Eco-Poetry: Using the Arts to Celebrate the Earth

Saturday, April 30, 1-2:30 pm EDT  Zoom

Eco-Poetry: Using the Arts to Celebrate the Earth

Please join us tomorrow for a breath of fresh air, a breath of poetry and SPRING!

Host: Jennifer Chesnut, Environmentalist-in-Residence, London Public Library.

With special guest Penn Kemp, explore poems on the theme of Earth and create your own eco-poem. This reading and workshop is open for all levels of experience zoom.

Please click this Zoom link to join the program: https://us02web.zoom.us/j/81787091382?pwd=a3FzSmJqMFhsN0hjSTJMWUU2WHlKQT09. You should not need it, but if you do, the Meeting ID for this event is 817 8709 1382 and the Passcode is 595825. The Zoom “Room” will open 5 minutes before the program begins. This program is being recorded. A prize draw is being held for participants of the live program. You can also register with your London Library card: 
https://www.londonpubliclibrary.ca/page/environmentalist-residence

These six poems are from Penn Kemp’s RIVER REVERY, Insomniac Press.
https://www.chapters.indigo.ca/en-ca/books/river-revery/9781554832385-item.html
“A Dazzling Multi-Media Response to Our Changing Climate:” https://arcpoetry.ca/2020/07/12/rim-revery-penn-kemp/. Thanks to Jennifer Chesnut for the invitation and the images!

Penn Kemp has been celebrated as a trailblazer since her first publication (Coach House, 1972). She was London Ontario’s inaugural Poet Laureate and Western University’s Writer-in- Residence. Chosen as the League of Canadian Poets’ Spoken Word Artist (2015), Kemp has long been a keen participant in Canada’s cultural life, with thirty books of poetry, prose and drama; seven plays and multimedia galore. See http://www.pennkemp.wordpress.com, www.pennkemp.weebly.com.

This event is sponsored by the City of London.  https://lfpress.com/news/local-news/have-eco-anxiety-librarys-new-environmentalist-in-residence-can-help.

Celebrating National Poetry Month and Plays

Upcoming April Readings Live and on Zoom

Thursday, April 7, 7pm ET: Zoom reading and discussion with Huron Literary Society at Western University to encourage young writers on Mental Health and Literature with Q & A. I Presenters Vanessa Brown, Penn Kemp and Yoda Olinyk. Contact: <lschwa22@uwo.ca>. Play-writing as an expression of hope and possibility. Sponsored by Playwrights Guild of Canada.

Sunday, April 10, 2 pm ET: Live! Our theme is the environment and eco-poetry. London Open Mic, Mykonos Restaurant, 572 Adelaide St N, London, ON N6B 3J5. I am launching P.S. (Gap Riot Press) https://www.gapriotpress.com/archive/penn-kemp-sharon-thesen-ps. I’ll read from my play THE TRIUMPH OF TERESA HARRIS to celebrate this intrepid conservationist. Guest readers include Jennifer Chesnut, London Library’s Environmentalist-in-Residence; Richard-Yves Sitoski, Owen Sound Poet Laureate; Andreas Gripp and Jennifer Wenn.  My reading is sponsored by Playwrights Guild of Canada. Contact: scryingsolo@gmail.comhttps://lfpress.com/entertainment/local-arts/london-poet-driving-force-behind-new-anthology-of-poems-about-war-in-ukraine 

Sunday, April 10, 6:30 pm. Live! Pre-concert conversation with Jennifer Chesnut and Penn Kemp on environmentalism and the arts, on poetry and local conservation awareness initiatives.
7:30 pm. Earth Speaks: A musical meditation on our collective responsibility to the planet. Chor Amica, Patrick Murray, guest conductor. Performance of ecopoetry by Jennifer and Penn. Oakridge Presbyterian Church, 970 Oxford St. W. London ON N6H 1V4. $25. Contact: patrick@patrickmurraymusic.net. https://www.choramica.ca/concerts.html

Saturday, April 30, 1-2:30 pm EDT. Zoom.
Eco-Poetry: Using the Arts to Celebrate the Earth.  With special guest Penn Kemp, explore poems on the theme of the Earth and create your own eco-poem. This reading and workshop is open for all levels of experience.  Host: Jennifer Chesnut, Environmentalist-in-Residence. Sponsored by London Public Library and the City of London. https://lfpress.com/news/local-news/have-eco-anxiety-librarys-new-environmentalist-in-residence-can-help. Free. Join Zoom Meeting: https://us02web.zoom.us/j/81787091382?pwd=a3FzSmJqMFhsN0hjSTJMWUU2WHlKQT09 

May (date TBA). Live! The Launch of Poems in Response to Peril: an Anthology (Pendas Productions/Laughing Raven Press). Dedicated to the poets and people of Ukraine from 48 Canadian poets. Readers: Penn Kemp, Richard-Yves Sitoski, and local contributors to the anthology as well as surprise guests. We have 200 pre-orders. Keep ’em coming! Poems in Response to Peril: an Anthology is 125 pages. $25 plus postage: order from r-sitoski@yahoo.ca. https://pennkemp.wordpress.com/2022/03/21/poems-in-response-to-peril-an-anthology/

See too this essential anthology, Worth More Standing, https://caitlin-press.com/our-books/worth-more-standing.

Gathering Voices in Response to Peril

POEMS IN RESPONSE TO PERIL, our anthology with 48 Canadian poets in support of Ukraine, will be launched May 28, 2 pm, Blackfriars Bistro, 46 Blackfriars St., London ON! All welcome, an outdoor patio.

The anthology, all 122 pages, is out now and it is beautiful… a fitting tribute in solidarity with Ukraine!
Order from r_sitoski@yahoo.ca: $25 plus post till our launch on May 28, then $30 plus post.

POETS IN RESPONSE TO PERIL, our Zoom on April 2, is now up, thanks to Richard-Yves Sitoski: h4. Truly a labour of love, from Canadian poets to Ukrainian poets and people. What a profound and poignant event, gathering 100 poets and participants coast to coast— holding fast for over three hours of words that we so needed to hear. Poetry is the ability to respond, and the poets did, in voices eloquently and powerfully expressed. This blog is intended to keep that community vibe flowing.

Part 1 of our zoom, https://www.youtube.com/watch?v=ETCb_gHO0R4, features Penn Kemp, Richard-Yves Sitoski, Susan McCaslin, Svetlana Ischenko, Russell Thornton, Albert Dumont, Bänoo Zan, Celeste Snowber, Blaine Marchand and Marsha Barber.

