Solution: a poem

This poem is up on the front page of the current https://www.goddess-pages.co.uk/.

What a fabulous image to accompany the poem!

frogs

 

Solution

We two skalds sit together side by
each, looking out over centuries.

We watch the stirred pot settle till
murky situations sweetly clarify of

their own accord, attuned to an old
rhythm whose resonance is our song.

We watch the seasons’ rush, leaves
deciding on whether it’s spring or

fall. The creek is slowly turning into
pond, so water plants blithely tell.

And the frogs declare they’re home.
They’re not going anywhere else

now that our water levels equal
spirit level. Toads will return in

time to lay a million unimpeded
eggs, a myriad tadpoles and more

toads a fingernail long to bide a
while as lares in their garden lair

awaiting the Goddess.

Penn Kemp

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A lovely book of poems from Aeolus House!

Here’s my review of Stanley Fefferman’s The Heart of All Music: Poems about Music and Musicians. Aeolus House, 2018. 52 pp. ISBN 978-1-987872-11-8. $20

Convergence is a word often used to describe the reshaping of our world by such forces as the Internet. This concept also applies to Stanley Fefferman’s latest collection, The Heart of All Music, which can be described, appropriately, as the convergence of a life-time of listening attentively to a wide range of musical genres.

It’s a treat when a poet takes a whole book to explore in depth a single subject. When the topic is music and the poet as knowledgeable as Stanley Fefferman, the result is a gift for all the senses. His work is varied in tone, mood and mode, given a perceptive ear and a gift for translating the complexities of musical experience into language. Fefferman employs a wide spectrum of forms, including prose poems that read like a possible transcription from his original review. The tone of the poems hovers between elegiac and celebratory, performative and prosaic, traditional and contemporary. This elegantly presented book is like a musical score in itself. The Heart of All Music sectioned in the four musical terms of a sonata: “Allegro, “Largo”, “Scherzo”, and the Finale, “Andante Cantabile”.

Fefferman’s preface describes the magic of listening to music. He declares “the feelings that came set off the language centres of the poet-in-me, and the music generated words.” At first I thought of searching YouTube to hear the pieces Fefferman describes. Then I realized that the poems themselves present a complicated translation that is this poet’s specific perception, “sharp as crackling bones/ that fall as feathers filling an entire hall”. The reader experiences Fefferman’s particular vision through his vivid imagery: “Debussy’s unique String Quartet unfolds a shimmer of antique silk/ embroidered with pizzicated rhythms of the new French enthusiasm”.

Metaphors translate the sometime psychedelic experience of a concert. The poet often describes one sense in terms of another, presenting the emotional range of a synaesthete. Indeed, Fefferman includes a poem to Alexander Scriabin, famous for his own synaesthetic correlations. Fefferman offers us fascinating imagery to describe specific works. His phrase, “crennellated patterns”, conjures an instant image of fortified battlements, an image immediately followed by “notes that roll/ like a silken standard in the wind”. We are thrust into a mediaeval scene to accompany Barrios’s “La Cathedral”.

Musicians play off each other; “the players spin solo threads”. Like the musicians Fefferman depicts, the instruments described in these poems have character, indeed personality. “The cello in the scherzo remains sardonic” after “jittery discourses that keen upward till they peter out /— a musical representation of life leaving the body.” Shostakovich’s final sonata is “the corvid utterance of Edgar Allan Poe’s ‘Nevermore’.” The cello continues “dialogues with itself/ among mutterings of ‘es muss sein’”—Beethoven’s motto in his last quartet. The phrase, “It must be”, figures prominently in  Milan Kundera’s novel, The Unbearable Lightness of Being as well, designating an acceptance of fate. A line of poetry also interprets another string quartet in a phrase from Eliot’s The Waste Land. One art is presented in terms of another, engaging both feeling and intellect.

