1/1/17 Re:Solution

May your 2017 writing be inspired!

This poem is in my book, INCREMENTALS, Pendas Productions.

Re:Solution

we

weir

Virgo

weird gong

we’re going too

we’re going to be

we’re going to begin

we’re going to begin right

we’re going to begin writing and

we’re going to begin writing and purr

we’re going to begin writing and purr form

we’re going to begin writing and performing

we’re going to begin writing and performing some

we’re going to begin writing and performing some time

we’re going to begin writing and performing some diamond

we’re going to begin writing and performing some time whinney

we’re going to begin writing and performing some time whinney lick

we’re going to begin writing and performing some time whinney lick trick

we’re going to begin writing and performing some time whinney lick trick light

we’re going to begin writing and performing some time whinney lick trick light D

we’re going to begin writing and performing some time when electric light decent

we’re going to begin writing and performing some time when electric light descend through

we’re going to begin writing and performing some time when electric light descend through

fin

fin grr

finger tip

finger tip on

finger tip off

onoffonoffonoff

finger tip om

finger tip onto

finger tip onto calm

finger tip onto calm phew

finger tip onto calm pew tore

finger tip onto calm pew turkey

finger tip onto calm pew turkey bored

finger tip onto calm pew turkey bord and

finger tip onto computer board hand set

finger tip onto computer board and set us

finger tip onto computer board and set us free

we’re going to begin writing some time when electric light descend through finger tip onto computer board and set us free

maybe

Penn Kemp

penn-sound-performing-women-2016-monique-renaud

Photo credit: Playwrights Guild, at our Women and Media panel, Harbourfront,
Canadian Writers’ Summit, June 2016

Poem for Solstice Night

All Things Considered

On the shelf inside the storm, an empty
pitcher of light awaits sage and summer
savory.  All puns are planted to present
these things as if saying were enough
to conjure the perfect illusion illuminated.
Now.  At the turning of the year after
nadir of deepest darkness, the small
Moon of Long Night turns to beam
over the orchard above the frozen lake.
The sun stands Solstice still, holding
its breath, biding its time until released
to start once more in utter clarity of cold.

 

In that perilous moment before cycles
start up again, we all can fall through
cracks.  Interstices of ice drag us down.

We grope from dusk to dark to light.
We slip between stars, drawn out
beyond what we know, considering,
considere, to be with the luminary.

Night rustles outside our window, murmurs
and squeaks.  Whimpers follow outraged
raccoon yowl.  Orange and black streak

across the dark pane I can’t see through
conjuring night creatures’ obscured world,

Scent leads a trail to territorial war, deep
enmities nurtured throughout the long wee

hours before dawn lifts that velvet cloth to
reveal grey, seeping shade back to clarity.

Penn Kemp

*

The last lines of this poem were first published in from Dream Sequins, Lyrical Myrical Press, with drawings by the brilliant Steven McCabe. See his gorgeous https://poemimage.wordpress.com/.

Endorsements for Barbaric Cultural Practice

The latest book of poetry by Penn Kemp, forthcoming October 1, 2016 from Quattro Books.

In praise and rant, the poems in Barbaric Cultural Practice pay tribute to our dear Mother World’s enchantments as well as her upheavals. They confront the stresses of urban life as juxtaposed to nature’s round, and deal, for example, with the effect of computers on our psyche and with the imprint of electronic media upon perception, consciousness and dream life. They are a response to the need for action against climate change and a humorous protest against overwhelming technology.
https://www.chapters.indigo.ca/en-ca/books/barbaric-cultural-practice/9781988254388-item.html

“… quirky, witty, funny, deep, wise & full of surprises.”
– Di Brandt, author of Walking to Mojácar

Barbaric Cultural Practice is an urgent set of makings, of remarkable and dramatic word-acts, that reminds us that language – the hallmark of civilization – also enables barbaric, human imposition on Nature and the eternal. The inaugural Poet Laureate of London ON, Penn Kemp is an expert tool-and-die versifier. Proof? Well, that very pun you’ve just read is indebted to her, for she employs every poetry technique available – every tool in the toolbox – to stress the stubborn connection between concrete reality and supposedly abstract words. Nor does Kemp flinch from pondering how our distancing embrace (that’s not an oxymoron) of electronica interferes with our relationships to the earth, each other, and to Art. Barbaric Cultural Practice is so timely, it is an alarm clock, shocking us awake to our drowsy, Eloi circumstances.”
– George Elliott Clarke, Parliamentary Poet Laureate

