A Year of Happily Reading

BOOKS READ

An odd collection but then 2019 was an odd year!

Thanks to London Public Library for most of these books! And to indie bookshops and small press publishers. Long may you thrive!

penn-1950

Jon Acuff, Finish: Give Yourself the Gift of Done

Elizabeth Alexander, How Lovely the Ruins

Andre Alexis, Days by Moonlight

Nina Allan, The Rift

Kate Atkinson, Transcription
Kate Atkinson, Big Sky

Atticus. The dark between stars

Margaret Atwood, Power politics: poems /introduction by Jan Zwicky
Margaret Atwood, The Testaments

Mona Awad, Bunny

Chris Bailey, Hyperfocus: How to Be More Productive in a World of Distraction

James Baldwin, If Beale Street Could Talk

Jo Baker, The Body Lies

John Banville, The sea

Linwood Barclay, A Noise Downstairs

Pat Barker, The Silence of the Girls

Julian Barnes, The Only Story

Mike Barnes, Braille rainbow: poems

T.A. Barron, Atlantis Rising
T.A. Barron, Merlin’s Dragon
T.A. Barron, Merlin’s dragon. Book 2, Doomraga’s revenge

Belinda Bauer, Snap

Ann Beattie, A Wonderful Stroke of Luck

Yves Beauchemin, translated by Wayne Grady. The Accidental Education of Jerome Lupien

Frank Beddor, The Looking Glass Wars

Billy-Ray Belcourt, This Wound is a World

Gwen Benaway, Holy wild

Chloe Benjamin, The Immortalists

Diana Beresford-Kroeger, To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest

Sharon Berg, Naming the Shadows: stories

Gabrielle Bernstein, May Cause Miracles

bill bissett, Breth: th treez uv lunaria: selektid rare n nu pomes n drawings, 1957-2019

Robert Bly, More Than True: The Wisdom of Fairy Tales

Alan Bradley, The golden tresses of the dead

Gregg Braden, The turning point / creating resilience in a time of extremes

Dionne Brand, The Blue Clerk
Dionne Brand, Theory

Di Brandt, Glitter & fall: Laozi’s, Dao De Jing transinhalations

Brené Brown, Dare to lead: brave work, tough conversations, whole hearts

Julie Bruck, How to avoid huge ships

Carol Bruneau, A circle on the surface

Wanda Easter Burch; with a foreword by Robert Moss, She who dreams: a journey into healing through dreamwork

Anna Burns, Milkman

Augusten Burroughs, Toil & Trouble

Steve Burrows, A Dance of Cranes

Simon Buxton, The Shamanic way of the bee: ancient wisdom and healing practices of the bee masters

Maria Campbell, Halfbreed

Anne Carson, Bakkhai / Euripides

Michael Chabon, Book Ends

Kai Cheng Thom, Fierce femmes and notorious liars: a dangerous trans girl’s confabulous memoir

Tracy Chevalier, A single thread

Susan Choi, Trust Exercise

Ann Cleeves, Cold earth

Cohen, Harry’s trees

Henri Cole, Orphic Paris

Billy Collins, The Rain in Portugal

Edwidge Danticat, Breath, Eyes, Memory

Craig Davidson, The Saturday Night Ghost Club

Lauren B. Davis, The Grimoire of Kensington Market

Lisa de Nikolits, The occult persuasion and the anarchist’s solution / a novel

Edmund De Waal, The Hare with Amber Eyes: A Hidden Inheritance

Patrick DeWitt, French Exit

Claudia Dey, Heart-Breaker

Kate DiCamillo, The Tales of Despereaux

Cherie Dimaline, Red rooms
Cherie Dimaline, Empire of Wild

Emma Donoghue, The Lotterys More or Less
Emma Donoghue, Akin

David Dowker, Machine Language

Carol Ann Duffy, Rapture

Helen Dunmore, Birdcage walk

Alicia Elliott, A Mind Spread Out on the Ground

Marina Endicott, The Difference

Jenny Erpenbeck; translated by Susan Bernofsky, The end of days

Terry Fallis, Albatross

Amanda Flower, Prose and cons: Magical Bookshop Mystery Series, Book 2

Jonathan Safran Foer, We Are the Weather: Saving the Planet Begins at Breakfast

Jonathan Franzen, The end of the end of the earth: essays

Tana French, The Witch Elm

Neil Gaiman, The Neil Gaiman Audio Collection
Neil Gaiman, Anansi Boys
Neil Gaiman, The problem of Susan and other stories. P. Craig Russell, adaptation and art (The Problem of Susan, Locks) ; Scott Hampton, art (October in the Chair); Paul Chadwick, art (The Day the Saucers Came)
Neil Gaiman, Art Matters: Because Your Imagination Can Change the World
Gaiman & Terry Pratchett, Good omens: [the nice and accurate prophecies of Agnes Nutter, witch]

Elizabeth Gilbert, City of Girls

Susan Gillis, Yellow crane

Malcolm Gladwell, Talking to Strangers

Imogen Hermes Gowar, The Mermaid and Mrs. Hancock

Philippa Gregory, Tidelands

Lauren Groff, Florida

Camilla Grudova, The Doll’s Alphabet

Steven R. Gundry, The plant paradox cookbook: 100 delicious recipes to help you lose weight, heal your gut, and live lectin-free
Steven R. Gundry, The Longevity Paradox: How to Die Young at a Ripe Old Age

Samra Habib, We Have Always Been Here: A Queer Muslim Memoir

Mark Haddon, The Porpoise

Tessa Hadley, The past

Rick Hanson, Resilient: How to Grow an Unshakable Core of Calm, Strength, and Happiness

Yuval Noah Harari, Sapiens

Dan Harris and Jeff Warren, Meditation for fidgety skeptics: a 10% happier how-to book

Paul Hawken, ed. Drawdown: the most comprehensive plan ever proposed to reverse global warming

Brian Henderson, Sharawadjii

Elin Hilderbrand, Summer of ’69

Susan Howe, Debths

Helen Humphreys, Machines Without Horses

Siri Hustvedt, Memories of the future: a novel

Mark Hyman, Food: what the heck should I eat?
Mark Hyman, The Blood Sugar Solution
Mark Hyman, MD. Eat fat, get thin: why the fat we eat is the key to sustained weight loss and vibrant health

Inbali Iserles, The mage

Denis Johnson, The Largesse of the Sea Maiden

Sadie Jones, The Snakes

Eve Joseph, Quarrels: prose poems

Julie Kagawa, Shadow of the Fox

Mary Karr, Tropic of squalor: poems

Byron Katie, written with Stephen Mitchell: Loving what is: four questions that can change your life

Guy Gavriel Kay, A Brightness Long Ago

Thomas King, A matter of malice: a DreadfulWater mystery

Barbara Kingsolver, Unsheltered

John La Greca, Homeless Memorial: Poems from the Streets of Vernon

Ben Ladouceur, Otter

Mark Laliberte, Brick Brick Brick

Olivia Laing, Crudo

Michiko Kakutani, The Death of Truth: Notes on Falsehood in the Age of Trump

Laila Lalami, The other Americans

Lori Lansens, This Little Light

Juliet Lapidos, Talent: a novel

John Le Carré, Agent Running in the Field

Ursula Le Guin, Words Are My Matter: Writings About Life and Books
Ursula Le Guin, No time to spare: thinking about what matters

John Lent, Wood Lake
John Lent, Frieze

Donna Leon, Unto Us a Son is Given

Robert Lepage and Marie Michaud; Fred Jourdain, illustrator ; translation from Mandarin, Min Sun. The blue dragon

Jonathan Lethem, The Feral Detective

Elise Levine, This wicked tongue: stories

Deborah Levy, Things I Don’t Want to Know: A Working Autobiography: a response to George Orwell’s 1946 essay ‘Why I write’