The Zoom recording Part 2 is on https://www.youtube.com/watch?v=l-XxPmrqMhE&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=43&t=18s. Featuring Caroline Morgan Di Giovann,i David Brydges, Diana Hayes, George Elliott Clarke, Charlie Petch, Harold Rhenisch, Jennifer Wenn, Karl Jirgens, Kate Braid, Katerina Fretwell, Kim Fahner, Lorri Neilsen Glenn, Marianne Micros, Murray Reiss, Patricia Keeney, Peggy Roffey, Solo and RL Raymond.

Part 3: https://www.youtube.com/watch?v=JkkLB2mso7E&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=45 . Featuring Richard-Yves Sitoski, Robert Girvan, Robert Priest, R. Pyx Sutherland, Sharon Thesen, Sheri-D Wilson, Susan McMaster and Akinlabi Ololade Ige, Susan McCaslin, Susan Wismer, Tanis MacDonald, Tolu Oloruntoba, Yvonne Blomer.

Kudos to Rico (Richard-Yves Sitoski), our indomitable host, along with Owen Sound Public Library!  Rico continues to gather our voices in poetry on https://www.youtube.com/user/veggiemeister/playlists, 49 so far! Send your videos to him, r_sitoski@yahoo.ca. And please take a listen when you can, when you need to hear these poems. Here’s celebrating National Poetry Month, #npm22.

Attached is our cover for POEMS IN RESPONSE TO PERIL, designed by Rico.

Here’s to the community of poets! Gathering voices: so many ways of maintaining connection.
May the conversation continue! For updates, please see Gathering Voices, https://www.facebook.com/groups/PendasProductions.

And here’s my poem, “Toward”, written on the day of the Zoom: https://share.icloud.com/photos/0b2Kvbbwo24LY4DdFhsgtDt6g

May peace prevail, inner and outer,
Penn

Gathering Voices: poets and participants respond to our Zoom

A wonderful event! Still glowing from the sense of purpose generated when poets come together for an important cause. Poetry forever!
Marsha Barber

Thank you all so much for what was an amazing event. Penn, Susan and Richard for your dedication to this cause, and all the poets and audience. It was deeply moving.
Yvonne Blomer

– it was deeply moving, and healing.  Thank you all!
Kate Braid

It was an extraordinary afternoon hearing all the poets read, relating to these dreadful events in Ukraine. The strange thing is that I didn’t realize how I needed to hear the human reactions, responses poetically—Facing this issue head on (through poetry) is, to my mind, part of the eventual reconstruction of world community.
Holly (& Allan) Briesmaster

Richard/Penn: Congratulations on an impressive Zoom launch! Of all the Zoom events in the past few years i have attended this was the most high profile and meaningful with poets caring about the Ukrainian crisis. Plus so many other topics that they are passionate about. I am so heartened Canadian poets are deeply engaged in the tragedies of the day. I look forward to seeing the anthology and am proud that when the history of these times is written there will not be a blank page for the poets.
David Brydges

Today, I spent almost two hours in zoom poetry reading for “Poets In Response To Peril” as organized by Canadian Poet Penn Kemp. When the invasion of Ukraine began, she wanted to put together a chapbook, but instead, the outpouring of Canadian voices created a full-length book.. within days. 
This is a really remarkable and quick effort, and the reading had me in tears as a poetry and people lover.  My cat enjoyed the reading as well. 🙂
The proceeds of the book sales will go to PEN Ukraine.
Please consider purchasing this book in support of the voices of Ukraine and PEN Ukraine.  email inquiries and orders to:r_sitoski@yahoo.ca 
Sarah M. Daugherty

My sincere thanks to Penn and Richard and the Library Zoom meister for arranging a truly astonishing afternoon of poetry, coast to coast. It was an honour to take part. Our poems now go out like prayers to Ukraine and , sadly, other places in our world where people suffering in peril may find a measure of comfort in our words. Poetry does have power. With love,
Caroline Morgan Di Giovanni

Our time together yesterday reminded me of a statement I made years ago. This is it: “Time is the storage place of our memories. And the human heart is the storage place of our tears. I have gone to that place of memories and visited where tears are kept. What I retrieved was the notion that poetry is delightful to the human spirit.” I hope your Sunday is restful and emotionally uplifting.
Albert Dumont

Congratulations on this impressive mobilization of poetic force in support of our allies and fellow artists under attack in Ukraine.
Neil Eddinger

These poets…so amazing…all of them.
Kim Fahner

What an event dear Penn, and such variety and diversity and even Ukrainian spoken! Brava! A huge life-changing Poets in Response to Peril event. Brava/bravo Richard and Penn!! The variety, poignancy, astoundingly creative and delightful videos all contribute to a masterful, memorable production. 
Katerina Vaughan Fretwell

​We were particularly interested in your latest book since it also benefits those affected in the Ukraine. What a beautiful endeavour that helps shed light on the dreadful situation expressed with poetry. It is so beneficial and of course, our residents love reading poetry!
Rebecca Gee

Dear Penn, Rico, Susan and all who made this special event possible…It was an emotional gathering of coast-to-coast poets and poems and I was honoured to be part of the outpouring of love and grief and hope at this time of peril.
Here’s to peace and freedom indeed!
Diana Hayes

Dear Penn & Rico,
Warm thanks for hosting such a wonderful event! It was fabulous.
I know it took a lot of energy to do that. You’re culture heroes!
Excellent reading. — It came out great!
Good to see and hear so many supportive authors!
A strong reading set! — The book extends vital support of Ukraine while condemning war.
What a massive job. Your combined energies on the reading, video and book are deeply appreciated.
Here’s hoping that the war will come to an end soon. 
The world stands against the atrocities.
It is good that Canadian writers also stand against such martial aggression.
Thank you for it all,
Sunflowers for Ukraine) 🌼🌼 🌼
Karl Jirgens

And thanks dear heart for all your continuing efforts. I love that the whole project began with the conviction that poetry makes everything happen…in its time.
Patricia Keeney

Such an amazing project! I hope the blog post, the project (and the new book!) get lots of well-deserved attention and love!
Renée Knapp

Thank you  Richard-Yves Sitoski and Penn Kemp for all the work you put into Saturday’s very moving “Poets in Response to Peril” event. It felt like a teaser for the upcoming anthology. Now I can’t wait to read “Poems in Response to Peril”.
Mary Little

Wonderful initiative, great event. And thanks to you Penn, to Richard-Yves, to Susan McCaslin who worked so hard to bring it to fruition. Thanks to Tim for the technical support. A great gathering. Splendid poetry. Now people should purchase the Anthology and help support Ukraine. But it was great to feel a part of the poetic community this afternoon. I look forward to reading the anthology. There were many powerful, moving poems this afternoon.  
Blaine Marchand

