mastery of language and attention to detail. A gorgeous read. A really great gift!” —Jude Neale

Nice day in the Grove for a new read from a dear friend and mentor, the magical Penn Kemp — Nick Beauchesne

A near Memoir has arrived and it is a treasure. So beautifully produced. With your life writings personal and planetary. And with such touching story-telling visuals. —Patricia Keeney

2020 Holiday Recommendations

Curling Up

with a Great Book!

Superb Canadian writing highly recommended, grouped idiosyncratically

First, by women

Pairing books by Indigenous Writers: Michelle Good, Five Little Indians; Leanne Betasamosake Simpson, This Accident of Being Lost, Islands of Decolonial Love and Noopiming: The Cure for White Ladies.

Pairing pandemic novels: Emma Donoghue’s The Pull of the Stars; Saleema Nawaz’s Songs for the End of the World and Larissa Lai’s The Tiger Flu.

Pairing BC novelists: Shaena Lambert’s Petra Maria Reva; Good Citizens Need Not Fear; Caroline Adderson’s A Russian Sister and Anakana Schofield’s Bina.

Pairing books on relationship: Christy Ann Conlon’s Watermark; Annabel Lyon, Consent; Lynn Coady, Watching You Without Me; Shani Mootoo, Polar Vortex; Vivek Shraya, The Subtweet; Frances Itani, The Company We Keep.

Pairing Westerns: Gil Adamson’s Ridgerunner; Emily St. John Mandel’s The Glass Hotel; Helen Humphreys’s Rabbit Foot Bill and Kate Pullinger’s Forest Green.

Pairing fiction set abroad:  Aislinn Hunter’s The Certainties. Janie Chang’s The Library of Legends; Sarah Leipciger’s Coming Up For Air; Marianne Micros’s Eye; Louise Penny’s All the Devils Are Here; Lisa Robertson’s Baudelaire Fractals. Anne Simpson’s Speechless AND Farzana Doctor’s magnificent Seven.

Non-Fiction
Carol Bishop-Gwyn, Art and Rivalry: The Marriage of Mary and Christopher Pratt
Lorna Crozier, Through the Garden: A Love Story (with Cats)
Naomi Klein, On Fire: The Burning Case for a Green New Deal
Theresa Kishkan, Euclid’s Orchard & Other Essays
Amanda Leduc, Disfigured
Susan McCaslin & J.S. Porter, Superabundantly Alive: Thomas Merton’s Dance with the Feminine
Catherine Sheldrick Ross, Lynne (E.F.) McKechnie, and Paulette M. Rothbauer, Reading still matters: what the research reveals about reading, libraries, and community
Susan Vande Griek and Mark Hoffmann, Hawks Kettle, Puffins Wheel
Elizabeth Waterston, Railway Ties 1888-1920
Jody Wilson-Raybould, From where I stand: rebuilding Indigenous Nations for a stronger Canada

Awards
The Writers’ Trust Award goes to Gil Adamson for Ridgerunner!
The Giller goes to Souvankham Thammavongsa for How to Pronounce Knife
The Latner Writers’ Trust Poetry Prize goes to Armand Garnet Ruffo

Reading Canadian men
Billy-Ray Belcourt, A history of my brief body
Dennis Bock, The Good German
Michael Christie, Greenwood: A Novel of a Family Tree in a Dying Forest
Desmond Cole, The Skin We’re In
David Frum, Trumpocalypse
William Gibson, Agency
Rawi Hage, Beirut Hellfire Society
Thomas King, Indians on Vacation
Thomas King, Obsidian: A DreadfulWater Mystery
Kurt Palka, The hour of the fox: a novel
Andrew Pyper, The residence
Iain Reid, I’m Thinking of Ending Things
Robin Robertson, The long take: a Noir Narrative
Jesse Thistle, From the Ashes
Clive Thompson, Coders
Richard Wagamese, Keeper’n Me