Thea Lim, An Ocean of Minutes

Sven Lindqvist, Terra nullius: a journey through no one’s land; translated by Sarah Death

Sam Lipsyte, Hark: a novel

Penelope Lively, Life in the Garden
Penelope Lively, The Road to Lichfield

D.A. Lockhart, Big medicine comes to Erie

Barry Lopez, Horizon

Amanda Lovelace, The princess saves herself in this one

Canisia Lubrin, Voodoo hypothesis: poems

Valeria Luiselli, Lost Children Archive

David Lynch and Kristine McKenna, Room to dream

Sandra Lynn Lynxleg, Glass Beads, Gaspereau Press

Tanis MacDonald, Out of Line: Daring to be an Artist Outside the Big City

Robert Macfarlane, Jackie Morris, The lost words: a spell book
Robert Macfarlane, Underland

Lee Maracle, My conversations with Canadians
Lee Maracle, Talking to the diaspora

Daphne Marlatt, Intertidal: The Collected Earlier Poems, 1968-2008

Mark Matousek, Mother of the unseen world: the mystery of Mother Meera  

Susan McCaslin & J. S. Porter, Superabundantly Alive: Thomas Merton’s Dance with the Feminine

Elizabeth McCracken, Bowlaway

Ami McKay, Half Spent is the Night
Ami McKay, Daughter of Family G: A Memoir of Cancer Genes, Love and Fate

Bill McKibben, Falter. Has the Human Game Begun to Play Itself Out?

kevin mcpherson eckhoff, Circadia

Andrew McMillan Playtime

Jay MillAr, Timely irreverence

Madeline Miller, Circe

Ken Mogi, Awakening your ikigai

  1. M. Montgomery, Rilla of Ingleside: Anne of Green Gables Series, Book 8

Sinéad Morrissey, On Balance

Toni Morrison, The Source of Self-Regard

Robert Moss, The secret history of dreaming

Sarah Moss, Ghost Wall

Herta Muller, the fox was ever the hunter

Renée Nault, The handmaid’s tale / [based on the novel by] Margaret Atwood; art & adaptation

Sandra Newman, The Heavens

Cecily Nicholson, Wayside sang: poems

bpNichol, Nights on prose mountain; edited by Derek Beaulieu

Edna O’Brien, Girl

Michelle Obama, Becoming

Chigozie Obioma, An orchestra of minorities

Mary Oliver, At Blackwater Pond: Mary Oliver reads Mary Oliver
Mary Oliver, Upstream: selected essays

Tommy Orange, There There

Susan Orlean, The Library Book

Judith Orloff, The empath’s survival guide: Life Strategies for Sensitive People
Judith Orloff, The Power of Surrender

Elaine Pagels, Why Religion?: A Personal Story

Nicholas Papaxanthos, Wearing Your Pants

Ann Patchett, The Dutch House
Ann Patchett, Run

Louise Penny, A Better Man

Sarah Perry, Melmoth

Julia Phillips, Disappearing earth

Leah Lakshmi Piepzna-Samarasinha, Tonguebreaker: poems and performance texts

Signe Pike, The Lost Queen

Michael Pollan, How to Change Your Mind: what the new science of psychedelics teaches us about consciousness, dying, addiction, depression, and transcendence

Maria Popova, Figuring

Max Porter, Lanny
Max Porter, Grief is the Thing with Feathers

Steven Price, Lampedusa

Philip Pullman, Daemon voices: on stories and storytelling
Philip Pullman, The Book of Dust: The Secret Commonwealth

David Quammen, The Tangled Tree

Joanne Ramos, The Farm

Ian Rankin, In a house of lies

Michael Redhill, Twitch force: poems

Clea Roberts, Auguries: poems

Robin Robertson, The Wrecking Light

Eden Robinson, Trickster Drift

Judith Rodger, Greg Curnoe: life & work

Sally Rooney, Normal People

Laisha Rosnau, Our Familiar Hunger
Laisha Rosnau, The sudden weight of snow

Rena Rossner, The sisters of the winter wood: Forests and forestry

don Miguel Ruiz and Barbara Emrys, The three questions: how to discover and master the power within you

Salman Rushdie, Quichotte

Karen Russell, Orange World and Other Stories

Oliver Sacks, The River of Consciousness
Oliver Sacks, Everything in its Place: First Loves and Last Tales

Robert Sapolsky, Behave: The Biology of Humans at Our Best and Worst

Anakana Schofield, Bina

Rebecca Scritchfield, Body kindness

W.G. Sebald, Austerlitz; translated by Anthea Bell

Lisa See, The island of sea women: a novel

Diane Setterfield, Once Upon a River
Diane Setterfield, The thirteenth tale

Hana Shafi, It begins with the body: poems & illustrations

Leanne Shapton, Guestbook: Ghost Stories

Robin Sharma, The 5 AM club: own your morning, elevate your life

Dean Sherzai, The alzheimer’s solution: A Breakthrough Program to Prevent and Reverse the Symptoms of Cognitive Decline at Every Age

Vivek Shraya, I’m Afraid of Men

Daniel J. Siegel and Tina Payne Bryson, The Yes Brain
Daniel Siegel, The Science and Practice of Presence—A Complete Guide to the Groundbreaking Wheel of Awareness Meditation Practice

Leila Slimani, The Perfect Nanny

Ali Smith, Winter
Ali Smith, Spring

Zadie Smith, Grand Union

Adam Sol, Complicity

Karen Solie, Pigeon: poems
Karen Solie, The Caiplie Caves

Rebecca Solnit, Whose story is this?: old conflicts, new chapters
Rebecca Solnit, Cinderella Liberator

Jen Sookfong Lee, The Animals of Chinese New Year

Heidi Sopinka, The Dictionary of Animal Languages

Lauren St John, Dolphin Song

Elizabeth Strout, Olive, Again: A Novel
Elizabeth Strout, The Burgess Boys

Tanya Tagaq, Split Tooth

Tanya Talaga, All Our Relations: Finding the Path Forward

Daniel Tammet, Every Word is a Bird We Teach to Sing

Drew Hayden Taylor, Chasing painted horses / a novel

William Makepeace Thackeray, Vanity fair

Harold Rhenisch, The Spoken World

Joan Thomas, Five Wives

Miriam Toews, Women Talking

Dania Tomlinson, Our Animal Hearts

Rose Tremain, Trespass

Mark Truscott, Branches

Ayelet Tsabari, The Art of Leaving

Anne Tyler, Clock Dance

Arielle Twist, Disintegrate/dissociate: poems

Priscila Uppal, On second thought

Luis Alberto Urrea, The House of Broken Angels

Katherena Vermette, river woman

Alberto Villoldo, Grow a new body: how spirit and power plant nutrients can transform your health

Ocean Vuong, On Earth We’re Briefly Gorgeous

Richard Wagamese, Embers: one Ojibway’s meditations

Martin Walker, A taste for vengeance
Martin Walker, The body in the castle well

Clemantine Wamariya, The Girl Who Smiled Beads

Phoebe Wang, Admission requirements

Izabella Wentz, Hashimoto’s food pharmacology: nutrition protocols and healing recipes to take charge of your thyroid health

Walt Whitman, Live oak, with moss; art by Brian Selznick . Commentary by Karen Karbiener, Whitman scholar

Jeanette Winterson, Frankissstein

Peter Wohlleben, The Weather Detective: Rediscovering Nature’s Secret Signs
Peter Wohlleben, The Secret Wisdom of Nature: Trees, Animals, and the Extraordinary Balance of All Living Things

Tom Wolfe, The Kingdom of Speech

Anthology

Luminous Ink: Writers on Writing in Canada

Howard White & Emma Skagen, editors; Beyond forgetting: celebrating 100 years of Al Purdy with a forward by Steven Heighton