Fefferman’s commentary is a “solo series of precision shifts between attitudes of stillness and repose [that] encode/ a lifetime of contemplation” in a veteran’s “deep acceptance of the world as it is.” Blues, jazz, traditional folk and classical works, Fefferman covers and comments on it all, from O’Carolan to David Bowie to John Hammond to Mozart and Claude Vivier. Fefferman is at his best presenting female singers like Lhasa De Sela in one of his most touching laments, as well as poems to composers cut off too soon by war. His beautiful last poem, dedicated to Dvorak’s Piano Trio in E minor, is a spiritual resolution for both Fefferman and his readers:

“the sound of peace itself
a melody so exquisitely played
the mind is overwhelmed with pleasure
and comes to rest in its own place
like the reflection of sky in lake.”

Fefferman’s epigraph announces that he associates the heart of music with the moment of happiness that he is offering in these poems. Indeed, The Heart of All Music is a paean to Music and Musicians. The cadenced rhythm of these poems will resonate long after the last note, the final phrase. To paraphrase Rumi, in this beautifully produced collection from Aeolus House, “We have fallen into the place where everything is music.”

//

Poet, performer and playwright Penn Kemp has been lauded as a trailblazer, “a poetic El Nino”, and a “one-woman literary industry”. She was  London’s inaugural Poet Laureate . Her 2018 books of poetry are Local Heroes (Insomniac), and Fox Haunts (Aeolus House). See http://www.pennkemp.weebly.com.

This review is now up on http://bywords.ca/november2018/review1.htm, thanks to Amanda Earl.

Fox Haunts reviewed

What caught your imagination when you were young?

For me it was Foxes:
https://www.youtube.com/watch?v=E58HtvVZQXs*

Signed copies of Fox Haunts are available for $20 plus shipping.
Contact pennkemp@gmail.com.

Well, this is fun! A cocktail, a fox tale…. I just saw this pairing: Fox Haunts, a cocktail… and a review! https://alllitup.ca/Blog/2018/Chappy-Hour-The-Quick-Red-Fox-Fox-Haunts
https://alllitup.ca/Blog/2018/Chappy-Hour-The-Quick-Red-Fox-Fox-Haunts#topofpostcontent

A new, comprehensive and thoughtful review of Fox Haunts by Jennifer Wenn is up on http://tuckmagazine.com/2019/01/11/fox-haunts-penn-kemp-review/

Fox Haunts by Penn Kemp is a fascinating investigation of both the real animal and the figure of literature and myth. Kemp’s wordplay, wit and humour are on full display (for example, the whimsical suggestions for keeping foxes out of the yard in How To Repel the Urban Fox), but there are serious streams concerning adaptation, the collision of our civilisation with nature, and what Kemp terms rewilding. This is a captivating, multi-layered work, a demonstration of Kemp’s own precepts: “…Poetry allows for profusion//of voices and multilinear narratives//puns…” (Prompt).

Fox Haunts is divided into four sections: Family Fox-lore, The Urban Fox, Little Literary Foxes, and Dream Frequency. Family Fox-lore consists of two prefatory poems (A Child’s Garden Fox; and Steal, Stole, Stun), family memories that introduce main themes in the work. This starts with a literal collision between human technology (here, a car) and the wild (in the shape of a fox) and proceeds through imagination and a very real fox victim in the form of a stole.

The Urban Fox, Section Two, is the longest one and in many ways the heart of the work. We meet the foxes adapting to and claiming space within our cities, at first just via subtle indications like a rustle in a bush (Ghost Scents), glowing eyes at night (Night Vision; Avoidance Tactic), a slight odour left behind (Natural Magic) or tracks (What Matters; The Beauty of Snowy Waste and Noble Silence; Synecdoche). Later we discover Fox raiding “our pantry, our cat-//food, or cat perhaps” (Be Wilder), urinating on compost bins (Foul Play), raiding a henhouse (Foul Play), keeping everyone awake with screams and shrieks (What the Fox Says), grabbing the family dog by the leg (Foxes I Have Known, Rabid), carrying off defenceless bichons frisés (Why Here, Why Now) or depositing unmatched footwear inside via the cat door (Your Lair Is My Layer, Apparently). We perceive the world through Fox’s heightened senses: hearing (On the Nature of Intelligence; Pointers; Strategies, Night Vision); night sight (On the Nature of Intelligence; Night Vision); seeing the earth’s magnetic field (Strategies). A special mention of At the Moment of Equinox, a lovely hymn to balance and to nature, Fox’s realm.

