How Poetry Matters: a Gathering of Poets in Perilous Times

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In his famous elegy for W. B. Yeats, W. H. Auden says, “poetry makes nothing happen.” And he adds: “it survives, / A way of happening, a mouth.”

How do poets respond to precarious events in the world? Susan McCaslin writes : “On Feb. 24, 2022, when the world woke to the shock of the catastrophic bombing of Ukraine, I asked myself and a few of my fellow poet friends how they would respond to Auden’s words, especially in these perilous times.” Susan and I discussed this line from Auden and continued with our own reflections on activism through poetry in this “Dialogue: Reflections on W.H. Auden’s ‘Poetry Makes Nothing Happen’”:  https://www.inanna.ca/2018/11/29/art-action-transformation/.

I’ve continued curating this project in response to Auden. If you are a poet who would like to add a line or two on how poetry matters, please contact me, pennkemp@gmail.com. Deadline is March 3, midnight EST, so we can publish it on March FORTH, the only day of the year that is a command! I’m collecting your words here:

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A Gathering of Poets in Response to Peril

How Poems Matter. Why Poems Matter.

Poetry makes the song of the heart shape the architecture the eye creates.” Jim Andrews

“I mean this little visual as a statement of how poetry can matter. I feel that it can place us in the meaningful nexus between being epistemological warriors and worriers. Both meaningful positions to consider the world. Poetry makes nothing happen? It does make things happen in terms of epistemology, both as a view on the outside world and one’s internal world.” Gary Barwin

“Poetry makes nothing obvious, nothing earth-shaking happen. At first. But it’s a slow ignition that can light up your life later, on the right day, at the right time, right when you need it most.” Kate Braid

“In the dark hours we place a bird beside a crumbled citadel, a voice inside a crowded tunnel, a mother singing in her mother tongue to a baby who cannot sleep. The image, metaphor, voice  resonates with the rhythms of heart beat and pulse, this for me is poetry. Where we turn in the dark and in the light.” Yvonne Blomer

David C. Brydges

“The poet’s lampoon must never go dull. Poetry precisely pricks the diplomatic bubble mask with such elegant savagery. Poetry without provocation is a seed without soil. Poets are society’s second government of conscience and dissent. Poets are language light-bearers in darker times. Poets are historians capturing a community’s tragedies and triumphs. We record and share our humanity so others can identify, empathize, and be inspired. Helping to bring wholeness to the human journey when hearts are broken. A poem is a small act as contemporary artist Ai Weiwei says on taking action: “A small act is worth a million thoughts.” Artists and poets are the raw nerve ends of humanity. By themselves, they can do a little to save humanity. Without them there would be little worth saving. — statement in the cemetery where Jackson Pollock is buried.” David C. Brydges

“Tyrants hate poets: Ovid was exiled by Augustus, Mandelstam was killed by Stalin, Neruda banished by Pinochet, Hikmet imprisoned in Turkey. When I hear the word Putin I reach for my sonnet!”
Andrei Codrescu

“Poetry is the translation of silences into words.” Sadiqa de Meijer

“Poetry is the place where the light gets into a person’s heart and mind on darker days. It’s the way hope lives in the world, saying ‘yes’ even when everything else seems to say ‘no.’ Poetry transports, transforms, and transmutes. It’s strong magic, and words have power—especially in the face of apathy or tyranny. Poetry asks you to pay attention, to observe, to be the witness, and then it asks you to write the words down on paper and give them a clear, true voice.” Kim Fahner

“Auden also wrote, ‘But it survives/ A way of happening, a mouth.'” In perilous times, poetry is hope, and hope is awareness. Hope is clarity.” Carolyn ForchĂ©. Carolyn also gave us permission to add this link to a reading on March 1 of “Voices for Ukraine–Words together, Worlds apart.”

