Grazing the Face of Climate Change: a poem

#barbaricculturalpractice @QuattroBook
The cedar the bohemian
wax wings twitter among
bare boughs on their way
warmward.
Envy emulates flight,
lights desire, douses
doubt in fiercer certainty.
Icarus stretches his fine
new wings, disarmed by
possibilities plus.
“Beware the wax, my son.
It cannot last in the face of
strong Sun shine.”
No fear. Bright day beckons.
“I’m on my way and who will
gainsay the path to glory, glory!”
Damn the consequence, o’erweening teen.
Between between the elements.
High performance art starts here.
Raising mighty arms he flaps. He flies.
Close, warming his face. Oh, the glow!
Pride bursts, sun bursts, sun grazing.
Rising solar flare— sudden glare incipient—
may might may not
Bright implausible wings dim before
a brighter sun, too close.
Closer. Losing altitude, attitude
Lost.
Farther from father info free fall.
(Hubris, they will say in that all-knowing future.)
The fall, falling. Spring springing.
A flutter of feathers catching the light light on the surface.
Follow their fine drift on the wind, winding down
through sub-lunar splendour onto sea sparkle.
Living sphere, Facing fear too late on a sea of metrics.
Facing ob- livion. (Immortal eyes can not cut it).
Dead last. Death lasts forever. Ever more.
Reflect, refract, reflect again and loss a gain.
Free to fail only once and then no longer
No longer boy but myth.
Penn Kemp201709 hyacinth flower
Photo: Mary McDonald

Thirty Years On, And…

  PoemforPeaceVol2BerniceVincentpainting

Thirty years since the Montreal Massacre, and we still desperately need action on Violence Against Women.  

What can we do? I believe art can inspire us to action.  And so this poem, for the 14 and for all those missing and murdered girls and women:

The Invocation

Come say hello, women. While the veils are still
thin, we welcome your presence, no longer missed
but present, with all the disappeared you stand for.

As if you were in the prime of life now. As if
your daughters bloomed full-grown around you.
As if your mothers were crying delighted tears.

And if you were here to see what has changed
and what has not, would you hide your eyes in
shame for what has been done, what has not?

Come into the light and tell us how you are. As
if you have life beyond what we recall or remember
before this dark December claims its own again.'82 Museum Blue shot Red

Poem for Peace in Many Voices (book and CD) was published by Pendas Productions. The cover detail is from beloved London artist Bernice Vincent’s mural of the murdered women. The blue and red painting is by my father, London painter Jim Kemp.

To counteract the silence that all too often surrounds violence, I’ve coined the neologism Siolence. See https://pennkemp.wordpress.com/2015/11/25/stop-the-siolence/?fbclid=IwAR231-tU_mp9S8GoVlIAMx13PoUKPZXa6JGOoAAJ_82bFl0cwk5sr8z-Mo8.

Meanwhile, ongoing: this collaboration for the namaz collective, mujer arte de oaxaca.
Anne Anglin and I are so happy to participate in this project! Art as Activism!  Anne writes about this “patch work blanket being assembled by a group of women in Mexico. Their aim is to sew this blanket comprised of large squares designed by women from anywhere in the world and to take it to Trump’s wall and throw it over the wall to their Sisters on the other side. These sisters will carry it off to places that will exhibit it.”

Light plant Anne A 2019Patchwork: Healing Blanket/La Manta de Curación Group.
Anne Anglin, art. My poem, from “In Light”.

Blessings,

Penn

Poems & Plays for Sale, by the Book-full!

Books are the best gift for upcoming holidays… a respite from the rush.

Here are my recent offerings for your wish list, to share with poetry- and play-loving pals.

If you order the books from me, I’ll sign them for you!

Penn Kemp
525 Canterbury Road
London Ontario N6G 2N5
pennkemp@gmail.com

Or order from Amazon*. Details below.

From Insomniac Press*, $2O + tax + postage:

River Revery front back cover

Local Heroes cover good

From Quattro Books*, $2O + tax + postage:

FoxHaunts-Cover

barbaric-cultural-practice_front-cover

Also, prose to celebrate Jack Layton: Love, Hope and Optimism, Ongoing!*

960121_10151616103230020_1383103619_n

Travel to Ancient Egypt with me for $6 + tax +postage!