Little Literary Foxes, Section Three, investigates literature, with touchpoints including Kurosawa (Inari, Kami of Foxes), Ovid (Song of His Origins), the Bible (Samson Agonistes, On Condemnation and Canticles), Milton (Samson Agonistes), Aesop (Fox Fable; Verse, Vice, Virtue), Yeats (Celtic Twilight), The Little Prince (Les Petits Amis), Kim Philby (“The Fox That Came to Stay”), Stephen King & Stanley Kubrick (Eye Shine), Alice Munro (Fair Play on Fur in F Sharp) and more.

In Dream Frequency, Section Four, Kemp, as she has in other works, explores her dreams. Here she finds herself haunted by Fox’s many aspects; a riff on the book title. As Kemp notes in her Introduction “Fox Haunts begins with a play on words. Who’s haunting whom?” We discover Fox and Kemp engaged in a variety of pas de deux: “…You wrap yourself round//in an ourobos of sleep and dream…” (Elementals); “Fox leads me a merry chase as will-of-wisp//streaks across western sky painting random//wisps along cirrus cloud…” (Avoidance Tactic); “We are entangled in tango, not//knowing the steps, not knowing//what trust is, leaning backward.” (Fox Trot); “…I burrow after you into teeming dark” (The Light Breach); “…I stand before you, astonished,//mouth so agape you might well leap down//the little red lane straight into bloodstream.” (Offer).

Throughout the entire work Fox is a liminal figure: “Between discrete realms of possibility” (By her wits, you shall know her); neither dog nor cat (Doubles); inner and outer (Doubles; How to Haunt); literal and figurative (On Condemnation and Canticles); dream and waking (O Fabulist).

An all-important boundary is that between hunter and hunted. When the former, Fox most often victimizes poor Rabbit (How to Hunt; Strategies; Synecdoche; Synopsis, Lady into Fox). Other prey include voles and moles (Night Vision; Strategies); crows (Pulling a Fast One); fowl generally (Pointers; Foul Play); mice (Pointers; On Condemnation and Canticles) and the aforementioned bichons frisés (Why Here, Why Now). In a nice touch, Kemp dreams that Fox and Rabbit are pals (Fox Play).

But while Fox is hunting to feed her family, our civilization all too often turns Fox into the victim, for far less essential reasons: hit by a car (A Child’s Garden Fox; Foxe’s Book of Martyrs, 1563 to the Present); killed for its fur (Steal, Stole, Stun; The Purchase; Fair Play on Fur in F Sharp); starving (“Helpless, Helpless, Helpless”); clubbed to death for raiding a henhouse in search of food (Foxe’s Book of Martyrs, 1563 to the Present); hunted for sport (Foxe’s Book of Martyrs, 1563 to the Present|); used as live torches (Song of His Origins; Samson Agonistes); pushed off a ledge five stories up (“The Fox That Came to Stay”).

Kemp’s prescription for restoring harmony is rewilding, adapting to and drawing from nature what we need, and perhaps have lost: “clarity and strength”, “surrender and acceptance”, “joy and creativity”, “initiation, inspiration”, “your broad view”, “your ground, your holy round” (At the Moment of Equinox). “Reclaim, rather,//and rewild, let’s agree.// //Yes, rewild us for we are//bewildered and beknighted.// //We are precariously tame and//dangerous.” (Be Wilder).

In the final poem, addressing Fox, Kemp expresses wishes and hopes we all could share: “On your own, you’ll do just fine as long//as we humans don’t interfere with your//livelihood, your livelong neighbourhood.// //May you be freed from old mythologies//that call you trickster, demon temptress,//ghost and fraudster. May you run free.”

Fox Haunts is a beautiful, thought-provoking, multi-level meditation, and a heartfelt plea for a reconfiguration of our spirits and a new relationship with the world around us.