Dear Penn & Richard,
Thanks to you both for collaborating on this wonderful and meaningful event. I hope more books orders flow in. Thanks for all you are doing to get more poets’ voice out to the public, Penn. And thanks for the links you are providing to preserve people’s responses to Saturday’s amazing event. The event continues opening in ever-widening circles!
Susan McCaslin

Yes, thank you Penn, Rico, Tim, Susan, and all of my fellow poets for a most intense and meaningful event. I’ll remember it!
Susan McMaster

One of the poets said that she was falling in love with the community of poets on the zoom. Certainly, it was a wonderful group of poets, both in terms of their poetry and also their humanity. In the midst of sorrow about the war, there was also much beauty in the poets’ words…The breadth and depth of the poems shared by the poets was emotionally moving. Thank you again for putting together such a phenomenal project.
Ola Nowasad

I would like to order a copy of Poems in Response to Peril. I attended the Zoom event on April 2nd and it was phenomenal.
Lisa Reynolds

That was a very rich and varied collection of poems and poets. A delight to be a part of the gathering. Well done, organizers. Thanks!
Peggy Roffey

Sorry Penn for not to be able to participate at event with my voice. I was just ear but not voice. Anyway, I already doing my best with colegues writer here in Bosnia to help some of Ukrainian writer to find temporarry home here in Sarajevo and to be evacuate with great help of German Goethe Institute. I hope I am doing right, aven I have Memory of myself rejecting to leave Sarajevo with my two Children on the beginnig of four years long siege of my city starting 1992.
All the best to you and friends making that event possible.
Goran Simic
Because of a poor connection from Bosnia, Goran was able to be with us only “by ear but not voice.” How ironic, because the voices of those who have known war need to be heard! As this conversation points out:
Dear Mr Simic, (And Everyone else…)
I have not had the pleasure of meeting you, but I do know of your fine work, and have just now read two of your poems, https://www.calvertjournal.com/articles/show/13065/poems-about-migration-love-and-war-by-bosnian-poet-goran-simic. It does not seem right that you could not share your voice at this event, particularly because in addition to your gifts as a poet, you are much closer in many ways to the bloody events unfolding in the Ukraine than many of us here.
Robert Girvan
Dear Robert, thank you for kind words about my poetry. I will be glad to record one of my poems to participate for video Message as Canadian/ Bosnian contribution of poets who alarm the world about attack on Ukrainian state, culture and history. All of my friends writers who survived siege in Sarajevo still feel alive the same scars watching destruction of city and civilians in Ukraina. But with pride for people not to give up struggle. I will do video asap because I spend most of my day on the hill keeping company to the four street abandoned dogs we adopted five years ago.
Goran Simic
Dear Goran,
Excellent! I look forward to seeing you and hearing your voice and words. The lucky ones who have not (yet) faced war, bow their heads to those who have endured it, and listen.
Robert Girvan
Goran has sent the video of his poem for https://www.youtube.com/user/veggiemeister/playlists
I hope you do too. His greetings from Sarajevo and the poem: https://www.youtube.com/watch?v=mW1KSzzPQ9c&list=PLDARA01MjoyW7WccH9j6yGtI3XZhcE0BD&index=41.

I am still feeling the pleasure of seeing you in your great blue and yellow costume, and the 
 honour of being involved in the  hours of poetic tension that was so invigorating,  even in the perilous present.
Elizabeth Waterston

All I can say is
Thank you and love to you.
You are a great inspiration,
your spirit, insights and grace
encourage me, inspire.
Sheri-D Wilson

Please let me add my voice to those who have already thanked the organizers and all who attended yesterday’s reading.  It was indeed a marathon and, as one of the final readers, it was gratifying to see how many people hung in through the whole reading in an amazing outpouring of solidarity, support and yes, love. As Richard has noted, if even a fraction of that positive reverse-bomb energy intervenes in places in the world where people’s lives are torn by violence, we will have done our bit for peace and for the sustainable future of humanity. I look forward to receiving my copies of the anthology. 
Susan Wismer

The Cover Reveal!

Reads for International Women’s Day

This month, recommendations of women’s writing, with comments. In a time of loss and transition and the chaos of world crises, I’m having trouble organising, so I tend to read instead of writing or editing. A sometimes necessary escape these days. A book is so contained with its beginning, middle, and end. Covers we can close with a sense of accomplishment and of completion. I love how books weave around one other, sequentially, thematically, without my conscious intent. So grateful to London Public Library for their engaging and enticing collection! The dregs of winter: a perfect time for tomes and for poems.

Here’s my poem for IWD, “Choose to Challenge”: https://lfpress.com/entertainment/local-arts/london-poet-penn-kemp-marks-womens-day-with-call-to-action.

Recommended Reads for International Women’s Day

Angie Abdou, This One Wild Life: A Mother-Daughter Wilderness Memoir. In her dedication, Angie Abdou hopes the reader will receive the book like a long letter from a good friend. And it is: a sweet, endearing, sometimes heart-breakingly honest memoir. But earlier, the price of being so open was a devastating social media attack: Abdou describes the effects in this memoir of healing.  We learn what it is what Abdou plans to do with her “one wild and precious life”. During the Pandemic, it’s a lovely treat to hike in the mountains vicariously with her.  And oh, I loved her cottonwood!

Brit Bennett, The Vanishing Half. Many different ways of exploring identity and choice and choice’s consequences.

Natasha Brown, Assembly. Rachel Cusk, Sheila Heti and Bernardine Evaristo walk into a bar… and meet Natasha Brown. Assembly is honed stiletto-sharp, not a hair out of place, however the protagonist feels in classist, racist England. “Unfair”, whine the various white men who confront her in this short, perfect novel.

Sharon Butala, This Strange Visible Air: Essays on Aging and the Writing Life. Always brave, honest and necessary writing on ageism.

Clare Chambers, Small pleasures: a novel. So many charming pleasures: beautiful writing, engaging characters and utterly engaging plot.  A delicious read and reprieve from current events and dystopias.

Sadiqa de Meijer, The outer wards
Sadiqa de Meijer, Alfabet / alphabet: a memoir of a first language
. “Or was there an influence of origins at work, an onomatopoeic element with ecologically ambient sounds and forms giving rise to each language?”
“I tried to contain where the words went, but there are submerged forces in writing—in the land-water realms of consonant vowel—that require our surrender.”
“a sort of sideways drift has taken place among the words”
“The untranslatable is inherent in all intercultural contact, where its particles may accumulate and become tropes of otherness.”