Helwa cover

Or this fabulous hand-made chapbook from Mother Tongue Books for $50 + tax +postage!

Suite Ancient Egypt

If you love plays and local history, two of my plays about Victorian explorer Teresa Harris are available: https://www.canadianplayoutlet.com/products/the-dream-life-of-teresa-harris and https://www.canadianplayoutlet.com/products/the-triumph-of-teresa-harris.

And this anthology,  available only from me. $20 in this format.  But for $12, without the colour, order from https://www.canadianplayoutlet.com/products/performing-women.

performing-women-2016

* Find my books on https://www.amazon.ca/s?k=Penn+Kemp&ref=nb_sb_noss.

You can also find them in your Library, I hope. Certainly London Public Library has them all, plus CDs and DVDS.

Blessings for a Joyous Holiday! 

Penn
http://www.pennkemp.weebly.com

Poems for Sale: a wish list for you

Books are the best gift for upcoming holidays… a respite from the rush.

Here are my recent offerings to share with poetry- and play-loving pals.

If you order from me, I’ll sign them as you wish!
Penn Kemp
525 Canterbury Road
London Ontario N6G 2N5
pennkemp@gmail.com

Or order from Amazon*. Details below.

From Insomniac Press*, $2O + tax + postage:

River Revery front back cover

Local Heroes cover good

From Quattro Books*, $2O + tax + postage:

FoxHaunts-Cover

barbaric-cultural-practice_front-cover

Also, prose to celebrate Jack Layton: Love, Hope and Optimism, Ongoing!*

960121_10151616103230020_1383103619_n

Travel to Ancient Egypt with me for $6 + tax +postage!

Helwa cover

Or this fabulous hand-made chapbook from Mother Tongue Books for $50 + tax +postage!

Suite Ancient Egypt

If you love plays and local history, two of my plays about Victorian explorer Teresa Harris are available: https://www.canadianplayoutlet.com/products/the-dream-life-of-teresa-harris and https://www.canadianplayoutlet.com/products/the-triumph-of-teresa-harris.

And this anthology,  available only from me. $20 in this format.  But for $12, without the colour, order from https://www.canadianplayoutlet.com/products/performing-women.

performing-women-2016

* Find my books on https://www.amazon.ca/s?k=Penn+Kemp&ref=nb_sb_noss.

Blessings for a Joyous Holiday!
Penn

Listening to the River

“London poet Penn Kemp helps explore identity at Wordsfest”

The Thames River moves swiftly through London’s Kilally Meadows, a turn in the river at the end of Windermere Road that is eating away at the bank, carving a new history in its journey.

It’s here on the Thames, two kilometres from her childhood home that poet, spoken word performer and playwright Penn Kemp has found inspiration that culminated in River Revery, her 31st book of poetry and drama.

It will be launched Saturday at the sixth annual Words, London’s literary and creative arts festival, also known as Wordsfest, being held at Museum London Friday through Sunday.

Wordsfest will feature 40 Canadian authors, poets, writers, songwriters and other literary stars. It’s a “celebration of creative ideas, artistic expression and cultural diversity,”  where the concept of identity will be the theme.

“The Thames River is the very centre of London – look at the forks downtown – the very heart of the city, the flow, the current and the influence,” said Kemp, sitting under a sunny sky days ago a few metres from the river.

In Kemp’s new book is the poem Riparian, inspired by the place where we had just been walking and this excerpt reflects our view:

Woodcocks drum in May at Kilally Meadows as
mallard mothers introduce their pride to water.

Cattails sieve sediment in the marsh. Let alone.
Carrying on. There a dead ash stands undercut by
spring current sweeping without resistance among
dangled roots. On topmost branch, the local osprey,
intent on a shoal of suckers suspended in shadow,

catches sunlight, breast gleaming, before plummeting
with curved claws to pluck family breakfast.”

On Saturday at 1 p.m., Kemp will be in conversation with Diana Beresford-Kroeger, an author, medical biochemist and botanist who wrote the forward for River Revery.