Jennifer Wenn is a trans-identified writer from London, Ontario. In addition to her day job as a Systems Analyst, she has written From Adversity to Accomplishment, a family and social history; and published poetry in Tuck Magazine, Synaeresis, Wordsfestzine and the anthology Things That Matter.   She is also the proud parent of two adult children.

Image result for fox glyph

Two beautiful reviews Fox Haunts came in
one after the other
on little fox feet from the Okanagan.

How could I not share them with you?

FoxHaunts-Cover

 

Fox Haunts. Poems by Penn Kemp. Aeolus House, 2018. 97 pages. $20.

Review by Bill Arnott

First time I saw a fox I was atop an open-air double decker, trundling along rugged coast, intermittently thrashed by leafy birch as though in a weaving Finnish sauna. I was compelled to shield my eyes – the same reaction as when something’s beyond comprehension, available only to the worthy. In fact it was present for everyone. Laid bare, unabashedly rich in beauty and lore. A slender, russet blonde animal, taller than I imagined. Regal. Same as when I met Penn Kemp. Somewhere a fellow trickster – Loki, Kokopelli perhaps, danced a gleeful jig, as I carried a newly signed Fox Haunts to my semi-detached lair.

Adaptation runs through this London Laureate’s new poems in darting twists, flight from imagined hunter’s horn. At times furtive, dreamily camouflaged, or bounding in plain sight, Kemp’s artistry enraptures. We join Penn in childhood, parents fused into fox memories with “A Child’s Garden Fox.”

“Sleepy, sleeping in my mother’s lap. Nestled. / When. A fox ran in front of the car. And / was transfixed by the headlights. Ran and / ran in front of the car but could not escape”

In red hued monochrome we glimpse dead fur and living banshees in “Steal, Stole, Stun.”

“The dried heads of black fox hung / from my grandmother’s stole as if / ready to strike. Dead flat button jet / eyes shut tight to their own secret”

And with fireside ease we move through seasons, geography and myth, playful “Glow” perching us parrot-like on the writer’s shoulder, experiencing evolving words while peering real-time into her thoughts.

“That narrow snout surfaces to / figure your next ploy, asking / curiously: ‘Who do you serve?’ // The essential question mocks / my reply. The whole, of course.”

Reading Kemp’s work I feel nestled in a sidecar affixed to the master’s motorbike, confident in her route, at times in conversation, storytelling, or akin to a lie-down on a therapist’s sofa. This book can leave one simultaneously inspired and intimidated, seeing genius expand exponentially with time.

Writing this I’m at Penn’s desk, at least the one she left for me to use in Vernon, BC. Beside me Fox Haunts lies curled and content, in its rightful place atop the rest. Through a broad bay window a few last leaves cling in vixen colours and from “Entertaining the Fox” the author’s words linger. “May you be translated. And remain / entirely your own.”

poetscorner.ca/team/

Image result for fox glyph

Review by Fern G. Z. Carr

Penn Kemp’s Fox Haunts (Aeolus House, 2018) is an intriguing exploration of all that is vulpine – a quest to define the quintessential nature of the fox. In keeping with its elusive nature, her portrayal of this creature is fluid and dynamic.

The title, Fox Haunts, is an apt play on words.  This is not only a work of place but a work that is indeed haunting – whether by its mastery of surreal imagery such as the reverie of miniature firefly-like foxes or the cruel reality of rabies.

Poems are contrasting yet complementary: predation vs. elegance (“sharp white teeth” / “Vixen slips off her black gloves”) and science vs. folklore (“The earth’s magnetic field serves as a reference guide for our Fox” / “foxglove holds the power of opposites”).

After having examined the vicissitudes and psyche of the fox, Kemp ultimately concludes that a fox is but a fox.  Her final poem in this collection is essentially a benediction with a proviso that the species will be fine as long it can be freed from pejorative mythologies and human interference – a caveat reflecting the sensibilities of the enchanting poems in this book.

www.ferngzcarr.com

 

Stanley Fefferman‘s review is up on http://poets.ca/2018/08/10/review-fox-haunts-by-penn-kemp/ and http://opusonereview.com/?p=4786.