Back to Poetry, Canadian and Beyond
Madhur Anand, A new index for predicting catastrophes: poems
Margaret Atwood, Dearly
Adèle Barclay, Renaissance normcore
Gary Barwin, For it is a PLEASURE and a SURPRISE to Breathe: new & selected Poems
Heather Birrell, Float and scurry
Jericho Brown, The Tradition 
Lucas Crawford, The high line scavenger hunt
Amber Dawn, My Art is Killing Me
Dom Domanski, Bite down little whisper
Klara du Plessis, Ekke
Nathan Dueck, A very special episode / brought to you by Nathan Dueck
Chantal Gibson, How She Read
Julie Hartley, Deboning a dragon
Karen Houle, The Grand River Watershed: a folk ecology
Patricia Keeney, Orpheus in Our World
Kaie Kellough, Magnetic equator 
Canisia Lubrin, The Dyzgraph*st
Daphne Marlatt, Intertidal: The Collected Earlier Poems, 1968 – 2008
Jane Munro, Glass Float
Harold Rhenisch, The Spoken World 
Robin Richardson, Knife throwing through self-hypnosis: poems
Anne Simpson, Strange attractor: poems
John Elizabeth Stintzi, Junebat
Moez Surani, Are the Rivers in Your Poems Real?

See more recommendations on https://pennkemp.wordpress.com/2020/08/31/31booksinaugust/ , https://pennkemp.wordpress.com/2020/04/02/reading-and-recommending-poems-for-national-poetry-month-2020/ and https://pennkemp.wordpress.com/2020/11/06/on-reading-new-work-by-canadian-women-novelists/On reading new work by Canadian women novelists.

Anthologies
Best Canadian poetry 2019   
Measures of astonishment: poets on poetry / presented by the League of Canadian Poets
Caroline Adderson, editor. The Journey prize stories: the best of Canada’s new writers
Nyla Matuk, editor. Resisting Canada: an anthology of poetry
Adam Sol, How a poem moves: a field guide for readers of poetry

Beloved Books on Spiritual Ecology
Tim Dee, Landfill: Notes on Gull Watching and Trash Picking in the Anthropocene
Robin Wall Kimmerer, Braiding Sweetgrass
Diana Beresford-Kroeger, To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest
Robert Macfarlane, Underland
Richard Powers, The Overstory
Merlin Sheldrake, Entangled Life

Deepest, Longest and most Transformative Read of 2020
Peter Kingsley, Reality, Catafalque Press, 2020
(and Peter Kingsley, In the Dark Places of Wisdom)

International Reads
John Banville, Snow
Neil Gaiman, American Gods: The moment of the storm. 3
Sue Monk Kidd, The Book of Longings
Lily King, Writers and Lovers
Natsuo Kirino, The goddess chronicle
E. J Koh, The magical language of others: A memoir
Raven Leilani, Luster
Helen Macdonald, Vesper Flights
William Maxwell, So long, see you tomorrow
Ian McEwan, Machines like me: and people like you
Ian McEwan, Cockroach
Madeline Miller, The Song of Achilles
Lin-Manuel Miranda and Jeremy McCarter, Hamilton: the revolution
David Mitchell, Utopia
Maggie Nelson, The Argonauts
Celeste Ng, Little Fires Everywhere
Naomi Shihab Nye, Cast away: poems for our time
Maggie O’Farrell, Hamnet and Judith
Tommy Pico, Feed
Samantha Power, The Education of an Idealist
Omid Safi, Radical love: teachings from the Islamic mystical tradition
Jake Skeets, Eyes bottle dark with a mouthful of flowers / poems by Jake Skeets
Mirabai Starr, Wild mercy: living the fierce and tender wisdom of the women mystics
Natasha Trethewey, Memorial Drive
Mary L. Trump, Too Much and Never Enough
Ruth Ware, The Turn of the Key
Jennifer Weiner, Big Summer
Niall Williams, This is Happiness
Bob Woodward, Rage

About to read (sometime, soon-ish)
Madhur Anand, This Red Line Goes Straight to Your Heart
Marianne Apostolides, I can’t get you out of my mind: a novel
Nina Berkhout, Why Birds Sing
Carol Bruneau, Brighten the Corner Where You Are: A Novel Inspired by the Life of Maud Lewis
Cathy Marie Buchanan, Daughter of Black Lake
Catherine Bush, Blaze Island
Louise Carson, The Cat Possessed
Dede Crane, Madder Woman
Lorna Crozier, The House the Spirit Builds
Francesca Ekwuyasi, Butter Honey Pig Bread
Heather Haley, Skookum Raven
Catherine Hernandez, Crosshairs
Natalie Jenner, The Jane Austen Society
Shari Lapena, The End of Her
Jessica J. Lee, Two trees make a forest: travels among Taiwan’s mountains & coasts in search of my family’s past
Tanis MacDonald, Mobile
Silvia Moreno-Garcia, Mexican Gothic
Noor Naga, Washes, Prays
C.L. Polk, The Midnight Bargain
Damian Rogers, An Alphabet for Joanna: A Portrait of My Mother in 26 Fragments
Johanna Skibsrud, Island
Susan Swan, The Dead Celebrities Club
Emily Urquhart, The Age of Creativity: Art, Memory, My Father, and Me
Natalie Zina Walschots, Hench: a novel