Junie Désil, Eat salt / gaze at the ocean: poems
“scudding back and forth through history”
“There isn’t a pastness”

Cherie Dimaline, Hunting by Stars (A Marrow Thieves Novel). Harrowing but vital reading, beyond the pale: “a new cacophony was breaking in. It was just up ahead. Rose could feel it, cresting the audible edge of tomorrow. It was coming on dark wings, making short work of time and distance. And this would be the way they resisted. This would be the reclamation. This was the girl who would be loud.” Beware pale groupies!

Esi Edugyan, Out of the sun: on race and storytellinghttps://www.cbc.ca/listen/live-radio/1-23-ideas/clip/15891798-cbc-massey-lectures-or-5-africa-art?cmp=newsletter_Ideas_5748_403481:
“In the 1800s, Black pioneers established themselves in Priceville, Ont., only to be eventually pushed out by European settlers. The only thing that remained of them was their cemetery.”

Louise Erdrich, The Sentence. Louise Erdrich herself reads the audiobook in a delicious rendition as funny as it is powerfully poignant. And the novel includes a bookseller called Louise! A ghost story that starts on Halloween 2019 and progresses through that annus horribilis till Halloween 2020: one long sentence of the present. Glorious!

Louise Gluck, Faithful and virtuous night
Louise Gluck, American Originality: Essays on Poetry. Essential and astonishing reading and re-reading for any poet and reader of poetry. “What remains is tone, the medium of the soul.”
“The silenced abandon of the gap or dash, the dramatized insufficiency of self, of language, the premonition of or visitation by immanence: in these homages to the void, the void’s majesty is reflected in the resourcefulness and intensity with which the poet is overwhelmed.”
“the use of the term ‘narrative’ means to identify a habit of mind or type of art that seeks to locate in the endless unfolding of time not a still point but an underlying pattern or implication; it finds in moving time what lyric insists on stopped time to manifest.”

Amanda Gorman, Call Us What We Carry. An astonishingly accomplished and moving collection.
The Muses, daughters of Memory inspire us.
“History and elegy are akin. The word ’history’ comes form an ancient Greek verb meaning ‘to ask.’” Anne Carson
Lumen means both the cavity
of an organ, literally an opening,
& a unit of luminous flux,
Literally, a measurement of how lit
The source is. Illuminate us.
That is, we too,
Are this bodied unit of flare,
The gap for lux to breach.”

Vivian Gornick, Taking a long look: essays on culture, literature, and feminism in our time. A good read for #InternationalWomensDay! In her memoir, Vivian Gornick, looking back on the feminist movement in which she was deeply involved, understands “what every good memoirist understands: that the writer’s own ordinary, disheveled, everyday self must give way to that of a narrating self — a self who will tell the story that needs to be told.” #IWDBell Hooks, All about love: new visions. “Love invites us to grieve for the dead as ritual of mourning and as celebration… We honor their presence by naming the legacies they leave us.”

Lauren Groff, Matrix: a novel. “Visions are not complete until they have been set down and stepped away from, turned this way and that in the hand.” Loved this celebration of mediaeval visionary abbess, Marie of France!

Joy Harjo, Poet warrior: a memoir
In these quotes, you can experience her voice directly as written:
“And the voice kept going, and Poet Warrior kept following no matter
Her restless life in the chaos of the story field.”
“Every day is a reenactment of the creation story. We emerge from
dense unspeakable material, through the shimmering power of
dreaming stuff.
This is the first world, and the last.”
“The imagining needs praise as does any living thing.
We are evidence of this praise.”
“When you talk with the dead
You can only go as far as the edge of the bank.”
“Frog in a Dry River”

Min Jin Lee, Pachinko. Fascinating depiction of a war-torn Korean family saga, now filmed. All too relevant still.

Maggie Nelson, On Freedom. I’m listening to Maggie Nelson ON FREEDOM ironically, given Canada’s situation and the loss of innocence in that word’s current associations.

Molly Peacock, Mary Hiester Reid Paints, Travels, Marries & Opens a Door.
A lovely study of painters and painting. Tonalists “connected light both to emotions—and to the sounds of emotions. Using musical vocabulary, like nocturne or symphony, they suggested that emotions could be heard through paint”. “tap into childhood to find the ‘transitional object;” as D.W. Winnictott calls it: “‘Our first adventures into reality are through the objects” with “vitality or reality of [their] own.”

Ruth Ozeki, The Book of Form and Emptiness by one of my favourite writers.

Charlie Petch, Why I Was Late
To be performed with dulcimer.”
“Things You Didn’t Know about Me”
Self-referential and fun. Performative poems, as in The nerves centre but stronger.

Angela Szczepaniak, The nerves centre. A ten-act cast of characters: poetry in performance, poet performing! A study of anxiety, her titles from self-help with dramatis personae. My fave: Mime Heckler. Utterly uttered!

Lisa Taddeo, Animal: a novel is a ferocious diatribe against male sexual violence. Since the book is dedicated to her parents and she lives with her husband and daughter, I wondered about the story behind the novel.

Hanya Yanagihara, To Paradise. Nicely structured fin de siècle tome, over three centuries, based on Washington Square and similarly named characters not to mention Hawaiian royalty. Deja vu, David Mitchell!

Zoe Whittal, The Spectacular. Three generations of women negotiating current, changing times.  It’s complicated, very. Spectacular, if you’re 21.  I’d have liked much more from the oldest woman but it’s a long novel as is. Reminiscent of David Mitchell’s Utopia Avenue.

Joy Williams, Harrow. Harrowing indeed, and disjointed.
“a sacred grove, a temenos. It had once meant asylum and within it was asulos—the inviolable. It protected what was within and excluded that which was without.”
Kafka’s hunter, “Gracchus, the literal expression in a concrete image of an abstraction.”

The Matrilineal Lineage. Photo: Amanda Chalmers

To remind us of spring…

PIERCING HEARTS. Poets ‘are talking tough’ and their words make a difference

By Joe Belanger, The London Free Press. March 5, 2022

Poets across Canada and around the world are contributing thoughts, voices and poems about the war in Ukraine to London poet Penn Kemp’s blog. Kemp, who has written two poems about the conflict in Ukraine, said she believes that poetry can make a difference because it’s a sharing of community. 

Photograph taken on Friday, March 4, 2022. (Mike Hensen/The London Free Press). March FORTH!

https://lfpress.com/entertainment/local-arts/poets-are-talking-tough-and-their-words-make-a-difference

Lately, I can’t seem to get this classic Tragically Hip tune out of my head, nor the words of the late singer-poet Gord Downie:

Don’t tell me what the poets are doing

Don’t tell me that they’re talking tough . . .