Beresford-Kroeger is the author of several books, including To Speak for the Trees, released in September. She was named a fellow of the Royal Geographical Society in 2011 and named by the society as one of 25 women explorers of Canada.

The Thames, its tributaries and the land it flows through is the land of Kemp’s childhood, where she wondered and dreamed and played and ran and walked and rode a bike.

The river meanders through her work, including her plays about Teresa Harris, The Dream Life of Teresa Harris (2013) and The Triumph of Teresa Harris (2017).

Harris was born in 1839, youngest of the 12 children of Royal Navy Capt. John Harris, one of the city’s earliest settlers and builder of Eldon House. The house was owned by the family until 1960 when it was donated to the city as a museum, while much of its property along the Thames became Harris Park.

Teresa, an independent minded adventurer, inspires not only Kemp’s work but also her heart.

River Revery, dedicated to Kemp’s grandchildren, is not just a book of poems; it’s a collaboration with London artist Mary McDonald, who provided photos and animations to support Kemp’s words. The website riverrevery.ca includes the full breadth of the work, which was first revealed at last year’s Wordsfest.

Kemp is also a wealth of knowledge about the Thames. She tells me the Thames is called Deshkan Ziibi (Antler River) in the Ojibwe language, but it was named by Lt.-Gov. John Graves Simcoe after its British namesake – a name itself rooted in the ancient Celtic language and meaning the Dark One.

“I really think we need to return to listening to what the river and the land are telling us,” said Kemp, a lifelong environmentalist and activist.

“Ever since I was a tiny child, I’ve tried to articulate the mystery not expressed in words – the river, trees, the birds – . . . and I’m still trying to translate the mystery. I believe if I’m listening I can hear one maple.”

Kemp gets irritated with anthropomorphism of nature by people making it appear and behave as a human being even though the rivers, trees, animals and land are distinct entities.

“The land is not limited to our sensibilities or understanding and comprehension,” said Kemp.

“That’s where the listening comes in . . . We’ve been trained to project, transfer our humanness values to nature and the truth is nature is so much longer lived. It has its own life. It breathes so much longer than we do. We have to get back to honouring the land as the Indigenous People did before colonialism.”

Kemp said the Thames is more than a “metaphor” of the identity of London. “It’s the reality of our identity, staring us in the face, asking for recognition, to be honoured and valued, not just to be used,” she said.

Wordsfest artistic director Joshua Lambier said the festival’s theme of identity is about “re-imagining Souwesto” referring to name coined by the late London artist Greg Curnoe for Southwestern Ontario.

Lambier said identity will be explored from a variety of angles, including the “notion of the Forest City,” which Kemp and Beresford-Kroeger will explore, and the relationship between “creativity and identity,” which a panel hosted by award-winning author Nino Ricci, the Alice Munro Chair in Creativity at Western University, will discuss Saturday at 4 p.m.

“The great thing about Wordsfest is the diversity of the content, so there should be something for everyone,” said Lambier.

“We try to bring the Western University campus downtown to the people of London who want to meet and see national authors, but also our local writers who will all be discussing new ideas, new books, new artistic approaches.”

Joe Belanger, The London Free Press, October 31, 2019

GOING WITH THE FLOW: Kemp a natural at Wordsfest C1

London poet helps explore identity at sixth-annual Wordsfest

Penn102019 Belanger

Photo: Joe Belanger

Believe…

In the space of a year she has learned to sit,
to stand, to walk, to totter forward in a run.

She has seen one full round of the seasons.
She wraps her family round her little finger.

Now just before dusk we stroll hand in hand
to witness the evening ritual of geese return.

Gliding along the Thames in formation, they
skim overhead, flapping slow time in synch.

She studies their procedure, dropping my hand
to edge forward, neck outstretched, arms aero-

dynamically angled. She flaps and flaps along
the bank, following their flight, ready for that

sudden lift. Again, again, till the last goose has
flown. Dragging her heels home, disconcerted,

she braces her body against the rising breeze,
bewildered that she too can’t take off to sky

but game to try again tomorrow, convinced
the birds’ secret will soon belong to her.

believe 2018 Mary McDonald

 

Presenting RIVER REVERY

My new collection of poems is available from https://insomniacpress.com/new-releases.