Ian Williams, editor; The Griffin Poetry Prize Anthology 2018

Hua Laura Wu, Xueqing Xu, Corinne Bieman Davies, editors; Toward the North: stories by Chinese Canadian writers

Poems and texts; an anthology of French poems, translations, & interviews with Ponge, Follain, Guillevic, Frenaud, Bonnefoy, DuBouchet, Roche & Pleynet  

Jeremy Noel-Tod, The Penguin book of the prose poem: from Baudelaire to Anne Carson / edited and introduced by Jeremy Noel-Tod

An enduring wilderness: Toronto’s natural parklands / photographs by Robert Burley; with writing by Anne Michaels, Michael Mitchell, Leanne Betasamosake Simpson, Alissa York, George Elliott Clarke, Wayne Reeves

DVDS SEEN

Anne of Green Gables: fire & dew; directed by John Kent Harrison

Doctor Who: the two doctors

Paul Goodman Changed My Life: The Life and Work of an Influential Philosopher

Black panther / directed by Ryan Coogler

The Square

Top of the lake directed by Jane Campion
Top of the lake. China girl directed by Jane Campion

Killing of the Sacred Deer. “The Killing of a Sacred Deer takes its name, Iphigenia in Aulis. Dating back to 405 BCE, Agamemnon and his men are stranded on an island because the goddess of the hunt, Artemis, has suspended the winds they require to set sail for Troy. If the war effort is to continue—and it must—he has to sacrifice his own daughter, Iphigenia, because he was previously responsible for the death of a sacred deer belonging to the goddess.”

Madame Bovary

Miss Julie

Regarding Susan Sontag: Portrait of a Feminist Icon

Paris was a Woman

To the Ends of the Earth

Counterpart

Colette

Hereditary directed by Ari Aster

The Handmaid’s Tale: Season 2

The Good Karma Hospital. Series 1

Faces places; written and directed by Agnès Varda and J.R. Watched a glorious doc, Faces Places by Agnes Varda and J.R.: she’s 80 something.  So moving; you’d love it: colour galore!

Claire’s Camera

Primaire

The Sisters Brothers

Agatha Raisin. Series one

Crooked house

Notes on a scandal; directed by Richard Eyre

The Little Stranger. Based on Sarah Waters

On Chesil Beach

The spy who dumped me directed by Susanna Fogel

The children act; directed by Richard Eyre. Based on the novel by Ian McEwan

Isle of dogs / directed by Wes Anderson

Risk

The White Queen

Blackkklansman directed by Spike Lee

Can You Ever Forgive Me? Dir: Marielle Heller. With a screenplay by film-maker Nicole Holofcener. Melissa McCarthy Sharp objects

The crown. The complete second season

Bohemian Rhapsody

The Americans. The complete fifth season

At Eternity’s Gate by Julian Schnabel

A Star is Born

The White Queen

Mum. Season one

First reformed directed by Paul Schrader: two quotes from Merton!!  Activism and faith… good commentary on DVD.

The Bookshop

Greta

If Beale Street could talk. Barry Jenkins from James Baldwin

Harold and Maude

At Eternity’s Gate. Willem da Foe as Vincent van Gogh

Fahrenheit 11/9 directed by Michael Moore

Crazy Rich Asians

On the basis of sex. Ruth Bader Ginsburg

The Good Karma Hospital. Series 2

Doctor Who with Jodie Whittaker –in Broadchurch, new showrunner Chris Chibnall

The Wife

Private Life

Symbiotic Earth: How Lynn Margulis Rocked the Boat and Started A Scientific Revolution. I was listening to David Quammen, The Tangled Tree: A net more than a tree. “In the mid-1970s, scientists began using DNA sequences to reexamine the history of all life. Perhaps the most startling discovery to come out of this new field—the study of life’s diversity and relatedness at the molecular level—is horizontal gene transfer (HGT), or the movement of genes across species lines. It turns out that HGT has been widespread and important. For instance, we now know that roughly eight percent of the human genome arrived not through traditional inheritance from directly ancestral forms, but sideways by viral infection—a type of HGT. In The Tangled Tree David Quammen, “chronicles these discoveries through the lives of the researchers who made them—such as Carl Woese, the most important little-known biologist of the twentieth century; Lynn Margulis, the notorious maverick whose wild ideas about “mosaic” creatures proved to be true; and Tsutomu Wantanabe, who discovered that the scourge of antibiotic-resistant bacteria is a direct result of horizontal gene transfer, bringing the deep study of genome histories to bear on a global crisis in public health.”

July 19, 2019: Entropy indeed! But the construction continues from 7am till 6pm, making the entire house and my nervous system vibrate!  Not today, there were several wild thunderstorms and more to come, even hail!  And a tornado watch. So I’ve been watching videos…The Wife (astounding; have you seen it?  Glenn Close is mesmerizing. Symbiotic Earth: Lynn Margolis Rocked the Boat & Started A Scientific Revolution. Brilliant woman!  A Private War, with Rosamund Pike totally inhabiting war correspondent Marie Colvin. About to see My Brilliant Friend. All from our Library, so I’m out of date but what a treat: I don’t usually watch: we don’t have TV, just the monitor:).

A private war. Marie Colvin.

My Brilliant Friend. July 21, 2019:  During the storms, I’ve been watching My Brilliant Friend… amazing corollary depicting so vividly Ferrante’s story! I just saw MY BRILLIANT FRIEND, based on Ferrante. Brilliant indeed!

Shetland. Season four

Vera 8

RBG

Mary Queen of Scots. Dir: Josie Rourke, played by Saoirse Ronan. Margot Robbie plays her nemesis, Queen Elizabeth I, and David Tennant is John Knox

Victoria, Season 3

Poetry in America. Season 1; director, Elisa New

In the dark, directed by Gilles Banner, Ulrik Imitiaz Rolfsen

The Durrells in Corfu. The complete third season. Watched The Durrels in Corfu series with the kids: sweet.

Killing Eve; Based on the novellas by Luke Jennings. I recovered by watching Killing Eve and fast forwarding through the ‘kills’.  Brilliant and weird.  Sandra Oh is a marvel. Have you watching Killing Eve? Mesmerizingly weird! Oh Sandra Oh!

The child in time. Watching Cumberbatch in “A Child in Time” and about to see, next cloudy day, “Patrick Melrose”.

Patrick Melrose. David Nicholls turned Edward St Aubyn’s books into a heart-wrenching account of abuse and addiction, carried by a majestic Benedict Cumberbatch. Benedict as Patrick… I cdn’t get through the novels, too disturbing. I don’t really understand the gay sensibility of those times, like “Suddenly, Last Summer”.

Us

Gloria Bell

The seagull

Infinity: the ultimate trip / produced by Alberto Villoldo
A Handful of Dust
Apollo 11: Mission to the Moon

Departure/ director, Andrew Steggall

Unbreakable Kimmy Schmidt

Green Book

Fantastic beasts: the crimes of Grindelwald / directed by David Yates

24 frames / a film by Abbas Kiarostami

My Week With Marilyn

Small Island. Based on the novel by Andrea Levy

Late Night with Emma Thompson and Mindy Kaling

Pina / directed by Wim Wenders

High Life, Claire Denis

Beloved

The Little Drummer Girl

Penn Novel Idea Kingston 2018

Reading at Novel Idea, Kingston. Photo by Andrew Simms.

 

 

 

Poems & Plays for Sale, by the Book-full!

Books are the best gift for a New Year and a new decade!  A shout-out to Canadian small press publishers.  Long may you thrive!

Here are my recent offerings for your wish list, to share with poetry- and play-loving pals.

If you order the books from me, I’ll sign them for you!

Penn Kemp
525 Canterbury Road
London Ontario N6G 2N5
pennkemp@gmail.com

Or order from Amazon*. Details below.