FOX HAUNTS is available from pennkemp@gmail.com for $20 plus shipping, signed.

*Video of my reading by Dennis Siren.

Upcoming Poetry Launches!

Happy to be launching 2018 collections, Local Heroes (Insomniac Press) and Fox Haunts (Aeolus House). I’ll also read from Barbaric Cultural Practice (Quattro Books)

https://www.amazon.com/Fox-Haunts-Penn-Kemp/dp/1987872142/ref=sr_1_5?s=books&ie=UTF8&qid=1525695775&sr=1-5

FoxHaunts-Cover

Saturday August 25, 5:00-6:00 pm. Reading from Fox Haunts for Synaeresis #3 launch, The Black Walnut’s back room, 134 Wortley at Askin St., London ON) http://harmoniapress.blogspot.com/2018/07/synaeresis-issue-4-call-for-submissions.html. Contact: andreasgripp@hotmail.com

Sunday, September 9, 2018, 4-6 pm. Launch of Fox Haunts, with Aeolus House poets: Ariane Blackman, Brian Cameron, Stanley Fefferman, Tom Hamilton, Penn Kemp and Colin Morton. Pressed (waffle house), 750 Gladstone Ave, Ottawa, ON K1R 6X5. (613) 680-9294. Contact: Allan, abriesmaster@outlook.com.**

Monday, Sept. 10, 7 pm. Launch, Local Heroes and Fox Haunts. Novel Idea, 156 Princess St, Kingston, ON K7L 1B1. Introduced by Elizabeth Greene. Contact: (613) 546-9799, egreene4@cogeco.ca. Bruce Kauffman’s radio show “finding a voice”—a showcase of spoken-word events  broadcast weekly, Friday 4pm-6pm EST on CFRC 101.9FM. http://75.103.74.42/wp/eventscalendar/

Wednesday, Sept. 12, 7-9 pm. Launch of Fox Haunts, with Aeolus House poets: Ariane Blackman, Brian Cameron, Tom Hamilton, Penn Kemp and Sydney White. Supermarket Restaurant, 268 Augusta Ave., Toronto. Contact: Allan, abriesmaster@outlook.com.*

Sunday, September 23, 2018, 1pm. Launch of Out of Line by Tanis MacDonald with Tom Cull. Reading from Local Heroes and Fox Haunts. Oxford Book Shop, 262 Piccadilly St, London, N6A 1S4. Contact: Hilary  519-438-8336, http://www.oxfordbookshop.com

October 1-31, 2018.  Kalamaka Press Writer-in-Residence, Caetani Cultural Centre, Vernon, BC.  Readings TBA. http://www.kalwriters.com/residency/residency.html, https://www.caetani.org/about/.

Sunday October 14th.  Reading with Daphne Marlatt. Co-op People’s Bookstore. 1391 Commercial Dr, Vancouver, BC V5L 3X5. Contact: Rolf (604) 253-6442, coopbks@telus.net

Tuesday, October 16, 2018, 8:00 pm. Launch and reading with Susan McCaslin. Spoken Ink Reading Series, Burnaby Arts Council, Deer Lake Gallery, 6584 Deer Lake Ave., Burnaby, BC. Host Lara Varasi, lvaresi@shaw.ca (604)240-8903.*

Wednesday, October 17, 2018. Launch and reading with Sharon Thesen. Poets’ Corner, Massy Books, 229 E. Georgia, Vancouver BC. Sponsored by the Canada Council.
Contact: James Felton,  (604) 767-6908  www.massybooks.com/. jamesfelton52@gmail.com***

Thursday, October 18, 2018. Launch and reading with Damian Rogers at Milkcrate Records. Kelowna, BC. Contact: Matthew Rader, matthew.rader@ubc.ca.