The reading inspired this little poem:
SIMULTANEOUS TRANSLATION

When Ilya Kaminsky thanks
Carolyn Forché for her reading
dedicated to the city of Odessa


“where two things were esteemed,
poetry and ships”–in the subtitle
below, his word “reading” appears

aptly as “vineyard”.
Love and peace with freedom, Penn Kemp

“Poetry homes right into the heart and soul and this wisdom is essential as the world spins out of alignment. For too long, poetry has been marginalized; it needs to be central to daily living and acting to manifest inclusion, peace and communal care for everyone.” Katerina Fretwell

Gary Snyder, quoted by Kerry Gilbert below.

“You do what you can, as a citizen, and as a poet. Poetry, it seems to me, pushes against the degradation of language, and opens a space for the human.” Robert Girvan

“Poetry, especially when it is read aloud, can stir the most hardened heart to all that is possible. Poetry may well be our (and the Earth’s) most potent hope.” Heidi Greco  

“Poems connect us.
They are ambassadors when grief blinds us, when joy takes our breath away, when memories visit in the night and don’t leave a name.
Poems are rhythms of peace in a world of ancient battles.
They offer refuge from the front lines when there is little to believe or trust.
They offer a map to the heart, a path otherwise lost.
And finally, poems are followed by silence, the space between words, the knowing that cannot be told with language.” Diana Hayes

“A LITTLE NOTHING: POETRY MATTERS
When words fail, war is apt for displaying insanity.
Does matter matter? In wars of words, matter dissembles, lies.
It’s said, meter matters, metrics matter,
think of Fiona Hill: “
he wouldn’t, would he? Well, yes, he would.”
It’s said, maters matter, mother-tongues matter, meaning matters,
sometimes something trumps nothing
sometimes something lies amidst the branches of insulation
sometimes nothing
sometimes something lies
in the valley of its un-making
some times a thing — a too busy grief
some times no thing
for now, better, no thing
a word-less nothing”
Karl Jirgens

Jim Andrews

“Poetry makes the song of the heart shape the architecture the eye creates.” Jim Andrews

“Poetry, painting, sculpture, music, all the arts, including “folk arts” nourish Life itself and celebrate the creativity of the human spirit and address the Why of being alive. War destroys Life. Some arts remind us of that destruction: “Guernica,” war symphonies, and graphic expressions of death. Arts also can evoke Being itself, even capturing the love and mystical sense of harmony that quietly permeate all the energy-events in the Universe. Above all, poetry and its companion arts embody that sense of Presence in our mutual humanity and aspirations of the spirit. To the No of destructive forces, they are the everlasting Yes to Life.” Lee Johnson

“As Wislawa Szymborska writes, ‘Poetry isn’t recreation, a respite from life. It is life.’ Poetry is also a hiatus, a lift out of the daily round. Just as we support white Ukraine, may we support all activists against tyranny.” Penn Kemp

“- it all matters – especially now – struggling with the pandemic and hoping so fervently for Ukraine -” Patricia Keeney

“The most unfailing herald, companion, and follower of the awakening of a great people to work a beneficial change in opinion or institution, is poetry. At such periods there is an accumulation of the power of communicating and receiving intense and impassioned conceptions respecting man and nature. Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.” P. B. Shelly, In Defense of Poetry and Other essays (1821). Quoted by Dan Lenart

“My most recent effort is a poem trying to express how crucial battered old trees are for wildlife—the very ones people (including most arborists) would deem hazardous. Every tree matters to something alive, and the dead and dying sometimes most of all. I confess I hope the poem saves trees.” Chris Lowther

“Because poetry’s nothing is so much better than a poetryless nothing. 
Because Auden also wrote “we must love one another or die.” Tanis MacDonald

“Though poetry may change nothing in Auden’s sense, it has the power to transform consciousness. Change for the betterment of the whole is incremental when in the seed state, but capable of blossoming in the fulness of time. Poetry has the power to open hearts and minds to what poet and novelist Joy Kogawa calls “the arc of goodness.” Susan McCaslin