From Insomniac Press*, $2O + tax + postage:

River Revery front back cover

Celebrating local writers! https://lfpress.com/entertainment/books/new-books-by-london-and-area-authors-just-in-time-for-christmas

Local Heroes cover good

From Quattro Books*, $2O + tax + postage:

FoxHaunts-Cover

barbaric-cultural-practice_front-cover

Also, prose to celebrate Jack Layton: Love, Hope and Optimism, Ongoing!*

960121_10151616103230020_1383103619_n

Travel to Ancient Egypt with me for $6 + tax +postage!

Helwa cover

Or this fabulous hand-made chapbook from Mother Tongue Books for $50 + tax +postage!

Suite Ancient Egypt

If you love plays and local history, two of my plays about Victorian explorer Teresa Harris are available: https://www.canadianplayoutlet.com/products/the-dream-life-of-teresa-harris and https://www.canadianplayoutlet.com/products/the-triumph-of-teresa-harris.

And this anthology,  available only from me. $20 in this format.  But for $12, without the colour, order from https://www.canadianplayoutlet.com/products/performing-women.

performing-women-2016

* Find my books on https://www.amazon.ca/s?k=Penn+Kemp&ref=nb_sb_noss.

You can also find them in your Library, I hope. Certainly London Public Library has them all, plus CDs and DVDS.

Blessings for a Joyous Holiday! 

Penn
http://www.pennkemp.weebly.com

Poems for Sale: a wish list for you

Books are the best gift for upcoming holidays… a respite from the rush.

Here are my recent offerings to share with poetry- and play-loving pals.

If you order from me, I’ll sign them as you wish!
Penn Kemp
525 Canterbury Road
London Ontario N6G 2N5
pennkemp@gmail.com

Or order from Amazon*. Details below.

From Insomniac Press*, $2O + tax + postage:

River Revery front back cover

Local Heroes cover good

From Quattro Books*, $2O + tax + postage:

FoxHaunts-Cover

barbaric-cultural-practice_front-cover

Also, prose to celebrate Jack Layton: Love, Hope and Optimism, Ongoing!*

960121_10151616103230020_1383103619_n

Travel to Ancient Egypt with me for $6 + tax +postage!

Helwa cover

Or this fabulous hand-made chapbook from Mother Tongue Books for $50 + tax +postage!

Suite Ancient Egypt

If you love plays and local history, two of my plays about Victorian explorer Teresa Harris are available: https://www.canadianplayoutlet.com/products/the-dream-life-of-teresa-harris and https://www.canadianplayoutlet.com/products/the-triumph-of-teresa-harris.

And this anthology,  available only from me. $20 in this format.  But for $12, without the colour, order from https://www.canadianplayoutlet.com/products/performing-women.

performing-women-2016

* Find my books on https://www.amazon.ca/s?k=Penn+Kemp&ref=nb_sb_noss.

Blessings for a Joyous Holiday!
Penn

Listening to the River

“London poet Penn Kemp helps explore identity at Wordsfest”

The Thames River moves swiftly through London’s Kilally Meadows, a turn in the river at the end of Windermere Road that is eating away at the bank, carving a new history in its journey.

It’s here on the Thames, two kilometres from her childhood home that poet, spoken word performer and playwright Penn Kemp has found inspiration that culminated in River Revery, her 31st book of poetry and drama.

It will be launched Saturday at the sixth annual Words, London’s literary and creative arts festival, also known as Wordsfest, being held at Museum London Friday through Sunday.

Wordsfest will feature 40 Canadian authors, poets, writers, songwriters and other literary stars. It’s a “celebration of creative ideas, artistic expression and cultural diversity,”  where the concept of identity will be the theme.

“The Thames River is the very centre of London – look at the forks downtown – the very heart of the city, the flow, the current and the influence,” said Kemp, sitting under a sunny sky days ago a few metres from the river.

In Kemp’s new book is the poem Riparian, inspired by the place where we had just been walking and this excerpt reflects our view:

Woodcocks drum in May at Kilally Meadows as
mallard mothers introduce their pride to water.

Cattails sieve sediment in the marsh. Let alone.
Carrying on. There a dead ash stands undercut by
spring current sweeping without resistance among
dangled roots. On topmost branch, the local osprey,
intent on a shoal of suckers suspended in shadow,

catches sunlight, breast gleaming, before plummeting
with curved claws to pluck family breakfast.”

On Saturday at 1 p.m., Kemp will be in conversation with Diana Beresford-Kroeger, an author, medical biochemist and botanist who wrote the forward for River Revery.

Beresford-Kroeger is the author of several books, including To Speak for the Trees, released in September. She was named a fellow of the Royal Geographical Society in 2011 and named by the society as one of 25 women explorers of Canada.

The Thames, its tributaries and the land it flows through is the land of Kemp’s childhood, where she wondered and dreamed and played and ran and walked and rode a bike.

The river meanders through her work, including her plays about Teresa Harris, The Dream Life of Teresa Harris (2013) and The Triumph of Teresa Harris (2017).

Harris was born in 1839, youngest of the 12 children of Royal Navy Capt. John Harris, one of the city’s earliest settlers and builder of Eldon House. The house was owned by the family until 1960 when it was donated to the city as a museum, while much of its property along the Thames became Harris Park.

Teresa, an independent minded adventurer, inspires not only Kemp’s work but also her heart.

River Revery, dedicated to Kemp’s grandchildren, is not just a book of poems; it’s a collaboration with London artist Mary McDonald, who provided photos and animations to support Kemp’s words. The website riverrevery.ca includes the full breadth of the work, which was first revealed at last year’s Wordsfest.

Kemp is also a wealth of knowledge about the Thames. She tells me the Thames is called Deshkan Ziibi (Antler River) in the Ojibwe language, but it was named by Lt.-Gov. John Graves Simcoe after its British namesake – a name itself rooted in the ancient Celtic language and meaning the Dark One.

“I really think we need to return to listening to what the river and the land are telling us,” said Kemp, a lifelong environmentalist and activist.

“Ever since I was a tiny child, I’ve tried to articulate the mystery not expressed in words – the river, trees, the birds – . . . and I’m still trying to translate the mystery. I believe if I’m listening I can hear one maple.”

Kemp gets irritated with anthropomorphism of nature by people making it appear and behave as a human being even though the rivers, trees, animals and land are distinct entities.

“The land is not limited to our sensibilities or understanding and comprehension,” said Kemp.

“That’s where the listening comes in . . . We’ve been trained to project, transfer our humanness values to nature and the truth is nature is so much longer lived. It has its own life. It breathes so much longer than we do. We have to get back to honouring the land as the Indigenous People did before colonialism.”

Kemp said the Thames is more than a “metaphor” of the identity of London. “It’s the reality of our identity, staring us in the face, asking for recognition, to be honoured and valued, not just to be used,” she said.

Wordsfest artistic director Joshua Lambier said the festival’s theme of identity is about “re-imagining Souwesto” referring to name coined by the late London artist Greg Curnoe for Southwestern Ontario.

Lambier said identity will be explored from a variety of angles, including the “notion of the Forest City,” which Kemp and Beresford-Kroeger will explore, and the relationship between “creativity and identity,” which a panel hosted by award-winning author Nino Ricci, the Alice Munro Chair in Creativity at Western University, will discuss Saturday at 4 p.m.

“The great thing about Wordsfest is the diversity of the content, so there should be something for everyone,” said Lambier.

“We try to bring the Western University campus downtown to the people of London who want to meet and see national authors, but also our local writers who will all be discussing new ideas, new books, new artistic approaches.”

Joe Belanger, The London Free Press, October 31, 2019

GOING WITH THE FLOW: Kemp a natural at Wordsfest C1

London poet helps explore identity at sixth-annual Wordsfest

Penn102019 Belanger

Photo: Joe Belanger

Believe…

In the space of a year she has learned to sit,
to stand, to walk, to totter forward in a run.