Saturday, October 20, 2018. Nelson, BC.  Launch, Local Heroes and Fox Haunts.  TBA. Contact: Elizabeth Cunningham, elizabeth@waterside.ca

November 2-4, Museum London theatre, 421 Ridout St N, London, ON N6A 5H4. Time TBA. Mary McDonald and I are presenting new poems and augmented reality for riverrevery.ca as part of Poet Laureate Presents: River of Words.  Sponsored by the London Arts Council and the City of London.

* The launches in Ottawa and Burnaby are sponsored by the League of Canadian Poets and the Canada Council for the Arts. Thanks for their continued support!
** The launch in Toronto is sponsored by the League of Canadian Poets, Metro Readings in Public Places.
***The launch in Vancouver is sponsored by the Canada Council for the Arts.

 

Local Heroes cover

LOCAL HEROES: Poetry  ·  Canada $19.95  ·  US $19.95  ·  Trade paperback  ·  ISBN 978-1-55483-206-4 ·  154 pages  ·  5″ x 8”

“It is an excellent collection of poems which celebrate London cultural pioneers. It is full of Penn’s humour and wordplay. These poems evoke the city in its particular landscape and history.
And as anyone who knows Penn, a launch is never merely a launch. It is more like an evening with Penn and friends.
The evening began with a curator tour: Women’s Lives in Canada: A History, 1875-2000. Then Penn read from the book. They also showed several short videos on Local Heroes by Dennis Siren, Mary McDonald and Western’s Community Engaged Learning.
Dennis Siren recorded much of the evening at https://www.youtube.com/watch?v=F-zCVUjonwk.
You can also keep up to date with Penn at her blog https://pennkemp.wordpress.com
She is a poetic El Nino.”  Mike O’Connor, Insomniac Press

The LOCAL HEROES event held on July 22 at Eldon House in London, was a great success.  It featured poems from “Teresa Harris Rides Again”. Mary McDonald created several augmented reality videos which were shown and displayed as qr markers in the house all week.  You can see them on https://teresaharrisdreamlife.wordpress.com/

 

Published Works by Penn Kemp

PoemforPeaceVol2BerniceVincentpainting

Publication History

 

BEARING DOWN (1972) poetry.  Coach House Press, 401 Huron St. Toronto ON

TRANCEFORM  (1976) poetry.  Soft Press, Victoria BC. Reprinted 2006, Pendas

THE EPIC OF TOAD AND HERON (1977) play.  Black Moss Press, Windsor ON

Reprinted 1985 by Playwrights Union, Toronto

CLEARING (1977) poetry. B.C. Monthly, Vancouver  BC

CHANGING PLACE (1978) poetry/prose.  Fiddlehead, U.N.B., Fredericton NB

ANGEL MAKERS (1978) play. Playwrights Union, Toronto

TOAD TALES(1981) poetry. White Pine Press 76 Center St. Fredonia NY 14063

CVii: Spiritual Poetry in Canada (1982), ed. Box 3062, Winnipeg R3C 4E5

ANIMUS (1984) poetry.  Caitlin Press. Reprinted, 2005, Pendas Productions, London