“Poetry is the voice of the spaces between the words, of the heart between the beats, of the caught breath before the long exhale. It’s not a naming of what we feel and perceive and think and imagine, but a net to capture all of those in its evocations and place them in our hands, to weave our own tale. Poetry hums and sings and says what can’t be said.” Susan McMaster

“No one goes to war for a poem. If the world were filled with poets, and those who read poetry, perhaps the only conflict would be the shortage of time in which to appreciate them all.” Sandra Nicholls

“A n d  P o e t r y  S t a r t e d  t o  R u s h  O u t 
A hole opened in the sky
And poetry started to rush out
At first we thought there must be so much poetry
It would take forever to empty the world
But each poem stretched the hole wider
And so now we must get to work again
We must breathe into the word
And let language rise up among us
If there is no poetry left in the world
Our kind will die forever
Without poetry we will not walk
Into the middle of the river
Just to see what’s done
To our reflections by the waves
Quicker than time can drag poetry
Gasping away forever
We must make up the new world
New words new ways”
Robert Priest

“Poetry takes one view of the world and smashes it, giving the writer — and in turn the reader — a way to reassemble it, examine it, reassess it.” R L Raymond

“I’ve always read that Auden quote — “poetry makes nothing happen” — from a somewhat Buddhist perspective. Nothing. Emptiness. The radiant creative void. Poetry makes it happen.” Murray Reiss

“There is a thickening, the moment water seeping from wetness forms a drop, just before it falls as the watering called in shorthand water and another forms from the wet. Thickening is the opening in the world that forms awareness, that tradition calls the self. It is a shell, that gathers life in and then gives it away. Call that the skull, if you like, a shallow bowl, a shawl, and a shaping. There is space that holds memory, that minds it, then pours it out into other cups, from which people drink it down, in repetition of the original thickening. It is good, they say, to the last drop. It can be found in gardens, wells and the sound of feet on shore that is called sand and gravel, after feet call them to the ear. When tamed, and harnessed, it is called the self, and moves into worlds of artifice. In that form, wild things, that shift by the world’s will, avoid its halters. It can, however, be the passing on of breath, formed in lungs, throat, mouth and with tongue and palette and lip, and in that form it carries through air to a listening ear, which reforms its dance as sound. When the eye joins in, this sound becomes the tracks of birds on paper. To be complete, a voice must complete the triad and lift it again into the air, dancing it again in the mouth.”
Harold Rhenisch

“As poet Don McKay writes, ‘poetry makes “nothing” HAPPEN. Gives the mute heart a tongue, awakens somnolent minds, brings memories back to life and life to conscious engagement.'” Peggy Roffey

Living the last years in my hometown Sarajevo which survived the four years’ long siege, I noticed many of my friends often reached to poetry books dealing with war, rather than to history books that make every single life looks like numbers. Watching on TV the attack on Ukraine, the only thing I can write now, as a survivor, is a short poem:
Warrior, if you come back to your hometown in uniform
Everybody will ask you how many enemies you killed
But once changing your clothes
Nobody will ask you
How many times you were killed
On your way back home.”
Goran Simic

“The nothing that poetry makes happen is pure potential. It’s Zen mushin space. It’s chaos in the original sense of the term, the yawning void that precedes matter and order. It’s a charged emptiness, an electric paradox, infinitude which has the wherewithal to (ful)fill itself. Poetry restores the primacy of the unknown, the unknowable, the unnameable. Poetry is for those of us who find meaning not in answers, but in questions.” Richard-Yves Sitoski

“Poetry is our body’s knowledge. Seeping from blood to ink, where the senses meet soul. Poetry creates bridges from the invisible to visible, crossing all borders. It writes us anew in the midst of hardship and companions us as a lover.” Celeste Snowber