She has seen one full round of the seasons.
She wraps her family round her little finger.

Now just before dusk we stroll hand in hand
to witness the evening ritual of geese return.

Gliding along the Thames in formation, they
skim overhead, flapping slow time in synch.

She studies their procedure, dropping my hand
to edge forward, neck outstretched, arms aero-

dynamically angled. She flaps and flaps along
the bank, following their flight, ready for that

sudden lift. Again, again, till the last goose has
flown. Dragging her heels home, disconcerted,

she braces her body against the rising breeze,
bewildered that she too can’t take off to sky

but game to try again tomorrow, convinced
the birds’ secret will soon belong to her.

believe 2018 Mary McDonald

 

Presenting RIVER REVERY

My new collection of poems is available from https://insomniacpress.com/new-releases.

RIVER REVERY

Rivers are often used in mythology to represent boundaries; to cross the river is to transform. The poems in RIVER REVERY reflect the river Thames as it winds through the city of London, Ontario. Because the Thames forks into two streams at the city’s core, it was called Askunessippi, “the antlered river,” by the original Algonquin inhabitants. For Indigenous communities, it is “Deshkan Ziibiing.” In re-naming the river the Thames, English settlers colonized forbidding new territory as an imitation of ‘home,’ rather than embracing the vibrancy of the river as it is. A distillation of ecological concern is a current necessity in RIVER REVERY. Such inspiration in poetry is one source for right action since the Thames waters our gardens, real and imaginary.

Poetry  ·   $19.95  ·  Trade paperback  ·  ISBN 978-1-55483-238-5 ·  122 pages  ·  5″ x 8”

River Revery

The London Free Press is marvellous at supporting local arts. Check out this interview on RIVER REVERY at Killaly Meadow! https://lfpress.com/entertainment/books/london-poet-helps-explore-identity-at-wordsfest?fbclid=IwAR0KU-ArMTmBwAmQ5IhMXix-Lm-QhSrlOCEWMBLF3_gywQS3uFy3gtk8p88

RIVER REVERY was launched at the glorious WORDS: The Literary and Creative Arts Festival Museum London!  I was honoured to be “In Conversation” with Diana Beresford-Kroeger. An indomitable visionary, Diana was launching her essential new book:

To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest  

Our conversation was moderated by beloved rogue psychiatrist, Nina Desjardins to a full house, with lively audience participation.

All fired up! A triad of women offer the courage and resilience of heart, imagination and action to face climate change and tip the balance towards recovery.

Penn Nina Diana Jake Wordsfest by PatriciaWith Nina Desjardins, Diana Beresford-Kroeger, me and my son Jake Chalmers at the book signing after our Wordsfest “In Conversation”! FUN! Thanks, everyone for filling the hall… and THANKS, Wordsfest! My reading from RIVER REVERY  was sponsored by The League of Canadian Poets. https://pennkemp.wordpress.com/2019/09/15/river-revery/

The video of “In Conversation” with Diana Beresford-Kroeger was recorded by the ever-brilliant Dennis Siren: https://youtu.be/lf_apKTzpgQ, for all those needing inspiration!
A poem from RIVER REVERY is in the 2019 http://wordsfest.ca/zine.

My reading was funded by Canada Poetry Tours, The League of Canadian Poets @canadianpoets and the Canada Council for the Arts,

.Poets logo    logo

RIVER REVERY features photographs by Mary McDonald and QR codes linking to poetry films by Mary McDonald and by Dennis Siren.

Animations and sound explorations of several of the poems by media artist extraordinaire Mary McDonald are up on RiverRevery.ca as well as news about the poetry films: they are shown in festivals everywhere! You can add to this community project on #RiverReveryLdn. An Augmented Reality, multimedia animation collaboration, with thanks to @LdnArtsCouncil #CommunityArtsInvestmentProgram

RIVER REVERY is dedicated to my grandchildren, Ula and Kai… and to all the grand children who will carry on!

Shall we rename the Thames? The Antler River!

Yours in the current’s flow,
Penn

Books Read & Recommended, 2018

A very eclectic collection, read by the fire, on planes, in the garden. And/or heard, in bed…

Kate Atkinson, Transcription

Belinda Bauer, Snap

Carleigh Baker, Bad endings: stories *

Sarah Bakewell, At the existentialist café: freedom, being and apricot cocktails with Jean-Paul Sartre [and others]

Sharon Bala, The Boat People*

Deirdre Baker, Becca fair and foul*

John Banville, Mrs. Osmond*

Linwood Barclay, A Noise Downstairs

Julian Barnes, The lemon table: stories

Billy-Ray Belcourt, This wound is a world: poems

Chloe Benjamin, The Immortalists

Diana Beresford-Kroeger, Arboretum America: a philosophy of the forest; photographs by Christian H. Kroeger; foreword by Edward O. Wilson

Jill Bialosky, Poetry will save your life: a memoir*

Holly Black, Doll bones; with illustrations by Eliza Wheeler *

Leonard Cohen, The Flame

Christopher Paul Curtis, The journey of little Charlie

E.D. Blodgett, Transfiguration* 
E.D. Blodgett, Apostrophes: woman at a piano* 

George Bowering, No one (Not recommended~!)

Alan Bradley, The Grave’s a Fine and Private Place*

Dionne Brand, Tessa McWatt, Rabindranath Maharaj, editors / Luminous ink: writers on writing in Canada

Brené Brown, Braving the Wilderness: The Quest for True Belonging and the Courage to Stand Alone*

Stephen Harrod Buhner, Plant intelligence and the imaginal

Steve Burrows, A tiding of magpies

Jessie Burton, The miniaturist: a novel *

Rhonda Byrne, The Power*

Heather Cadsby, Standing in the flock of connections

Anne Carson, Red Doc

Kate Cayley, How you were born: stories*

David Chariandy, Brother*

Svetlana Chmakova, Brave*

Noam Chomsky ; created and edited by Peter Hutchinson, Kelly Nyks & Jared P. Scott. Requiem for the American dream: the 10 principles of concentration of wealth & power /

Noam Chomsky; interviews with David Barsamian, Global discontents

Kim Clark and Dawn Marie Kresan, Canadian Ginger: an anthology of poetry & prose*

Ta-Nehisi Coates, We Were Eight Years in Power: an American tragedy*

Marina Cohen, The doll’s eye; illustrations by Nicoletta Ceccoli

Billy Collins, The rain in Portugal: poems

Cressida Cowell, The Wizards of Once*

Cressida Cowell, How to Fight a Dragon’s Fury. How to Train Your Dragon Series, Book 12. Read by David Tennant *

Lorna Crozier, What the soul doesn’t want: poems*

Tom Cull, Bad animals*

Rachel Cusk, Outline*

Rachel Cusk, Transit *

Rachel Cusk, Kudos*

Lauren B. Davis, The Grimoire of Kensington Market *

Elisabeth de Mariaffi, Hysteria *

Edmund de Waal, The Hare with Amber Eyes: A Hidden Inheritance

Mai Der Vang, Afterland: poems *

David Demchuk, The Bone Mother

Patrick deWitt, French Exit    cd

Cherie Dimaline, The Marrow Thieves*

Jeramy Dodds, Drakkar Noir

Brian Doyle, editor. A sense of wonder: the world’s best writers on the sacred, the profane, and the ordinary

Norman Dubie, The quotations of bone

Esi Edugyan, Washington Black: A Novel

Jennifer Egan, Manhattan Beach*

Deborah Eisenberg, Twilight of the Superheroes *

Dave Eggers, Heroes of the frontier: a novel*

Dave Eggers, The monk of Mokha. Mokhtar Alkhanshali *

Cecilia Ekbäck, The midnight sun

Cecilia Ekbäck, Wolf Winter

Louise Erdrich, Future Home of the Living God *

Susan Faludi, In the darkroom*

  1. A. C. Farrant, The days: forecasts, warnings, advice *

Elena Favilli, Francesca Cavallo. Good Night Stories for Rebel Girls

Aminatta FornaHappiness*
Aminatta Forna,The hired man*

Philip Freeman, Searching for Sappho: the lost songs and world of the first woman poet including new translations of all of Sappho’s surviving poetry*