RIVER REVERY

Rivers are often used in mythology to represent boundaries; to cross the river is to transform. The poems in RIVER REVERY reflect the river Thames as it winds through the city of London, Ontario. Because the Thames forks into two streams at the city’s core, it was called Askunessippi, “the antlered river,” by the original Algonquin inhabitants. For Indigenous communities, it is “Deshkan Ziibiing.” In re-naming the river the Thames, English settlers colonized forbidding new territory as an imitation of ‘home,’ rather than embracing the vibrancy of the river as it is. A distillation of ecological concern is a current necessity in RIVER REVERY. Such inspiration in poetry is one source for right action since the Thames waters our gardens, real and imaginary.

Poetry  ·   $19.95  ·  Trade paperback  ·  ISBN 978-1-55483-238-5 ·  122 pages  ·  5″ x 8”

River Revery

The London Free Press is marvellous at supporting local arts. Check out this interview on RIVER REVERY at Killaly Meadow! https://lfpress.com/entertainment/books/london-poet-helps-explore-identity-at-wordsfest?fbclid=IwAR0KU-ArMTmBwAmQ5IhMXix-Lm-QhSrlOCEWMBLF3_gywQS3uFy3gtk8p88

RIVER REVERY was launched at the glorious WORDS: The Literary and Creative Arts Festival Museum London!  I was honoured to be “In Conversation” with Diana Beresford-Kroeger. An indomitable visionary, Diana was launching her essential new book:

To Speak for the Trees: My Life’s Journey from Ancient Celtic Wisdom to a Healing Vision of the Forest  

Our conversation was moderated by beloved rogue psychiatrist, Nina Desjardins to a full house, with lively audience participation.

All fired up! A triad of women offer the courage and resilience of heart, imagination and action to face climate change and tip the balance towards recovery.

Penn Nina Diana Jake Wordsfest by PatriciaWith Nina Desjardins, Diana Beresford-Kroeger, me and my son Jake Chalmers at the book signing after our Wordsfest “In Conversation”! FUN! Thanks, everyone for filling the hall… and THANKS, Wordsfest! My reading from RIVER REVERY  was sponsored by The League of Canadian Poets. https://pennkemp.wordpress.com/2019/09/15/river-revery/

The video of “In Conversation” with Diana Beresford-Kroeger was recorded by the ever-brilliant Dennis Siren: https://youtu.be/lf_apKTzpgQ, for all those needing inspiration!
A poem from RIVER REVERY is in the 2019 http://wordsfest.ca/zine.

My reading was funded by Canada Poetry Tours, The League of Canadian Poets @canadianpoets and the Canada Council for the Arts,

.Poets logo    logo

RIVER REVERY features photographs by Mary McDonald and QR codes linking to poetry films by Mary McDonald and by Dennis Siren.

Animations and sound explorations of several of the poems by media artist extraordinaire Mary McDonald are up on RiverRevery.ca as well as news about the poetry films: they are shown in festivals everywhere! You can add to this community project on #RiverReveryLdn. An Augmented Reality, multimedia animation collaboration, with thanks to @LdnArtsCouncil #CommunityArtsInvestmentProgram

RIVER REVERY is dedicated to my grandchildren, Ula and Kai… and to all the grand children who will carry on!

Shall we rename the Thames? The Antler River!

Yours in the current’s flow,
Penn

In Light for Now

image.png
image.png
As the nights lengthen, we need …
201709 hyacinth flowerKuan Yin Penn
believe 2018 Mary McDonald
Light plant Anne A 2019Lantern art: Terry Ann Carter
Photo of pond: Mary McDonald
Blanket art: Anne Anglin
Anne writes about this “patch work blanket being assembled by a group of women in Mexico.  Their aim is to sew this blanket comprised of large squares designed by women from anywhere in the world and to take it to Trump’s wall and throw it over the wall to their Sisters on the other side. These sisters will carry it off to places that will exhibit it.”

Art as Activism!