AND…
Jordan Abel, Nishga
André Alexis, The Night Piece: Collected Short Fiction
Bill Arnott, Gone Viking
John Barton, Lost Family 
David Bergen, Here the Dark
Wade Davis, Magdalena: river of dreams 
Cory Doctorow, Radicalized
Cory Doctorow, Attack Surface
Gary Geddes, Out of the ordinary: politics, poetry and narrative
Steven Heighton, Reaching Mithymna: among the volunteers and refugees on Lesvos
Kaie Kellough, Dominoes at the Crossroads
David A. Robertson, Black Water
Mark Sampson, All the Animals on Earth
J.R. (Tim) Struthers (Editor), Alice Munro Everlasting: Essays on Her Works II
Mark Truscott, Branches
Ian Williams, Reproduction

Most of these books have come to me through London Public Library, now celebrating 125 years! Thank you!
Others came from Indie bookstores and friends. None from Amazon.

Check out my own books on http://pennkemp.weebly.com/works.html.

Read on ! Read often:)

Poem for the Fourteen

Invocation: for all those missing and murdered

Come say hello, women. While the veils are still

thin, we welcome your presence, no longer missed

but present, with all the disappeared you stand for.

As if you were in the prime of life now. As if

your daughters bloomed full-grown around you.

As if your mothers were crying delighted tears.

And if you were here to see what has changed

and what has not, would you hide your eyes in

shame for what has been done, what has not?

Come into the light and tell us how you are. As

if you have life beyond what we recall or remember

before this dark December claims its own again.

https://pennkemp.wordpress.com/2017/12/01/another-invocation/?fbclid=IwAR04DnqiyRBbiV3Nc2ZTENGNsU92OxBkduVP4a-wQxn34ANvJqztAgWcU8Q

http://tuckmagazine.com/2017/12/01/poetry-1150/

3 Plays in the Pledge Project

Large cast plays by Canadian women are featured on https://www.pledgeproject.ca/plays/
For more information about my work, visit 
the CWPO Collection.
1. The Epic of Toad and Heron
https://www.pledgeproject.ca/plays/the-epic-of-toad-and-heron/
Synopsis:

This fantasy pageant tells the story of the Toad Prince who marries a real princess, the daughter of the Sun and Moon who ultimately transforms into a heron.

Characters:

The leads are a Toad Prince and a Princess who is transformed into a Heron. Other characters are Toadlets, as many as needed, played by children. Casting is completely open in regards to gender, race, orientation, and disability.

Resources:

Digital script available through the Canadian Play Outlet. $12.00

The Epic of Toad and Heron was first presented on Toronto Island by Pendas Productions as a way of saving Island homes from being bulldozed by the city. The flying Toad became the icon on the Toronto Island flag: a symbol of survival. The first production featured mimes Jay Fisher and Bibi Caspari as well as a cast of Island children. Penn Kemp has performed the play with children in many Ontario schools as well as back on Toronto Island: https://m.openbooktoronto.com/events/green_carpet_gala_3.

 The Epic of Toad and Heron was published for the first production by Black Moss Press. The marvellous illustrations are by Bobbe Besold with photos by Elizabeth Cunningham.

///////////////////////////////////////////////////////////////////////////////////////

Synopsis:
The personal dramas of six women in an abortion ward, presenting different responses, and an examination of the role of nurses as the patients confront hospital bureaucracy. Acts: 1. A period piece from the Seventies that is still all too current. Directed by Anne Anglin

2. Angel Makers
https://www.pledgeproject.ca/plays/angel-makers/

Characters:

2 Nurses
6 Patients
1 Grandmother
1 Child

First Produced:

Redlight Theatre, Toronto, 1976. Toronto General Hospital, 1977

Resources:

Digital script available through the Canadian Play Outlet. $12.00

/////////////////////////////////////////////////////////

3. https://www.pledgeproject.ca/plays/the-triumph-oh-teresa-harris/ 

The Triumph of Teresa Harris celebrates the lives of an extraordinary couple, Teresa Harris and St. George Littledale. Why have these intrepid explorers not been heard of outside the annals of Victorian exploration? The couple shunned publicity. Independently wealthy, they didn’t need to raise money for their expeditions. They reported to the Royal Society and directly to the King. This information was not to fall into the hands of foreign powers that were vying for the same territories as Britain. The Littledales preferred to serve the Empire’s glory, not their own. This is their story.