Patrick Friesen, Songen*

Cornelia Funke, Ruffleclaw; illustrated by the author; translated by Oliver Latsch *

Neil Gaiman, Odd and the Frost Giants; illustrated by Brett Helquist*

Jorie Graham, Fast*

Shari Green, Macy McMillan and the rainbow goddess *

Camilla Grudova, The Doll’s Alphabet

Lisa Halliday, Asymmetry*

Richard Harrison, On Not Losing My Father’s Ashes in the Flood *

Paula Hawkins, Into the water

Elizabeth Hay, All Things Consoled: A Daughter’s Memoir

Emma Healey, Stereoblind: poems  *

Emma Healey, Whistle in the dark*

Chris Hedges, Unspeakable: Chris Hedges on the most forbidden topics in America / with David Talbot

Sheila Heti, Motherhood *

Brenda Hillman, Seasonal Works with Letters on Fire*

Alice Hoffman, Survival Lessons

Alice Hoffman, The rules of magic*

Alice Hoffman, Here on Earth*

Robert Hogg, There is No Falling

Nancy Holmes, Valancy and the new world *

Gail Honeyman, Eleanor Oliphant Is Completely Fine*

Cornelia Hoogland, Trailer park elegy*

Emma Hooper, Our Homesick Songs*

Susan Howe, Debths

David Huebert, Peninsula Sinking *

Helen Humphreys, The ghost orchard: the hidden history of the apple in North America*

Helen Humphreys, Machine Without Horses

Kazuo Ishiguro, My twentieth century evening and other small breakthroughs: the Nobel lecture*

Walter Isaacson, Leonardo da Vinci*

Annie Jacobson, Phenomena: The Secret History of the U.S. Government’s Investigations Into Extrasensory Perception and Psychokinesis*

Maureen Jennings, Let darkness bury the dead: a Murdoch mystery *

Amanda Jernigan, Years, months, and days: Poems *

Jim Johnstone, editor. The next wave: an anthology of 21st century Canadian poetry

Kij Johnson, The Fox Woman *

The Journey prize stories: the best of Canada’s new writers

Han Kang, Human acts: a novel; translated from the Korean and introduced by Deborah Smith*

Thomas King, Cold Skies*

Barbara Kingsolver, Unsheltered

Larissa Lai, When Fox Is a Thousand *

Danielle LaPorte, White Hot Truth*

  1. I. Larry, High risk*, Undercover*

Ursula K Le Guin, Words are my matter: writings about life and books, 2000-2016 with a journal of a writer’s week

John Le Carré, A delicate truth

League of Canadian Poets, Measures of astonishment: poets on poetry / presented by the League

Ann Leckie, Ancillary Justice

David Lehman, Best American Poetry 2016

Donna Leon, Drawing conclusions: a Commissario Guido Brunetti mystery

Donna Leon, The Temptation of Forgiveness

Carrianne Leung, That time I loved you: linked stories

Deborah Levy, Things I Don’t Want to Know

Jennifer LoveGrove, Beautiful Children with Pet Foxes *

Helen M. Luke, Old Age: Journey into Simplicity

Helen M. Luke; edited by Rob Baker. Kaleidoscope: the way of woman and other essays* 

Harriet Alida Lye, Honey Farm*

Kari Maaren, Weave a Circle Round*

Anne McDonald, Miss Confederation: The Diary of Mercy Anne Coles*

Gregory Maguire, Hiddensee: a tale of the once and future Nutcracker *

Terese Mailhot, Heart Berries: A Memoir

Alice Major, Memory’s daughter

Mark Manson: The Subtle Art of Not Giving a Fuck*

Daphne Marlatt, The Collected Earlier Poems, 1968-2008. Edited by Susan Holbrook*

Monia Mazigh, Hope has two daughters *

Alexander McCall Smith, The House of Unexpected Sisters: The No. 1 Ladies’ Detective Agency *

Ami McKay, Half Spent Was the Night *

Steve McOrmond, Reckon*

W.S. Merwin, Sir Gawain and the green knight / a new verse translation*
W.S. Merwin, The river sound: poems

Anne Michaels, All We Saw*

Madeline Miller, Circe**

Valerie Mills-Milde, The Land’s Long Reach*

Thomas Moore, Ageless soul*

Naomi Novik, Uprooted*

John O’Donohue, Conamara blues: poems *

Michael Ondaatje, Warlight*

Helen Oyeyemi, Mr. Fox*

Louise Penny, Kingdom of the Blind: A Chief Inspector Gamache Novel

Richard Powers, The Overstory*

Meredith Quartermain, U girl: a novel *

Sina Queyras, My Ariel*

Matt Rader, Desecrations*

Judy Rebick, Heroes In My Head *

Elizabeth Renzetti, Shrewed*

Noah Richler, The candidate: fear and loathing on the campaign trail*

Eden Robinson, Trickster Drift*

Margaret Rogerson, An Enchantment of Ravens*

Damian Rogers, Dear leader *

Catherine Sheldrick Ross, Lynne McKechnie, Paulette M. Rothbauer, editors. Reading Still Matters: What the Research Reveals about Reading, Libraries, and Community *

Salman Rushdie, The golden house: A Novel *

Karen Russell, Vampires in the Lemon Grove *

Linda Rutenberg, The Garden at Night. Introduction by Christopher Dewdney*

Deborah Samuel, The extraordinary beauty of birds: designs, patterns and details

Richard Sanger, Dark woods. Biblioasis*

Sarah Selecky, Radiant Shimmering Light*

Maria Semple, Where’d You Go, Bernadette*

Kamila Shamsie, Home Fire*

Alexie Sherman, Thunder Boy Jr.*

Merilyn Simonds, Gutenberg’s Fingerprint: Paper, Pixels and the Lasting Impression of Books*

Linda Spalding, The Reckoning*

Barbara Shapiro, The Muralist

Sjon, From the Mouth of the Whale*

Ali Smith, Autumn*

Ali Smith, Winter*

Michael V. Smith, Bad ideas

Murdoch Neil Smith, Boo: a novel

Zadie Smith, Feel Free

Mark Strand, Eavan Boland, editors, The making of a poem: a Norton anthology of poetic forms

J.R. (Tim) Struthers, ed. Clark Blaise: the Interviews

Graham Swift, Tomorrow

Gillian Sze, Panicle

Wisława Szymborska, Map: collected and last poems; edited by Clare Cavanagh

Amy Tan, Where the past begins: a writer’s memoir*

Donna Tartt, The Goldfinch*

Kim Thúy, Vi ; translated from the French by Sheila Fischman

Miriam Toews, Women Talking

Alexandre Trudeau, Barbarian Lost: Travels in the New China*

John Vaillliant, The Jaguar’s Children*

Alberto Villoldo, One Spirit Medicine: Ancient Ways to Ultimate Wellness*

Alberto Villoldo and David Perlmutter, Power up your brain: the neuroscience of enlightenment

Ocean Vuong, Night sky with exit wounds*

Clemantine Wamariya, The Girl Who Smiled Beads. (Julia Zave)

Elizabeth Waterston, Magic island: the fictions of L.M. Montgomery*

Joshua Whitehead, Jonny Appleseed: a novel

Anthony Williams, Medical Medium*

Deborah Willis, The dark and other love stories*

Oprah Winfrey, The wisdom of sundays: Life-Changing Insights from Super Soul Conversations. Oprah Winfrey*

Peter Wohlleben, The Inner Life of Animals*

Peter Wohlleben; translated by Ruth Ahmedzai Kemp. The weather detective: rediscovering nature’s secret signs

Meg Wolitzer, The Female Persuasion*

Lauren Wolk, Wolf Hollow*

Erin Wunker, Notes from a Feminist Killjoy

London Free Press WordsFest 2018_jpg_large

,,, and still reading…

 

Fox Haunts reviewed

Signed copies of Fox Haunts (Aeolus House, 2008) are available for $20 plus shipping.
Contact pennkemp@gmail.com.