Well, Gord, they are.

I’ve been humming that tune ever since an email arrived from Penn Kemp, London’s first poet laureate and a renowned poet, playwright and author.

The email advised that poets across the country and around the world are contributing their thoughts, voices and poems about the war in Ukraine to her blog, pennkemp.wordpress.com and will be sharing their words live on teleconference on April 2 at 2 p.m. Details on that gathering will be posted on the website rsitoski.com/news-events to kick off National Poetry Month.

Kemp’s Friday blog post is titled A Gathering of Poets in Response to Peril.

She offers up two new poems inspired by the horrors of war in Ukraine.

In The Honorable, the Diss-, Kemp expresses her — and our — shock, anger, fears, outrage and determination to do something. It reads in part:

The Doomsday Clock counts down a

hundred seconds till midnight strikes.

May Kyiv keep safe beneath the holy

mantle of Maty Zemlya, Mother Earth

as if prayers are enough. Send money.

“Prove that you are with us. “Prove

that you will not let us go,” demands

President Volodymyr Zelensky of us.

We all can let our government know how we feel; we can donate cash or goods. It’s clear the government of Justin Trudeau shares our feelings and expresses them through donations of military and civilian aid to Ukraine along with condemnation of Russian President Vladimir Putin.

As citizens, we also can support Ukraine with donations.

What can a poet donate? Seriously. Show me a rich poet.

But they have words, which can pierce, perhaps not armour, but certainly hearts. Can they have an impact?

“Yes, yes, yes,” Kemp declares.

“It makes a difference because it’s a sharing of community, of heart space. It creates empathy. It’s an outlet for our feelings of despair and helps us become activists, the writer and the reader. Poetry encompasses the entirety of human emotions.”

On Kemp’s blog, someone posted an anonymous quote found on a headstone where American artist Jackson Pollock and other artists are buried: “Artists and poets are the raw nerve ends of humanity. By themselves they can do little to save humanity. Without them there would be little worth saving.”

“That’s why I turn to poetry,” Kemp said. “It makes nothing happen, but it makes us feel empathetic; it expresses our sorrow and communicates it to our community and it reaches across languages to the heart.”

On Kemp’s blog, I find a contribution from one of her pals, award-winning Romanian-born American poet Andrei Codrescu.

“Tyrants hate poets: Ovid was exiled by Augustus, Mandelstam was killed by Stalin, Neruda banished by Pinochet, Hikmet imprisoned in Turkey. When I hear the word ‘Putin,’ I reach for my sonnet!”

Kemp had a similar reaction.

“What prompted me was Putin’s threat of nuclear bombs, which would annihilate the world,” she said. “He’s a madman, one man wreaking havoc throughout the world.”

Perhaps there’s no more immediate proof of the impact arts and poetry can have on people than pop-rock’s Twisted Sister and its anthem, We’re Not Gonna Take It, which the Ukrainian people seem to have adopted as a resistance anthem.

And I love a tweet from Twisted Sister’s lead singer Dee Snider that brings into perspective the difference between the two issues dominating news today: the pandemic and the Ukrainian war.

“People are asking me why I endorsed the use of We’re Not Gonna Take It for the Ukrainian people and did not for the anti-maskers. Well, one use is for a righteous battle against oppression; the other is infantile feet stomping against an inconvenience.”

Yes, the arts, including poetry — words — can have an impact, piercing hearts and minds and the balloons of fools.

Yeah, the poets are talking tough.

jbelanger@postmedia.com

Twitter.com/JoeBatLFPress


POEMS BY PENN KEMP

Fast Poem for Ukraine

The dark day we saw
coming. We heard it
coming. But we thought

we could for-
stall war.

Is Putin unhinged at
last? “Russia’s response
will be unlike any in history.”

Disbelief and shock there.
Disbelief and shock here.

“Each citizen of Ukraine
will decide the future of
the country.”

Will new and expanded
sanctions work? Tears
are never enough. As if
poems could help. As
if words would work.

“We now have war in Europe
that is of a scale and type
unparalleled in history.”

“This will not shake Europe.”

But it already has.

The Honorable, the Diss-

We learn to pronounce Ke-ev, not
a single syllable spelt, not caving in
to the Russian Kiev, but keeping Kyiv.

How Chrystia Freeland pronounces
Putin’s name with an emphasis on
Pew, ew!, a diphthong of disgust.

As if an explosive P could repulse
this errant madman, could in a huff
and puff blow down that house of

cards, his arsenal now on high alert.
The Doomsday Clock counts down a
hundred seconds till midnight strikes.

May Kyiv keep safe beneath the holy
mantle of Maty Zemlya, Mother Earth
as if prayers are enough. Send money.

“Prove that you are with us. “Prove
that you will not let us go,” demands
President Volodymyr Zelensky of us.

https://lfpress.com/entertainment/local-arts/poets-are-talking-tough-and-their-words-make-a-difference

Video: ‘Shock and disbelief’: A London poet’s odes to Ukraine. Photo/video: Mike Hensen

From an Upstairs Window, Winter

Poem for the dregs of February.

Some years ago, I was commissioned to write a poem on L. L. Fitzgerald’s painting for the National Gallery of Canada’s magazine. Luminous Entrance: a Sound Opera for Climate Change Action was performed at Aeolian Hall in 2009 with Anne Anglin, Ruth Douthwright, Brenda McMorrow, Robert Menegoni, video by Dennis Siren, sound by John Magyar.

Here it is, performed: “From an Upstairs Window, Winter”.
https://www.youtube.com/watch?v=ZBjqShE4pyM&t=5s.

And the same text in this gorgeous videopoem, https://www.youtube.com/watch?v=fqM4EaVFHaU&t=2s.
Electroacoustic music by Bill Gilliam. Images by Gera Dillon.

Here is the text:

From An Upstairs Window, Winter 

The sky is about four o’clock bay.
Icicles have dropped heavy white
tulips onto back kitchen rooves.
Soft snow is rising onto the air.

Maple buds set in their pale limbs
almost as if ready.  Our cultivated
tree prepares to join the bush outside
familiar lines where sharp angles collide.

Time to leave the window to its own
reality, condensed flat beyond the pane.
Supplies are low.  We have been so long
in winter, we are running out of sun.

On the shelf inside the storm, an empty
pitcher of light awaits sage and summer
savory.  All puns are planted.  We present
these things as if saying were enough to

conjure the perfect illusion of presence.