Characters:
  • Annie
  • Chris
  • First Teresa
  • Sarah
  • Mary
  • Tenzin
  • Passing Stranger, Cook
  • First Amelia
  • Helen
  • Eliza
  • Second Teresa
  • Scott
  • John
  • Second Amelia
  • St. George
  • Third Teresa

First Produced:

The Palace Theatre, London ON, 2017.

The Dream Life of Teresa Harris: Eldon House Historical Museum, London ON, 2013.

The Dream Life of Teresa Harris by Penn Kemp

Resources:

Digital copy available through the CPO website.

Notes:

Male Cast: 6
Female Cast: 10
Other Cast: 2
Total Cast: 18
Acts: 2

Sounds of Trance Formation

“For Penn Kemp, poetry is magic made manifest. While her subjects are varied, and her interests and approaches have evolved over the years, Kemp has always understood the power of spoken word to evoke emotion, shift consciousness, and shape the world. Drawing on a syncretic blend of spiritual philosophy informed by Alchemy, Buddhism, Hinduism, and other wisdom traditions, Kemp’s work is imminent and transcendent, embodied and cerebral. The words on the page produce certain effects, while the voices in the air produce others altogether.”
The Sounds of Trance Formation: An Interview with Penn Kemp”
Nick Beauchesne, Spoken Web Canada. To be podcast in December 2020.

“Refining the Alchemical Ear: Adept Listening Practices and the Poetry of George Bowering, Margaret Atwood, and Penn Kemp”
Nick Beauchesne, https://spokenweb.ca/events/virtual-listening-practice-guided-by-nick-beauchesne/
This workshop is a brief foray toward an “adept” listening practice; that is, to listen to poetry from the perspective of an aspiring adept, a seeker of spiritual and poetic truths. What can we learn about the seeker’s path, and about poetry, from the Masters? What is the relationship between magic, word, and sound? How does the experience change when encountering these verses visually vs. orally? Analog vs. digital? This week, Nick Beauchesne curates three poems selected from the University of Alberta’s SpokenWeb collection. These poems have been digitized from reel-to-reel recordings of poetry readings captured at the U of A in the 1960s, 70s, and 80s, and delivered by some heavy-hitters of Canadian literature. These readings touch on themes and practices derived from Alchemy, Spiritualism, Theosophy, Buddhism, Hinduism, and New Age philosophy. George Bowering, Margaret Atwood, and Penn Kemp (formerly Penny Chalmers) are the magical Masters from whom we will learn some new “tricks” of the poetic (and magical) trade. Research project with an interest in the study, preservation and creative use of literary and humanities-oriented audio recordings.”

On reading new work by Canadian women writers

And the Giller goes to Souvankham Thammavongsa for How to Pronounce Knife! Congratulations! And Congratulations as well to the other finalists!

Superb writing that I highly recommend, grouped here idiosyncratically.

Pairing Westerns: Gil Adamson’s Ridgerunner; Emily St. John Mandel’s The Glass Hotel; Helen Humphreys’s Rabbit Foot Bill and Kate Pullinger’s Forest Green.

Pairing work set abroad: Shaena Lambert’s Petra; Janie Chang’s The Library of Legends; Louise Penny’s All the Devils Are Here. Lisa Robertson, Baudelaire Fractals. Pairing Caroline Adderson’s A Russian Sister and Sarah Leipciger, Coming Up For Air. AND Farzana Doctor’s Seven.

Pairing pandemic novels: Emma Donoghue’s The Pull of the Stars; Saleema Nawaz’s Songs for the End of the World and Larissa Lai’s The Tiger Flu.

Pairing books on relationship by Annabel Lyon, Consent; Lynn Coady, Watching You Without Me; Shani Mootoo, Polar Vortex;  Frances Itani, The Company We Keep.

Pairing books by Indigenous Writers: Michelle Good, Five Little Indians; Leanne Betasamosake Simpson, This Accident of Being Lost

Memoir: Lorna Crozier, Through the Garden: A Love Story (with Cats)

Sans pareil: Naomi Klein, On Fire. Not a novel: I wish it were!