What caught your imagination when you were young?

For me it was Foxes:
https://www.youtube.com/watch?v=E58HtvVZQXs*

Alice Major has written a lovely review on The League of Canadian Poets’ Review page: http://poets.ca/2019/01/21/review-insomnia-bird-by-kelly-shepherd-fox-haunts-by-penn-kemp/?fbclid=IwAR2A1attCS5ufAze9Xfrby4rhiaOfZw5PdxGGtLCSJm-d-rXkVz6RhkrIpU.

“In two recent collections, urban wildlife becomes a context for poets exploring the relationship of human and animal—a relationship that stretches back into myth-making and tale-telling, sideways into contemporary biology, and forward into a future of changing climate and anthropocentric landscapes. Each poet uses a different lens and tools to produce different but complementary books…

Penn Kemp’s Fox Haunts is also a book about how a wild animal can inhabit our urban lives and our imaginations. She also braids myth, science, literary allusions. But the voice here is different—more personal, less specific about a particular city inhabited by the fox and more intrigued with the dichotomous essence of the animal in our minds.

The poet’s “I” is established from at the beginning with an autobiographical poem about a child imagining the fox in her night-time bedroom—hungry, prowling:

… He was going to eat
me alive. Unless I played dead. I froze into the mattress.
The folds of the sheet turned marble. A frieze. The fox could
not smell out the stiff and still. I could sleep. Warily.

In subsequent poems, the fox often becomes ‘you’, a fellow creature to be addressed. But he remains always risky; even if you order a tame fox from the Internet at great expense, it will still be too skittish, too easily bored:

Better keep him busy, entertained or he’ll
run amok into your cushion, your couch,
your nightmare.

Fox is an animal reported on in New Scientist and “What I hear on CBC.”  Kemp incorporates intriguing scraps of biology, like evidence that prey animals are gifted with the ability to forget the trauma of being chased, that foxes can see the earth’s magnetic field, that they may be adapting to city life to avoid hunters. Such information forms the context for arresting poetic imagery:

They look on the easy prey of pets, soft
and vulnerable bichon frises left outside
by themselves in the yard, those with not
defence but a petulant, startled bark …

… Given such ready supply
of sweet fat food, Fox laughs and moves in

The paradox—it may be easier and safer for the wild animal to live near humans—is one more riff on the idea of “wildness” that Kemp explores throughout the book. Fox is both hunter and the trapped beast; the untamed animal that wears “dainty gloves.” He is the outcast who takes back the territory of our backyards: “Kudos for taking back the night, Nox Fox.” He is the ‘rewilder’ who calls us to Be Wilder.

The poems are suffused with a tension between the real creature of our urban backyards and the creatures of our imagination, individual and collective. “Who can tell foxfire from phosphene?” the poet asks in “When Eyes Close,” an evocative short lyric about the patterns flickering in our brains when our eyes are closed. The poem’s 12 lines encapsulate one of the basic questions in philosophy: what is the relationship of the human brain to a real world?

“A blur of orange, a smudge or smear/Could manifest as creature any time, // Could grow into the idea of Fox …” she writes. Pattern becomes story, but it all starts from “what glimmers, eyes shut.”

The section “Little literary foxes” pursues the vulpine presence through folktale and Biblical narratives, literature and contemporary film.

“Aesop always gives Fox the finger/

shaking his index as reproof.”

This section is broad-ranging and stuffed with facts that are literary rather than biological: The word “shenanigans” may come from an old Gaelic word for fox. The constellation we call Canis Minor is, in Greek myth the Teumessian Fox which could never be caught. Artists from WB Yeats to Alice Munro to Kurosawa have some kind of fox relationship. However the section as a whole feels forced, as though the author has been working her way through a googled list of “fox in popular culture.” A number of the pieces don’t feel as though they have been transformed into poetry.

Nevertheless, Fox Haunts is a haunting brush with Fox’s vanishing tail. The human-animal connection is elusive, interstitial, “inner and outer, on / the verge.” And Kemp’s long career as a sound poet is apparent in the sonic delight of lines like:

Fox, you are epic,

You are epidemic,

You are anathema

 

You are a theme of tales…

Thanks to Alice Major and to the League of Poets for their Reviews section!

Well, this is fun! A cocktail, a fox tale…. I just saw this pairing: Fox Haunts, a cocktail… and a review! https://alllitup.ca/Blog/2018/Chappy-Hour-The-Quick-Red-Fox-Fox-Haunts
https://alllitup.ca/Blog/2018/Chappy-Hour-The-Quick-Red-Fox-Fox-Haunts#topofpostcontent

Other reviews of Fox Haunts are up on https://www.goodreads.com/book/show/39743870-fox-haunts and https://www.amazon.com/Fox-Haunts-Penn-Kemp/dp/1987872142.

A comprehensive and thoughtful review of Fox Haunts by Jennifer Wenn is up on http://tuckmagazine.com/2019/01/11/fox-haunts-penn-kemp-review/:

Fox Haunts by Penn Kemp is a fascinating investigation of both the real animal and the figure of literature and myth. Kemp’s wordplay, wit and humour are on full display (for example, the whimsical suggestions for keeping foxes out of the yard in How To Repel the Urban Fox), but there are serious streams concerning adaptation, the collision of our civilisation with nature, and what Kemp terms rewilding. This is a captivating, multi-layered work, a demonstration of Kemp’s own precepts: “…Poetry allows for profusion//of voices and multilinear narratives//puns…” (Prompt).

Fox Haunts is divided into four sections: Family Fox-lore, The Urban Fox, Little Literary Foxes, and Dream Frequency. Family Fox-lore consists of two prefatory poems (A Child’s Garden Fox; and Steal, Stole, Stun), family memories that introduce main themes in the work. This starts with a literal collision between human technology (here, a car) and the wild (in the shape of a fox) and proceeds through imagination and a very real fox victim in the form of a stole.

The Urban Fox, Section Two, is the longest one and in many ways the heart of the work. We meet the foxes adapting to and claiming space within our cities, at first just via subtle indications like a rustle in a bush (Ghost Scents), glowing eyes at night (Night Vision; Avoidance Tactic), a slight odour left behind (Natural Magic) or tracks (What Matters; The Beauty of Snowy Waste and Noble Silence; Synecdoche). Later we discover Fox raiding “our pantry, our cat-//food, or cat perhaps” (Be Wilder), urinating on compost bins (Foul Play), raiding a henhouse (Foul Play), keeping everyone awake with screams and shrieks (What the Fox Says), grabbing the family dog by the leg (Foxes I Have Known, Rabid), carrying off defenceless bichons frisés (Why Here, Why Now) or depositing unmatched footwear inside via the cat door (Your Lair Is My Layer, Apparently). We perceive the world through Fox’s heightened senses: hearing (On the Nature of Intelligence; Pointers; Strategies, Night Vision); night sight (On the Nature of Intelligence; Night Vision); seeing the earth’s magnetic field (Strategies). A special mention of At the Moment of Equinox, a lovely hymn to balance and to nature, Fox’s realm.