“Penn Kemp, a poet at the peak of her powers, casts a loving gaze at poetry’s purpose, at our planet and all sentient beings. Through loving attention, wordplay, whimsy and wit, dream and prophecy, Kemp transforms the ineffable into an elegant expression of life deeply envisioned. Through metaphoric shape-shifting, Kemp shows us that “My work is the translator’s, to move one/ sense into another’s realm.”(“Blow by Blow”). This gift of synaesthesia heightens her calling for us to take our earthly stewardship to heart: These are poems to meditate on, to incorporate into the interstices of our layered lives. In the book’s title, Kemp transforms a political gaffe, “barbaric cultural practices”, into an elegy for earth and heart-song for each other. Above all, Love is this exceptionally talented and seasoned poet’s guiding light.”
– Katerina Fretwell, author of Dancing on a Pin

“In Barbaric Cultural Practice we are treated to some of the most clear-eyed, keenly felt articulations of the present moment, as well as Penn Kemp’s boundless capacity for play: the simmering, tangling, rocketing, warbling, wooing, cooing, and joyful boogieing of her poems working themselves onto the page. Kemp’s feet are so sure, dancing on that lip. Through this book we learn all that’s at stake between the poem’s lines. ”
– Laurie D. Graham, author of Settler Education

“Penn Kemp’s work is profoundly mystical, a tour into otherworldly realms but informed by this world’s concerns, the depth of poetry, and the ability of her language to cross borders into metaphysical realism.”
– Leona Graham, author of Cloudbank Across the Fens

“Kemp walks the line, exploring a new syntax of language, whether celebrating the goddess or the dance between voice and machine, hand to iPad, to transmit this map of her mind and dreams.”
– Dennis Maloney, author of Listening to Tao Yuan Ming

“Penn Kemp’s Barbaric Cultural Practice brings together etymological, sonic, and cultural layerings of the words “barbaric,’ “cultural,” and “practice.” This electric new volume distinguishes the truly creative and evolutionary from what impedes a fuller engagement with each other and with planet earth. In these poems, the source of true wildness (wilderness) calls heart to heart: “I has widened to include/ you and you and you.”
– Susan McCaslin, author of Painter, Poet, Mountain: After Cézanne

“What happens when the lyric power of a highly experienced and galvanically charged poet dances in the electron stream? Barbaric Cultural Practice collects a decade’s poetic exploration of digital absurdities, of earth’s vitality and grave needs, and of community. Penn never just reads: she performs, even on the page; we can’t help but listen. Connect with the surging circuit of her energetic and eclectic words, connect and recharge.”                – Susan McMaster, editor of Waging Peace: Poetry and Political Action

“Penn Kemp’s Barbaric Cultural Practice is a stunning and magical tribute of travel wisdom of vision of longing of voices and of Goddess ways of seeing into and circumnavigating the heart of old ways of ancient catapulting into futures of tech-knowledge-able dancing back and forth of swaying of seeds of truth gardening matter of otherworldly mantras singing of the everyday made extraordinary. what movement in stillness what stillness in motion. what beauty what love!”
– Sheri-D Wilson, author of Open Letter: Woman Against Violence Against Women

“What is it like, writing a poem? Penn Kemp knows. She has spent her life performing poetry, publishing poetry, being poet-in-residence, Poet Laureate, poster-person for other poets. Now she stows her yellow pencil, fingers the keys of her computer, opens a new window and waits for a poem to find its way onto the desktop.

This is the poem and I

take no hand in it. I

want to write a comedy.

That’s rich. That’s fun-

ny laughs the voice in

my head that keeps

right on talking the poem

down the tree and onto

the screen.

That is from “Cogito Ergo Sum” in the first part of Penn Kemp’s new collection of poems, Barbaric Cultural Practices.  Penn likes to play jokes with words, but it’s no fun finding familiar words playing silly tricks under the direction of the electronic impersonal:

How have I come to man-

ipulate this trackball

with fingers on a keyboard?

Pause.

                                                            We are beyond the mouse.

My Spell Checker would change Cogito to Caught.

For someone’s        Suggest salmon’s.

For trackball               Suggest traceable

For Change all            Ignore

For Add                       For Options

For Delete                                                                        Close.

After you push the “Page Down” button, you can move to other sections, less high-tech, dealing with topics like “House – Hold – Man – Age – Meant.” Or with hearts, and strokes:

His mind is air-brushed
to a whiter, more spacious landscape
reflected in such snowy waste outside.
So we sink into sweet reverie fireside,
unthinking, unburdened, cuddled and
coddled warm by flame and the scarlet

beauty of this moment in flower here
only once but all the more present in
daring our ambivalent future dissipate

fear for now. Say it straight. For now.