About to read (sometime, soon-ish):

Marianne Apostolides, I can’t get you out of my mind: a novel
Carol Bruneau, Brighten the Corner Where You Are: A Novel Inspired by the Life of Maud Lewis
Cathy Marie Buchanan, The Day the Falls Stood Still
Cathy Marie Buchanan, Daughter of Black Lake
Catherine Bush, Blaze Island
Catherine Hernandez, Crosshairs
Maria Reva, Good Citizens Need Not Fear 
Leanne Betasamosake Simpson, Noopiming: The Cure for White Ladies
Elizabeth Waterston,  Railway Ties 1888-1920

Hoping to read:
(Attention, London Library! Every other book listed here is in your collection. Please take the hint…)
Dede Crane, Madder Woman
Lorna Crozier, The House the Spirit Builds

Celebrating Wordsfest, tuning in to MORE Literary Arts!


Then back to new poetry. And back to writing…

Feature image: Daniela Sneppova
Photo of me age 7: Jim Kemp

Penn Letter for October 2020

How to reach out in these pandemic times? Poetry will see us through.
I’ve been publishing, perhaps in compensation for social isolation.

New Published Work

Choice, for Harold Rhenish, Train Poetry Journal. http://trainpoetryjournal.blogspot.com/

For bpNichol

Shaking his mane,
holding his pain, he
roars with yellow
toothed laughter so
large it spills over
into song; birds

catch the drift and
carry on all measure
beyond any known
syntax into currents
contemporary all
ways.

Echolocations Magazine #18, October 2020.  And for the strangest tribute to bpNichol ever:  https://www.instagram.com/tv/CF0fI3tA1ef/?igshid=5unlmzn1xl97 @ 52.15. https://www.echolocationmagazine.com/

A Short History of Epiphany            

And what might the difference have been
if Three Queens came bearing gifts…“An
evolutionary epiphany,” Susan declares.

Imagine if the Queens came first, only to be
superseded by three patriarchs bearing gold
(the capitalists); frankincense (down a long
church history of swinging censors); sticky
myrrh (more generally used in embalming.)

Imagine what the Queens would deliver.
Hot water, hot soup, clean clothes, diapers.
Compassion, blankets, a room key to the Inn.

for Susan McCaslin and Katerina Fretwell

The Choice to Take… or to Receive: Bounty

<p value="<amp-fit-text layout="fixed-height" min-font-size="6" max-font-size="72" height="80">                                <em> For Lynne and for our beloved Elders</em>                                 For Lynne and for our beloved Elders

Having found the elderberry bush at the time of ripening berries, you
and I return with buckets and scissors, even a step ladder. Round and
round the bush we go, stripping the tendrils of the tender black globes.

What jelly or cordial or jam they’ll make! I pull down higher branches
for you, till one lashes you in the face. Berries at the crown are the most
luscious, gleaming inaccessibly in full sun. How to reach the unreachable?

In our haste to collect as many umbels as we can, we trample surrounding
Jerusalem artichokes, goldenrod and jewelweed despite their sweet blooms.
Transgressing, we snatch the fruit rather than asking the bush’s permission.

That night, we spend hours separating poisonous stems and leaves from precious
fruit. You make jelly; I an elderberry crumble, both exquisite. But when we meet
next day, we realize our greed in grabbing rather than receiving such abundance.

So we return with sage and sweetgrass to smudge the bush and recite Green Tara
mantras, asking forgiveness. Elder has recovered overnight from our ravishment—
unripe umbrellas are fully ripe. The bush appears to offer them freely this time.

“List List”, Sad Girl Review, Issue 5, www.sadgirlreview.com.

Forthcoming

“Wishing Well” has been selected from nearly 2000 submissions by the programme commission to be a part of the ZEBRA Poetry Film Festival. The ZEBRA Poetry Film Festival will be taking place from 19 to 22 November 2020 in the Kino in der KulturBrauerei in Berlin. You can see Mary McDonald’s animation and my text on https://riverrevery.ca/text-of-river-revery/wishing-well/!

News

Here’s the update of my work of Playwright Biography Project: https://cwrc.ca/islandora/object/cwrc%3A53bf983f-2025-4c27-ae1e-86ddb0e11645, August  2020.

I invite you to my Page, http://www.facebook.com/pennkemppoet. Please do join my Facebook groups, Support & Promote Canadian Arts & Culture http://www.facebook.com/group.php?gid=27449691026, where you can post Canadian events! & Gathering Voices, http://www.facebook.com/group.php?gid=3992303404. Also we can connect on http://www.twitter.com/pennkemp and http://www.linkedin.com/pennkemp.