Little Literary Foxes, Section Three, investigates literature, with touchpoints including Kurosawa (Inari, Kami of Foxes), Ovid (Song of His Origins), the Bible (Samson Agonistes, On Condemnation and Canticles), Milton (Samson Agonistes), Aesop (Fox Fable; Verse, Vice, Virtue), Yeats (Celtic Twilight), The Little Prince (Les Petits Amis), Kim Philby (“The Fox That Came to Stay”), Stephen King & Stanley Kubrick (Eye Shine), Alice Munro (Fair Play on Fur in F Sharp) and more.

In Dream Frequency, Section Four, Kemp, as she has in other works, explores her dreams. Here she finds herself haunted by Fox’s many aspects; a riff on the book title. As Kemp notes in her Introduction “Fox Haunts begins with a play on words. Who’s haunting whom?” We discover Fox and Kemp engaged in a variety of pas de deux: “…You wrap yourself round//in an ourobos of sleep and dream…” (Elementals); “Fox leads me a merry chase as will-of-wisp//streaks across western sky painting random//wisps along cirrus cloud…” (Avoidance Tactic); “We are entangled in tango, not//knowing the steps, not knowing//what trust is, leaning backward.” (Fox Trot); “…I burrow after you into teeming dark” (The Light Breach); “…I stand before you, astonished,//mouth so agape you might well leap down//the little red lane straight into bloodstream.” (Offer).

Throughout the entire work Fox is a liminal figure: “Between discrete realms of possibility” (By her wits, you shall know her); neither dog nor cat (Doubles); inner and outer (Doubles; How to Haunt); literal and figurative (On Condemnation and Canticles); dream and waking (O Fabulist).

An all-important boundary is that between hunter and hunted. When the former, Fox most often victimizes poor Rabbit (How to Hunt; Strategies; Synecdoche; Synopsis, Lady into Fox). Other prey include voles and moles (Night Vision; Strategies); crows (Pulling a Fast One); fowl generally (Pointers; Foul Play); mice (Pointers; On Condemnation and Canticles) and the aforementioned bichons frisés (Why Here, Why Now). In a nice touch, Kemp dreams that Fox and Rabbit are pals (Fox Play).

But while Fox is hunting to feed her family, our civilization all too often turns Fox into the victim, for far less essential reasons: hit by a car (A Child’s Garden Fox; Foxe’s Book of Martyrs, 1563 to the Present); killed for its fur (Steal, Stole, Stun; The Purchase; Fair Play on Fur in F Sharp); starving (“Helpless, Helpless, Helpless”); clubbed to death for raiding a henhouse in search of food (Foxe’s Book of Martyrs, 1563 to the Present); hunted for sport (Foxe’s Book of Martyrs, 1563 to the Present|); used as live torches (Song of His Origins; Samson Agonistes); pushed off a ledge five stories up (“The Fox That Came to Stay”).

Kemp’s prescription for restoring harmony is rewilding, adapting to and drawing from nature what we need, and perhaps have lost: “clarity and strength”, “surrender and acceptance”, “joy and creativity”, “initiation, inspiration”, “your broad view”, “your ground, your holy round” (At the Moment of Equinox). “Reclaim, rather,//and rewild, let’s agree.// //Yes, rewild us for we are//bewildered and beknighted.// //We are precariously tame and//dangerous.” (Be Wilder).

In the final poem, addressing Fox, Kemp expresses wishes and hopes we all could share: “On your own, you’ll do just fine as long//as we humans don’t interfere with your//livelihood, your livelong neighbourhood.// //May you be freed from old mythologies//that call you trickster, demon temptress,//ghost and fraudster. May you run free.”

Fox Haunts is a beautiful, thought-provoking, multi-level meditation, and a heartfelt plea for a reconfiguration of our spirits and a new relationship with the world around us.”

Jennifer Wenn is a trans-identified writer from London, Ontario. In addition to her day job as a Systems Analyst, she has written From Adversity to Accomplishment, a family and social history; and published poetry in Tuck Magazine, Synaeresis, Wordsfestzine and the anthology Things That Matter.   She is also the proud parent of two adult children.

Image result for fox glyph

Two beautiful reviews Fox Haunts came in
one after the other
on little fox feet from the Okanagan.

How could I not share them with you?

FoxHaunts-Cover

 

Fox Haunts. Poems by Penn Kemp. Aeolus House, 2018. 97 pages. $20.

Review by Bill Arnott

First time I saw a fox I was atop an open-air double decker, trundling along rugged coast, intermittently thrashed by leafy birch as though in a weaving Finnish sauna. I was compelled to shield my eyes – the same reaction as when something’s beyond comprehension, available only to the worthy. In fact it was present for everyone. Laid bare, unabashedly rich in beauty and lore. A slender, russet blonde animal, taller than I imagined. Regal. Same as when I met Penn Kemp. Somewhere a fellow trickster – Loki, Kokopelli perhaps, danced a gleeful jig, as I carried a newly signed Fox Haunts to my semi-detached lair.

Adaptation runs through this London Laureate’s new poems in darting twists, flight from imagined hunter’s horn. At times furtive, dreamily camouflaged, or bounding in plain sight, Kemp’s artistry enraptures. We join Penn in childhood, parents fused into fox memories with “A Child’s Garden Fox.”

“Sleepy, sleeping in my mother’s lap. Nestled. / When. A fox ran in front of the car. And / was transfixed by the headlights. Ran and / ran in front of the car but could not escape”

In red hued monochrome we glimpse dead fur and living banshees in “Steal, Stole, Stun.”

“The dried heads of black fox hung / from my grandmother’s stole as if / ready to strike. Dead flat button jet / eyes shut tight to their own secret”

And with fireside ease we move through seasons, geography and myth, playful “Glow” perching us parrot-like on the writer’s shoulder, experiencing evolving words while peering real-time into her thoughts.

“That narrow snout surfaces to / figure your next ploy, asking / curiously: ‘Who do you serve?’ // The essential question mocks / my reply. The whole, of course.”

Reading Kemp’s work I feel nestled in a sidecar affixed to the master’s motorbike, confident in her route, at times in conversation, storytelling, or akin to a lie-down on a therapist’s sofa. This book can leave one simultaneously inspired and intimidated, seeing genius expand exponentially with time.

Writing this I’m at Penn’s desk, at least the one she left for me to use in Vernon, BC. Beside me Fox Haunts lies curled and content, in its rightful place atop the rest. Through a broad bay window a few last leaves cling in vixen colours and from “Entertaining the Fox” the author’s words linger. “May you be translated. And remain / entirely your own.”

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Image result for fox glyph

Review by Fern G. Z. Carr

Penn Kemp’s Fox Haunts (Aeolus House, 2018) is an intriguing exploration of all that is vulpine – a quest to define the quintessential nature of the fox. In keeping with its elusive nature, her portrayal of this creature is fluid and dynamic.

The title, Fox Haunts, is an apt play on words.  This is not only a work of place but a work that is indeed haunting – whether by its mastery of surreal imagery such as the reverie of miniature firefly-like foxes or the cruel reality of rabies.

Poems are contrasting yet complementary: predation vs. elegance (“sharp white teeth” / “Vixen slips off her black gloves”) and science vs. folklore (“The earth’s magnetic field serves as a reference guide for our Fox” / “foxglove holds the power of opposites”).

After having examined the vicissitudes and psyche of the fox, Kemp ultimately concludes that a fox is but a fox.  Her final poem in this collection is essentially a benediction with a proviso that the species will be fine as long it can be freed from pejorative mythologies and human interference – a caveat reflecting the sensibilities of the enchanting poems in this book.

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Stevie Howell’s review is up on https://quillandquire.com/review/fox-haunts/.
“Penn Kemp’s Fox Haunts is a collection of poems about an enduring character in fables and folklore: the fox. Kemp is enchanted with her subject matter, and there are many playful moments.”

Stanley Fefferman‘s review is up on http://poets.ca/2018/08/10/review-fox-haunts-by-penn-kemp/ and http://opusonereview.com/?p=4786.

*Video of my reading by Dennis Siren.