Happier moments flower in poems like “Dream Visit, in Tune, In Time.” The rhythms, the internal rhymes, the spaces, work against logical walls:

Brilliance resounds all around. Redbud, mock-orange boughs
bow in the heightened breeze. Resonance ripples and whirls
to restore, re-story this walled garden.

But against the whimsical sequence of “Dream Sequins” Penn Kemp sets TV realities

I fall through the screams . . .

Women and men cleaving, cleft, bereft.
Dispossessed of a West they thought they knew.
Dis/oriented, where do they turn?. . .

Then another twist, and Penn Kemp launches a final fantastic essential plea for light:

Let us eat light like
plants. Let us chew
the bright air till we can

swallow light like
fire-eaters. Let us
assimilate light . . . .”

– Elizabeth Waterston, author of Readying Rilla: L. M. Montgomery Reworks her Manuscript

“Penn Kemp is an icon in the cultural landscape. Her biography page on her blog states she has over 25 books of poetry and drama published, plus six plays and numerous works recorded on different electronic means. But this new work is brilliant in its form… Kemp has done something enlightening for readers by using the term for this collection of poetry. She has crafted her personal thoughts and views in this work and given all of us something to consider about our own actions… Literature should cause a reader to consider their world and their actions in the world around them. Penn Kemp has done that for me with her collection Barbaric Cultural Practice. No doubt I will be reading it again and quoting it here.”
– Steven Buechler, https://pacifictranquility.wordpress.com/2016/08/02/making-us-consider-our-actions-discussion-of-penn-kemps-barbaric-cultural-practicequattro-books-to-be-launched-autumn-2016/

Cover Painting of Barbaric Cultural Practice by Anne Anglin

barbaric-cultural-practice-transporting

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Barbaric Cultural Practice

Poetry from Quattro Books:

Barbaric Cultural Practice

Paperback | October 1, 2016

by Penn Kemp

In praise and rant, the poems in Barbaric Cultural Practice pay tribute to our dear Mother World’s enchantments as well as her upheavals. They confront the stresses of urban life as juxtaposed to nature’s round, and deal, for example, with the effect of computers on our psyche and with the imprint of electronic media upon perception, consciousness and dream life. They are a response to the need for action against climate change and a humorous protest against overwhelming technology.

Quattro Book Launch, Wednesday, October 5, 2016; doors open 7:00 pm; start time 7:30. Toronto, Supermarket Restaurant, 268 Augusta Ave. (event room at rear of dining area) Free. Contact: info@quattrobooks.ca, http://www.supermarketto.ca/

 

Barbaric Cultural Practice Transporting.jpg

Cover Painting, “Transporting” by Anne Anglin

Q&A: https://pacifictranquility.wordpress.com/2016/08/21/what-made-me-a-poet-curiosity-the-thrill-of-adventure-of-new-worlds-qa-with-poet-penn-kemp/

Sample poems: “Tip Line”, “The Nature of Food”, Tuck Magazine,

Poetry

“Synaesthetics”, “Filling the Cart” and “Giving Your Word”,  Tuck Magazine, http://tuckmagazine.com/2016/09/05/poetry-512/

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A poem for Lammas

The Tale and Trial of Tailtu

Here’s to Tailtu, foster mother to deity Lugh
whose day Lammas is. Tailtu prepared Ireland
for cultivation, clearcut demolishing all forest

so Lugh as Wind, as Lightning could open ways
to invention, new worlds of agriculture— laying
waste the trees to feed folk now at first harvest.

Tailtu lay down to die, exhausted. If she hadn’t
sacrificed herself, great Druid oak and ash groves
would still be flourishing to protect and teach us.

In her end is our beginning. Lughnasadh is called
Brón Trogain (Sorrow of Sorrows) to honour all
that’s gone before, all that dies so we may eat.

You can watch our Tales of Tailtu performance, https://www.youtube.com/watch?v=xg6PB6E9cHw. With Eugenia Catroppa, Lyre Alice Jameson, Angela Rawlings (on Skype) Natalie Zina Walschots.and Brian Walsh, Transac Club, Toronto.

Vocal Braidings.hmtb.front cover.200

Poetry and Jazz on a midSummer Night

Penn Kemp and Bill Gilliam with Daniel Kolos

Saturday, August 6, 7 pm. StoryRoomToronto, 48 Dalton Road, Toronto M5R 2Y7.