BINDING TWINE (1984) poetry. Ragweed Press, Charlottetown PEI

SOME TALK MAGIC (1986) Ergo Productions, Box 4460 London ON N5W 5J2

TRAVELLING LIGHT (1986) poetry. Moonstone Press, London ON

EIDOLONS (1988) poetry. White Pine Press, 76 Center St. Fredonia NY 14063

THROO (1989) poetry.  Moonstone Press, Book. CD, Pendas Productions, London

THE UNIVERSE IS ONE POEM; FOUR POETS TALK POETRY (1990) Simon & Pierre

WHAT WHAT THE EAR HEARS LAST (1994) play. Playwrights Union, Toronto

FOUR WOMEN (1999) poetry. Red Kite Press, Guelph ON

INCREMENTALLY (2000) poetry Pendas Productions, London.  Book and CD combo

TIME LESS TIME (2000) poetry. Pendas Productions

SUITE ANCIENT EGYPT (2001) poetry. Mothertongue Press, BC

VOCAL BRAIDINGS (2001) with Patricia Keeney, poetry. Pendas Productions

WHAT SPRINGS TO MIND (2001), Pendas Productions

Poem for Peace in Many Voices, ed., Vol. 1 & 2 (2002), book and CD

SARASVATI SCAPES (2002) with Angela Hryniuk, Pendas Productions

C’LOUD (2003) poetry, Pendas Productions. Book and CD combo

SARASVATI SCAPES: a sound opera, CD, Pendas Productions

MELISMA, CD (2002) with Angela Hryniuk and Penn Kemp

GATHERING VOICES (2002) with Gloria Mulcahy, Pendas. Book and CD combo

POEMAS ESCOLHIDOS DE PENN KEMP/ Selected Poems (2004) ABECAN, Brazil

PINCELADAS (2005, 2011) with Gloria Mulcahy, Pendas Productions

RE:ANIMATING ANIMUS (2006) Pendas Productions.  Book and CD combo.  London ON

HELWA1 (2011), PigeonBike Press. London ON. CD forthcoming with Light of East Ensemble

FROM DREAM SEQUINS (2012), Lyrical Myrical Press, Toronto ON
THE EPIC OF TOAD AND HERON (2012), reprint. Pendas Productions, London ON
JACK LAYTON: ART IN ACTION (2013), editor, Quattro Books, Toronto

WHAT SPRINGS TO MIND (2016), second edition, forthcoming. Pendas Productions
WOMEN & MEDIA, editor and contributor, Living Archive Series, Feminist Caucus, League of Canadian Poets, http://poets.ca/feministcaucus/. Launched June 17, 2016.
WOMEN & PERFORMANCE, editor and contributor, Living Archive Series. June 18, 2016.

BARBARIC CULTURAL PRACTICE (2016), Quattro Books, Toronto
THE TRIUMPH OF TERESA HARRIS (2017), Playwrights Guild of Canada, Toronto
LOCAL HEROES (2018), Insomniac Press
FOX HAUNTS (2018), Aeolus House

FoxHaunts-CoverPenn Local Heroes LFP

FOX HAUNTS is ready to trot!

FOX HAUNTS isn’t officially out till September, but foxes are sly and appear unexpectedly, those tricksters. Here’s a delicious first review by poet Stanley Fefferman: http://opusonereview.com/?p=4769!

Penn Kemp’s FOX HAUNTS reviewed by Stanley Fefferman

Penn Kemp. Fox Haunts. Aeolus House, 2018. 97 pp.

The way suburban garden fences are a line the fox crosses from the countryside to steal our chickens, is like the line fox, since time immemorial, has crossed from the countryside into our myths, into our dreams, into our literature and our language. Shenanigans is derived from the Gaelic word for fox. A skulk of foxes is the collective noun. Jimmie Hendrix sang of his “Foxy Lady.” And here is a stanza from Penn Kemp’s poem to Inari, the Shinto fox-god deity:

Fox girls dance beneath the twisted maple

calling their sister to tranform from mist

as beguiling women with red in their hair.

Fox Haunts, Penn Kemp’s 24th collection, is a meditation in 90 poems on a predator who is our closest neighbour, one who is getting closer all the time as it’s habitat yields to subdivisions. The longest section of Fox Haunts, entitled “Urban Fox,” consists of poems about foxes Kemp might have encountered: her writing can be elegant.

It’s true you walk on toes like cats

like a ballerina of the wildwood.

Kemp empathizes with the drama of the hunt, the inside as well as the outside of it.

 

Fox circles her prey, closing in

on her victim in ever tightening

gyres. Her fixed glare freezes

poor rabbit into terror so pure it

dissolves to acceptance, suspended

acquiescence, adrenalin overload.

Almost like peace. Soft as comfort,

this compliance in the fox’s grasp.

Just a single shriek before the

neck snaps.