“THIS VAST ROBE
We will,
Wear this vast robe together
Repair the vast robe together
We will
Share ‘this’ – our one Vast Robe
Together”
Roberta Pyx Sutherland

“Poetry reminds us of our deepest humanity. It is the human spirit expressed in language, pulling us back to what inspires and lightens the soul: hope, empathy, faith in the possibility of a future despite history’s continual attempts to eradicate it.” Eva Tihanyi

Here, in the cemetery,
you see the oddest people
with flowers, all searching
for a place they know
and bruised over the place
where the heart is.
When I come here–which I do
only in words–I tell them to walk
slowly, to look for every bit of death
they can find in the works of art
around them:  life is buried there,
where we go.
MTC Cronin, quoted by Sharon Thesen

“Poetry can go beyond prose, bypass intellectualization, and enter an intuitional realm that connects with each of us on a deep emotional and spiritual level.  When this happens there is an extraordinary resonance and true transformation becomes possible, indeed almost inevitable.” Jennifer Wenn

“Sometimes poetry is the invisible thread, the line, that connects us to our own humanity, humility. Realms open – hearts, bodies, spirits, minds. The poem flies into our beings – to unravel the unravelling world.” Sheri-D Wilson

“Poetry as the voice of the heart strings is how it matters.” Elana Wolff

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A Poem for Kyiv

The Honorable, the Diss-

As we learn to pronounce Keev as
a single syllable spelt, not caving in
to the Russian Kiev, but keeping Kyiv.

How Chrystia Freeman pronounces
Putin’s name with an emphasis on
Phew, ew!, a diphthong of disgust.

As if an explosive P could repulse
this errant madman, could in a huff
and puff blow down that house of

cards, his arsenal now on high alert.
The Doomsday Clock counts down a
hundred seconds till midnight strikes.

May Kyiv keep safe beneath the holy
mantle of Maty Zemlya, Mother Earth
as if prayers were enough. Send money.

PK
2/27/2022

https://www.theguardian.com/…/doomsday-clock-holds-at…
https://news.uchicago.edu/…/doomsday-clock-remains-100…?
https://www.theguardian.com/…/vladimir-putin-puts…

Fast Poem for Ukraine

February 24, 2022

The dark day we saw
coming. We heard it
coming. But we thought
we could for-
stall war.

Is Putin unhinged at
last? “Russia’s response
will be unlike any in history.”

Disbelief and shock there.
Disbelief and shock here.

“Each citizen of Ukraine
will decide the future of
the country.”

Will new and expanded
sanctions work? Tears
are never enough. As if
poems could help. As
if words would work.

“We now have war in Europe
that is of a scale and type
unparalleled in history.”

“This will not shake Europe.”

But it already is.

A Poem Beyond Building Digital Bridges.

Host Kathy Smith of Creative Age London asked me to write a poem to open Beyond Building Digital Bridges, the online conference that she has organized with many participants. The events take place on Zoom, February 15–18, 2022, sponsored by Museum London and hosted by Creative Age London. These presentations share “experiences about online life enrichment programs and meaningful community engagement strategies for older adults 50+, caregivers and service providers. See https://creativeage.ca/beyond-building-digital-bridges/. Free registration for Tuesday, Feb 15th 9:30am: Beyond Building Digital Bridges.

I am honoured to present this poem as an invocation to finding creativity through new media. My video poem, “On the Other Hand of Time”, airs at the summation of the conference. You can view it on https://www.youtube.com/watch?v=QM2Jg1Xf39g

An Invocation Beyond Building Digital Bridges

Invoking “The Decade of Healthy Aging”, we applaud
elders who have so much to teach and more to learn as
we enter the digital forum for ways to connect with our
beloveds across space and time. We can do this, because
we so want to be with them by hook or by zoom, Skype
and Facetime. That yearning pulls us to learn what we
need to explore this new realm of digital reach. How?