Helwa! Experiencing Ancient Egypt. Egypt is a land of the heart, and the heart of earth’s land mass. Travel with us to timeless realms.  Sample a piece from HELWA! here: http://www.youtube.com/watch?v=QM2Jg1Xf39g….

We will also be performing poems from Penn’s forthcoming book, Barbaric Cultural Practice (Quattro Books). These pieces are on the CD, From the Lunar Plexus, which will be available for sale along with Bill’s CDs. Seating is limited. Please note that all spaces are now filled.
Contact Penn@pennkemp.ca or Bill, 416 904 2157.

Daniel Kolos and Penn will be performing “Poem for Peace in Two Voices” in English and in Daniel’s translation into Egyptian hieroglyphs!  You can hear us reading “Night Orchestra” on http://www.mytown.ca/pennkemp.

“What happens when the lyric power of a highly experienced and galvanically charged poet dances in the electron stream? Barbaric Cultural Practice collects a decade’s poetic exploration of digital world absurdities, of the vitality of the earth and its grave needs, and of community. Penn never just reads: she performs, even on the page, and we can’t help but listen. Connect with the surging circuit of her energetic and eclectic words, connect and recharge.” – Susan McMaster

Admission is free with the purchase of the chapbook, Helwa! ($6) or a CD ($20) or by donation.

Bill Gilliam is a Toronto based composer / pianist who improvises new music compositions. blending influences of contemporary harmony & jazz idioms into his unique style of playing. His recordings include Ensorcell for solo piano; Signposts with piano, percussion & spoken word; & Memory Vision, a DVD with electro-acoustic music & two poems by Penn. www.bill-gilliam.com

Performance poet and playwright Penn Kemp is the League of Canadian Poets 2015 Spoken Word Artist of the Year. She has created several CD’s of sound opera with Bill, including Night Vision. Her latest works are two anthologies: Performing Women and Women and Multimedia. Her new book of poetry, Barbaric Cultural Practice, will be out October 1.

Bill and Penn are next performing September 3 @ 2p.m, Words and Music Salon, Vino Rosso Bar & Restaurant. 995 Bay St., Toronto M5S 3C4. Free.

Helwa cover

Penn’s readings are sponsored by the League of Poets, Metro Readings in Public Places.

Helwa Nut Circle

at the CANADIAN WRITERS’ SUMMIT

The Feminist Caucus of the League of Canadian Poets is pleased to present the panel “Performing Women: Playwrights and Performance Poets” at the Canadian Writers’ Summit taking place this June at Harbourfront in Toronto. Find out more information about the Summit, and the League’s Annual Conference, at poets.ca/conference.

Friday, June 17, from 7:45 to 9 am, we will host our breakfast business meeting and open readings. We will be launching the anthology Women & Multimedia: Poetry Collaboration/Elaborations, with work from Di Brandt, Terry Carter, Penn Kemp, Moe Clark, Jude Neale, and Cathy Petch. This anthology is edited by Penn Kemp, and contains papers published in our Living Archives Series. This event is free to members of the League, and may be attended without registering for the Summit. Please contact the League office at admin@poets.ca for more information.

Saturday, June 18, from 4 to 5 pm, Miss Lou’s Room. Join six amazing panelists to discuss experiences and ideas concerning performance. Our six panelists are playwrights, performers, poets… and several are all three. We’ll conclude the panel with a Q&A. The panel is a joint venture between Playwrights Guild and the League of Poets. We will be launching PERFORMING WOMEN, an anthology with papers by the panelists, edited by Penn Kemp. It will also be available through the League, or online through playwrightsguild.ca. This panel is only open to Summit registrants. Visit poets.ca/conference to find out more information about registration and pricing. Miss Lou’s Room is located on the second floor of the Bill Boyle Artport, along the south side overlooking the Natrel Pond/Rink and the lake. See www.harbourfrontcentre.com/venues/misslousroom/

Panelists:

Kelly Jo Burke, “Why Ducks, Anyway?”

Cornelia Hoogland, “Red Dresses Hang from the Trees and Towers: Red and Rapunzel are Missing”

Penn Kemp, “I am translated: How does multimedia give form to a poem’s alternate expression?”

Catherine Kidd, “Zoomorphic Poetics (or, Why I Write So Many Poems About Wildlife)”

Susan McMaster, “How does collaboration enhance performance poetry? The Intimate Power of Co-Creation”

Moe Clark will be performing from her piece in WOMEN AND MULTIMEDIA.

crystalEldonsm

Photo by Daniela Sneppova, cover of WOMEN AND MULTIMEDIA