At her best, Kemp’s narrative and poetry are transparent. She has variance in her voice: sometimes she addresses her images directly to the fox:” I come upon your prints on/muddy path, neatly, deliberately splayed.” Sometimes, she drops into a journalistic mode and addresses the reader directly in what sounds to me like chopped prose: “Like Canada Geese, Fox may/be adopting city life to avoid/ hunters, the tough slog of/country life. Clever fellow.” Only to follow that with a passage of the most startlingly direct poetry:

 

They look upon the easy prey of pets, soft

and vulnerable bichon frisés left outside

by themselves in the yard, those with no

defense but a petulant, startled bark —

before they are meat, carried off dangling

in the soft jaw of a mother triumphantly keen

on feeding her kits.

 

Kemp is ‘entranced’ with the world of “Wily wiry trickster tales,” and devotes a section to ‘Fox’ references in the writings of Taliesin, Ovid, in the legend of Samson, in other Hebrew Scriptures relating to Solomon and Ezekiel, in Aesop, W.B Yeats and St. Exupéry, Akiro Kurosawa and Alice Munro whose father raised foxes for fur on a farm where he also kept ” Old horses in the barn waiting/their turn to be fed, to be feed.” As for the night sky, Kemp puts fox in the constellation Canis Major and Canis Minor, These bits of Fox arcana bring into close focus the mythical resonance of that beast in the human imagination.

 

After having the pleasure of reading Fox Haunts, and of writing down these few thoughts, I look forward to more hours with the book, looking into the stories behind lines like:

 

Fetch Laelaps, a bitch commanded to catch all

she chases. Let her seize that Teumessian fox!

 

Fox Haunts is one those rare books that can become a companion.

ABOUT PENN KEMP.  She has been dubbed “a one-woman literary industry” as London, Ontario’s inaugural Poet Laureate and Western University’s Writer-in-Residence. Kemp was the League of Canadian Poets’ Spoken Word Artist, 2015. Her website is www.pennkemp.weebly.com

https://www.stanleyfefferman.com/blog/fox-haunts-by-penn-kemp-a-review-by-stanley-fefferman

This poem is in my forthcoming FOX HAUNTS which can now be ordered! https://www.amazon.com/Fox-Haunts-Penn-Kemp/dp/1987872142/ref=sr_1_5?s=books&ie=UTF8&qid=1525695775&sr=1-5

I’ll be launching FOX HAUNTS on September 9, 2018, 4-6 pm. Launch, Aeolus House poets: Ariane Blackman, Brian Cameron, Stanley Fefferman, Tom Hamilton, Penn Kemp and Colin Morton. Pressed (waffle house), 750 Gladstone Ave, Ottawa, ON K1R 6X5. (613) 680-9294. Contact: Allan, abriesmaster@outlook.com.

Sunday, Wednesday, Sept. 12, 7-9 pm. Launch, Aeolus House poets: Ariane Blackman, Brian Cameron, Tom Hamilton, Penn Kemp and Sydney White. Supermarket Restaurant, 268 Augusta Ave., Toronto. Contact: Allan, abriesmaster@outlook.com.

 

Launch of The Dream Life of Teresa Harris, CD, with Augmented Reality!

Summer Blessings!

SUNDAY, JULY 22, 1:00 P.M.

Join local poet and playwright Penn Kemp for an afternoon of readings from The Dream Life of Teresa Harris and Local Heroes, paired with a viewing of ‘Augmented Reality’ exhibits by artist Mary McDonald.  Books and CD’s will be available for purchase.

Mary’s visual art and animation of my play will run for a week in Eldon House following the tea.

Details on http://www.eldonhouse.ca/events/ and https://www.facebook.com/events/2111776722426553/.

Eldon House
481 Ridout Street North
London, Ontario
519.661.5169
info@eldonhouse.ca

ELDON HOUSE INTERPRETIVE CENTRE
(AND GROUNDS FOR TEA OPTION)

COST: $6.00 + HST IN ADVANCE OR $8.00 AT THE DOOR (FOR ADMISSION ONLY)

OR $30.00 + HST FOR ADMISSION PLUS AFTERNOON TEA WITH THE AUTHOR AND ARTIST! THIS OPTION INCLUDES OUR REGULAR SUMMER TEA MENU.

Registration required through Eldon House.

Video by Mary McDonald