We watch our grandkids approach new modes, prompted
by curiosity, unafraid to fail and fail again until gleefully
they triumph. We too try and have fun trying, unabashed,
if we adopt that attitude of play, and adapt to new ways of
reaching out. Minds stretched and limber, we go beyond
building digital bridges to engage with the other side of
the screen, unknown and tantalizing with possibility. We

bridge the gap, we continue to grow, and so by definition
young in flexibility, on novel ground, our neighbourhood
wider and us wiser. Resources abound, as we expand into
creativity, that dance between self and others, beyond age
and aging. The necessary tension of creativity is excitement—
the pull between solitude and the community, between what
we’ve learnt over decades and what we continue to absorb.

I’ll end with this poem, “Believe”, written watching my granddaughter try something new. We need to create communities in which elders, like children, fly in the new directions that digital technologies offer. We believe that the power of art and culture can effect change.

Believe


In the space of a year she has learned to sit,
to stand, to walk, to totter forward in a run.

She has seen one full round of the seasons.
She wraps her family round her little finger.

Now just before dusk we stroll hand in hand
to witness the evening ritual of geese return.

Gliding along the Thames in formation, they skim
just overhead, flapping slow time in synch.

She studies their procedure, dropping my hand
to edge forward, neck outstretched, arms aero-

dynamically angled.  She flaps and flaps along
the bank, following their flight, ready for that

sudden lift.  Again, again, till the last goose has
flown.  Dragging her heels home, disconcerted,

she braces her body against the rising breeze,
bewildered that she too can’t take off to sky

but game to try again tomorrow.

Penn Kemp

This poem will be published in the Spring 2022 issue of SAGE-ING with Creative Spirit, Grace & Gratitude || The Journal of Creative Aging, http://www.sageing.ca. I’m delighted to appear in Sage-ing again. Ihttp://sageing.ca/sageing40.html. Yes to aging
 and still creating!

The poem is up here:

“We’re starting the event Beyond Building Digital Bridges with a heartfelt invocation by poet, performer, activist @pennkemp.” The poem is up here: https://creativeage.ca/2949-2/

The Symposium ends with an open chat and a replay of my videopoem, “On The Other Hand of Time”, performed with music by Brenda McMorrow, piano by Bill Gilliam with a visual interpretation by Dennis Siren. This song-poem is a part of a Sound Opera called Dream Sequins, performed at Aeolian Hall, London.

From an Upstairs Window, Winter

Poem for the dregs of February.

Some years ago, I was commissioned to write a poem on L. L. Fitzgerald’s painting for the National Gallery of Canada’s magazine. Luminous Entrance: a Sound Opera for Climate Change Action was performed at Aeolian Hall in 2009 with Anne Anglin, Ruth Douthwright, Brenda McMorrow, Robert Menegoni, video by Dennis Siren, sound by John Magyar.

Here it is, performed: “From an Upstairs Window, Winter”.
https://www.youtube.com/watch?v=ZBjqShE4pyM&t=5s.

And the same text in this gorgeous videopoem, https://www.youtube.com/watch?v=fqM4EaVFHaU&t=2s.
Electroacoustic music by Bill Gilliam. Images by Gera Dillon.

Here is the text:

From An Upstairs Window, Winter 

The sky is about four o’clock bay.
Icicles have dropped heavy white
tulips onto back kitchen rooves.
Soft snow is rising onto the air.

Maple buds set in their pale limbs
almost as if ready.  Our cultivated
tree prepares to join the bush outside
familiar lines where sharp angles collide.

Time to leave the window to its own
reality, condensed flat beyond the pane.
Supplies are low.  We have been so long
in winter, we are running out of sun.

On the shelf inside the storm, an empty
pitcher of light awaits sage and summer
savory.  All puns are planted.  We present
these things as if saying were enough to

conjure the perfect illusion of presence.

PK

You can see where the poem’s title came from!

Image
L.l..Fitzgerald, The National Gallery, Ottawa