PK

You can see where the poem’s title came from!

Image
L.l..Fitzgerald, The National Gallery, Ottawa

Reads for International Women’s Day

This month, with comments:) In a time of loss and transition, I’m having trouble organising my mind, so I read instead of writing or editing. A book is so contained with its beginning, middle, and end. Covers we can close with a sense of accomplishment and of completion. I love how books weave around one other, sequentially, thematically, without my conscious intent. So grateful to London Public Library for their engaging and enticing collection! The dregs of winter: a perfect time for tomes and for poems.

Here’s my poem for IWD: “Choose to Challenge”, https://lfpress.com/entertainment/local-arts/london-poet-penn-kemp-marks-womens-day-with-call-to-action. The video of my reading is up on https://www.youtube.com/watch?v=dNC2sbZGp3c&t=6s.

Recommended Reads for International Women’s Day and ON….

Angie Abdou, This One Wild Life: A Mother-Daughter Wilderness Memoir. In her dedication, Angie Abdou hopes the reader will receive the book like a long letter from a good friend. And it is: a sweet, endearing, sometimes heart-breakingly honest memoir. But earlier, the price of being so open was a devastating social media attack: Abdou describes the effects in this memoir of healing.  We learn what it is what Abdou plans to do with her “one wild and precious life”. During the Pandemic, it’s a lovely treat to hike in the mountains vicariously with her.  And oh, I loved her cottonwood!

Brit Bennett, The Vanishing Half. Many different ways of exploring identity and choice and choice’s consequences.

Natasha Brown, Assembly. Rachel Cusk, Sheila Heti and Bernardine Evaristo walk into a bar… and meet Natasha Brown. Assembly is honed stiletto-sharp, not a hair out of place, however the protagonist feels in classist, racist England. “Unfair”, whine the various white men who confront her in this short, perfect novel.

Catherine Bush, Blaze Island. Poignant and powerful writing set on Fogol Island, about climate change: “We were very quickly free of the city and out over the most vivid degree of blue permitted on this planet to the human eye.” “It looked like the earth had resisted the imagination of God or poets, I thought in exhilaration.” And this short, tender film from the text,  https://www.cbc.ca/arts/canadacouncildigitaloriginals/watch-this-collage-film-love-story-created-by-canadian-artists-in-isolation-1.5804960​.

Sharon Butala, This Strange Visible Air: Essays on Aging and the Writing Life. Always brave, honest and necessary writing.

Clare Chambers, Small pleasures: a novel. So many charming pleasures: beautiful writing, engaging characters and utterly engaging plot.  A delicious read and reprieve from current events.

Sadiqa de Meijer, The outer wards
Sadiqa de Meijer, Alfabet / alphabet: a memoir of a first language
. “Or was there an influence of origins at work, an onomatopoeic element with ecologically ambient sounds and forms giving rise to each language?”
“I tried to contain where the words went, but there are submerged forces in writing—in the land-water realms of consonant vowel—that require our surrender.”
“a sort of sideways drift has taken place among the words”
“The untranslatable is inherent in all intercultural contact, where its particles may accumulate and become tropes of otherness.”

Junie Désil, Eat salt / gaze at the ocean: poems
“scudding back and forth through history”
“There isn’t a pastness”

Esi Edugyan, Out of the sun: on race and storytelling. https://www.cbc.ca/listen/live-radio/1-23-ideas/clip/15891798-cbc-massey-lectures-or-5-africa-art?cmp=newsletter_Ideas_5748_403481:
“In the 1800s, Black pioneers established themselves in Priceville, Ont., only to be eventually pushed out by European settlers. The only thing that remained of them was their cemetery.”

Louise Erdrich, The Sentence. Louise Erdrich herself reads the audiobook in a delicious rendition as funny as it is powerfully poignant. And the novel includes a bookseller called Louise! A ghost story that starts on Halloween 2019 and progresses through that annus horribilis till Halloween 2020: one long sentence of the present. Glorious!

Annie Ernaux, Hôtel Casanova: et autres textes brefs. Autofiction écriture at its finest in curious glimpses: “l’écriture, du rapport qu’elle a avec le monde réel.” My school French was good for Ernaux’s lucent prose, until the slang of dialogue…

Lucy Foley, The Guest List. A predictable but fun mystery set on a secluded Island… murder ensues.

Louise Gluck, Faithful and virtuous night
Louise Gluck, American Originality: Essays on Poetry. Essential and astonishing reading and re-reading for any poet and reader of poetry. “What remains is tone, the medium of the soul.”
“The silenced abandon of the gap or dash, the dramatized insufficiency of self, of language, the premonition of or visitation by immanence: in these homages to the void, the void’s majesty is reflected in the resourcefulness and intensity with which the poet is overwhelmed.”
“the use of the term ‘narrative’ means to identify a habit of mind or type of art that seeks to locate in the endless unfolding of time not a still point but an underlying pattern or implication; it finds in moving time what lyric insists on stopped time to manifest.”

Amanda Gorman, Call Us What We Carry. An astonishingly accomplished and moving collection.
The Muses, daughters of Memory inspire us.
“History and elegy are akin. The word ’history’ comes form an ancient Greek verb meaning ‘to ask.’” Anne Carson
Lumen means both the cavity
of an organ, literally an opening,
& a unit of luminous flux,
Literally, a measurement of how lit
The source is. Illuminate us.
That is, we too,
Are this bodied unit of flare,
The gap for lux to breach.”

Joy Harjo, Poet warrior: a memoir
In these quotes, you can experience her voice directly as written: “And the voice kept going, and Poet Warrior kept following no matter
Her restless life in the chaos of the story field.”“Every day is a reenactment of the creation story. We emerge from
dense unspeakable material, through the shimmering power of
dreaming stuff.
This is the first world, and the last.”
“The imagining needs praise as does any living thing.
We are evidence of this praise.”
“When you talk with the dead
You can only go as far as the edge of the bank.”
“Frog in a Dry River”

Vivian Gornick, Taking a long look: essays on culture, literature, and feminism in our time

Lauren Groff, Matrix: a novel. “Visions are not complete until they have been set down and stepped away from, turned this way and that in the hand.” Loved this celebration of mediaeval visionary Marie of France!

Bell Hooks, All about love: new visions. “Love invites us to grieve for the dead as ritual of mourning and as celebration… We honor their presence by naming the legacies they leave us.”

Min Jin Lee, Pachinko. Fascination depiction of a war-torn Korean family saga, now filmed. All too relevant still.

Maggie Nelson, On Freedom. I’m listening to Maggie Nelson ON FREEDOM ironically, given Canada’s truck convoy versus convoys to Ukraine. Oh, the loss of innocence in that word’s current associations.

Molly Peacock, Mary Hiester Reid Paints, Travels, Marries & Opens a Door.
A lovely study of painters and painting. Tonalists “connected light both to emotions—and to the sounds of emotions. Using musical vocabulary, like nocturne or symphony, they suggested that emotions could be heard through paint”. “tap into childhood to find the ‘transitional object;” as D.W. Winnicott calls it: “‘Our first adventures into reality are through the objects” with “vitality or reality of [their] own.”

Angela Szczepaniak, The nerves centre. A ten-act cast of characters: poetry in performance, poet performing! A study of anxiety, her titles from self-help with dramatis personae. My fave: Mime Heckler. Utterly uttered!

Lisa Taddeo, Animal: a novel is a ferocious diatribe against male sexual violence. Since the book is dedicated to her parents and she lives with her husband and daughter, I wondered about the story behind the novel.

Hanya Yanagihara, To Paradise. Nicely structured fin de siècle tome, over three centuries, based on Washington Square and similarly named characters not to mention Hawaiian royalty. Deja vu, David Mitchell!

Zoe Whittal, The Spectacular. Three generations of women negotiating current, changing times.  It’s complicated, very. Spectacular, if you’re 21.  I’d have liked much more from the oldest woman but it’s a long novel as is. Reminiscent of David Mitchell’s Utopia Avenue.

To remind us of spring…

Please join me on https://penn.substack.com/p/reads-for-international-womens-day.

Heraclitus, Ongoing: a poem

Books I read are in the process of shaping, shifting
each time I open them. Not just pages but the content
won’t let me step into the same novel twice. Characters
talk back and letters dance jigs that won’t stand still.

Nor do I step into the same house twice. When I come
home, the front hall shifts to accommodate the change
I bring in my wake from outside realms. And the place
itself has contentedly settled within my absence.

I don’t step into the same dream twice. Oh, I try to return
to change the story, to divert the flow from disaster. But
the dream flips a new twist into its narrative, leaving me
to contend with eddies and currents I never suspected.

I don’t step into the same grief twice. Each has its own
taste, bitter, sweet or bittersweet, its intense specificity.
marked distinct and marking me. Every sorrow forms
a trail you know me by, sure signature of some loss.

I don’t step into the same life twice. Whether I step
into the same death is anyone’s guess: so many small ones
you’d think would prepare me, but who knows what
awaits us over on the other side, en la otra orilla.

I don’t leave my shoes on the bank and wade in.
I don’t recover what is swept away in the current.
Every poem hovers on the bridge over metaphor.
I don’t step into the river at all.

Penn Kemp

“Heraclitus, Ongoing,” P. 28-29.
Paintings by Jim Kemp, P. 49-50.
A Near Memoir: New Poems cover, P. 67.

Beliveau Review #8, June 2021
https://2e8a8d6d-e97c-4235-92c8-7aa31bae0d77.filesusr.com/ugd/830f0d_40d96803476c422d8e7809da400ff2c7.pdf.
Scroll down, https://beliveaubooks.wixsite.com/home/magazines

Jim Kemp,
“Zen Burst”

Jim Kemp, “Moth”


A NEAR MEMOIR: NEW POEMS

A NEAR MEMOIR: NEW POEMS from Beliveau Books is out!

Live! Launching A NEAR MEMOIR: NEW POEMS 

Sunday, September 5, 2021, 7:30-9:35pm. Red Lion Reading Series, 23 Albert St., Stratford ON. I’ll be reading as Featured Poet, https://beliveaubooks.wixsite.com/redlionreadingseries/shows.&nbsp;
Register: https://www.facebook.com/events/110970911119609/?ref=newsfeed

If you’d like a numbered copy signed to you, let me know, pennkemp@gmail.com. 
If you’d like a numbered copy, unsigned, please contact beliveaubooks@gmail.com.

The cost is $15, including postage. See https://beliveaubooks.wixsite.com/home/books.

But on September 5th in Stratford, it’s $10!

Readings from A Near Memoir

​Thursday, May 20, 3pm, 2021. Feature, Owen Sound Poet Laureate Open Mic series.​ Host: Richard-Yves Sitoski 
Sponsored by the League of Canadian Poets. https://www.facebook.com/events/169826411638195/?ti=ls

And Live!, Sunday, September 5, 2021, 7:30-9:35pm. Red Lion Reading Series, 23 Albert St., Stratford ON. I’ll be reading from A NEAR MEMOIR: NEW POEMS as Featured Poet, https://beliveaubooks.wixsite.com/redlionreadingseries/shows.

Thanks to a CAIP grant from the London Arts Council for time to write these poems.

Press

“Diving into a new book of poems by Penn Kemp is like setting out on an adventure.” https://lfpress.com/entertainment/local-arts/poet-penn-kemp-celebrates-growing-up-in-london-in-new-book-of-verse? with a video of my reading from the book,  a poem, “Choose to Challenge”, commissioned by Brescia for International Women’s Day this March 8: https://youtu.be/dNC2sbZGp3c. And https://lfpress.com/entertainment/books/new-books-by-london-area-authors-offer-variety-for-all-readers-tastes.

“A new book of poetry from prolific Southwestern Ontario writer and spoken word artist Penn Kemp”, https://stratfordbeaconherald.com/enttainment/books/latest-work-from-poet-penn-kemp-published-by-stratford-micropress-beliveau-books.

On Line

Read Richard-Yves Sitowski’s review in “SUSTAINING CONNECTIONS” on http://www.sageing.ca/sageing37.html, P. 25.

Three of the poems in the book are linked online.

A poem in the book, “Choose to Challenge”, was commissioned by Brescia University College to celebrate International Women’s Day! Read it here: https://brescia.uwo.ca/about/who_we_are/choose_to_challenge_poem.php
This poem was presented to the University at Brescia’s Dr. Hanycz Leadership Lecture on March 8, 2021. To see a video of me reading the poem, visit Brescia’s YouTube channel. https://www.youtube.com/watch?v=ThguVNENewQ #.

The London Free Press featured it: https://youtu.be/dNC2sbZGp3c?list=PLfojJEPqDqrTBdAxGfpQaPao8m_ynhfuI&t=11.

With special thanks to Dennis Siren, visionary videographer, for his videopoem of a poem in the book, “Translation”, dedicated to my father, painter Jim Kemp: https://www.youtube.com/watch?v=WMqzgfLJtws&t=22s.

“There you are”, from A Near Memoir, is at 8:14 in my Luminous Entrance: a Sound Opera for Climate Change Action, up on https://www.youtube.com/watch?v=h9mS75i.

Endorsements for A Near Memoir: new poems

The poems in this unusually substantial chapbook reflect with charming insight on key moments and memorable forks in the road in the poet’s early life, then move to more sombre reckonings with mortality, the traumas of war, and the trees and environs of her Souwesto region, and conclude with inspirational “challenges” to us all in facing our uncertain future. Stylistic aplomb is underpinned, throughout, by mindful perception, impassioned concern, and a visionary verve.   
— Allan Briesmaster, author of The Long Bond (Guernica Editions)

d the deep without. It draws from the innermost regions of subjective consciousness while opening to social engagement and planetary awareness. The title suggests a genre both personal and universal, exploring the double lineages of family and the larger polis, our civic communities. Here we meet various members of her family, including her father, the visual artist. Penn has transformed his legacy into spoken word and a poetics where sounds and silences converge: “I still wait with paper’s white space till / words arise, images in words, watching them come into form…” As we participate, we are whirled into places where perception sharpens, and we too are transformed.

Penn Kemp’s A Near Memoir carries the reader simultaneously to the deep within and the deep without. It draws from the innermost regions of subjective consciousness while opening to social engagement and planetary awareness. The title suggests a genre both personal and universal, exploring the double lineages of family and the larger polis, our civic communities. Here we meet various members of her family, including her father, the visual artist. Penn has transformed his legacy into spoken word and a poetics where sounds and silences converge: “I still wait with paper’s white space till / words arise, images in words, watching them come into form…” As we participate, we are whirled into places where perception sharpens, and we too are transformed.
—Susan McCaslin, author of Heart Work (Ekstasis Editions)

A Near Memoir collects a confluence of poems around Penn Kemp’s beloved subjects: art, nature, community, the divine feminine, and flowingness of life.
—Sharon Thesen, author of The Wig-Maker (New Star Books)

Penn Kemp’s A Near Memoir: new poems explores the earliest stirrings of the creative imagination in childhood and the joys of associative thinking. With narrative skill and vivid sensual detail, it discovers and uncovers the effect of adult perspectives on a young mind, the puzzling life lessons of parents and teachers, the wisdom and heartbreak of nature. Ironic and lyrical, accurate and ambiguous, playful and profound, these finely tuned poems—whether enlightened moments or deep dives into an evolving self—flow with the ease and excitement that only a seasoned artist can bring. A book full of surprises and affirmation.
—Patricia Keeney, author of Orpheus in Our World (NeoPoiesis Press)

“Diving into a new book of poems by @pennkemp is like setting out on an adventure. You never know what you’ll come across and @JoeBatLFPress says her newest offering, A Near Memoir: New Poems, is no different.”

Hey, Red! Great poems!!!! So sensuous and lyrical and sly. 
—Catherine Sheldrick Ross, author of The Pleasures of Reading (Libraries Unlimited)

Penn Kemp ‘s book is wonderful in her mastery of language and attention to detail. A gorgeous read. A really great gift!” —Jude Neale

Nice day in the Grove for a new read from a dear friend and mentor, the magical Penn Kemp — Nick Beauchesne

A near Memoir has arrived and it is a treasure. So beautifully produced. With your life writings personal and planetary. And with such touching story-telling visuals. —Patricia Keeney

April Poetry with Penn Kemp & Pals

National Poetry Month Virtual Readings

A Near Memoir: new poems (Beliveau Books) is launching on Earth Day, April 22!
Want a taste of my new work? Four poems from A Near Memoir (“Drawing Conclusions”, “A Convoluted Etymology of the Course Not Taken”, “Celebrating Souwesto Trees” & “You There”) appear in Beliveau Review, Vol. 2 No. 2 Issue 5, out now on https://beliveaubooks.wixsite.com/home/magazines.

National Poetry Month Readings

Sunday, April 18, 4pm EDT. Our group reading from the anthology, Voicing Suicide, is hosted by Josie di Sciascio-Andrews with Daniel G Scott, Editor. Spread the word and join us if you can. Here is the link: meet.google.com/pwz-yqew-fiu Contact: <voicingsuicide@gmail.com>.

Tuesday, April 20, 2021, 8:00 PM – 10:00 PM EDT. Join us for a party in virtual reality, featuring Kelly Kaur, Nancy R. Lange, Laurie MacFayden, Valerie Mason-John, Gregory Betts, Laurie Anne Fuhr, Jocko Benoit & Penn Kemp. #All you need is a computer ://bit.ly/31JadY6. Co-hosted by Kelly Kaur and Lyn Cadence. Sign up for the event on Eventbrite. https://bit.ly/31JadY6 #NPM2021, https://pic.twitter.com/okIfLuw93w.

Sunday, April 25, 2021, 1 PM EDT. National Poetry Month zoom and launch of Femmes de Parole/Women of their Word, edited by Nancy R Lange. The readers for Femmes de parole / Women of their word on the 25th will be Mireille Cliche (QC), Catherine Fortin (QC), Louise Bernice Halfe, Penn Kemp, Nancy R Lange(QC), Genevieve Letarte, (QC), Sharon Thesen and Sheri-D Wilson! Contact: rappelparolecreation@hotmail.com.

Happy National Poetry Month, NPM2021! These readings are sponsored by the League @CanadianPoets!

New Publications

“Strike/Struck/ Stroke”, These Days Zine, Jeff Blackman, publisher, thesedayszine2020@gmail.com. https://www.etsy.com/ca/shop/HorsebrokePress?coupon=EIGHTNINETEN

“Drawing Conclusions”, “A Convoluted Etymology of the Course Not Taken”, “Celebrating Souwesto Trees” and “You There”. Beliveau Review, Vol. 2 No. 2 Issue 5, Spring 2021. https://beliveaubooks.wixsite.com/home/magazines.

“To Carry the Heart of Community Wherever You Find Yourself”. Sage-ing With Creative Spirit, Grace and Gratitudehttp://www.sageing.ca/sageing36.html, P. 12. Number 36, Spring 2021.

“What Matters”, “Studies in Anticipation”, “Hope the Thing”, Possible Utopias: the Wordsfest Eco Zine, Issue 6. http://www.wordsfest.ca/zine, March 2021.

Forthcoming Publications

A Near Memoir, limited edition chapbook. Scroll to bottom of https://beliveaubooks.wixsite.com/home/books. Pre-order now. To be launched on April 22, Earth Day!

“What we did not know in 1972. What we know now.” Resistance Anthology. Sue Goyette, editor. University of Regina Press, Spring 2021.