A lovely book of poems from Aeolus House!

Here’s my review of Stanley Fefferman’s The Heart of All Music: Poems about Music and Musicians. Aeolus House, 2018. 52 pp. ISBN 978-1-987872-11-8. $20

Convergence is a word often used to describe the reshaping of our world by such forces as the Internet. This concept also applies to Stanley Fefferman’s latest collection, The Heart of All Music, which can be described, appropriately, as the convergence of a life-time of listening attentively to a wide range of musical genres.

It’s a treat when a poet takes a whole book to explore in depth a single subject. When the topic is music and the poet as knowledgeable as Stanley Fefferman, the result is a gift for all the senses. His work is varied in tone, mood and mode, given a perceptive ear and a gift for translating the complexities of musical experience into language. Fefferman employs a wide spectrum of forms, including prose poems that read like a possible transcription from his original review. The tone of the poems hovers between elegiac and celebratory, performative and prosaic, traditional and contemporary. This elegantly presented book is like a musical score in itself. The Heart of All Music sectioned in the four musical terms of a sonata: “Allegro, “Largo”, “Scherzo”, and the Finale, “Andante Cantabile”.

Fefferman’s preface describes the magic of listening to music. He declares “the feelings that came set off the language centres of the poet-in-me, and the music generated words.” At first I thought of searching YouTube to hear the pieces Fefferman describes. Then I realized that the poems themselves present a complicated translation that is this poet’s specific perception, “sharp as crackling bones/ that fall as feathers filling an entire hall”. The reader experiences Fefferman’s particular vision through his vivid imagery: “Debussy’s unique String Quartet unfolds a shimmer of antique silk/ embroidered with pizzicated rhythms of the new French enthusiasm”.

Metaphors translate the sometime psychedelic experience of a concert. The poet often describes one sense in terms of another, presenting the emotional range of a synaesthete. Indeed, Fefferman includes a poem to Alexander Scriabin, famous for his own synaesthetic correlations. Fefferman offers us fascinating imagery to describe specific works. His phrase, “crennellated patterns”, conjures an instant image of fortified battlements, an image immediately followed by “notes that roll/ like a silken standard in the wind”. We are thrust into a mediaeval scene to accompany Barrios’s “La Cathedral”.

Musicians play off each other; “the players spin solo threads”. Like the musicians Fefferman depicts, the instruments described in these poems have character, indeed personality. “The cello in the scherzo remains sardonic” after “jittery discourses that keen upward till they peter out /— a musical representation of life leaving the body.” Shostakovich’s final sonata is “the corvid utterance of Edgar Allan Poe’s ‘Nevermore’.” The cello continues “dialogues with itself/ among mutterings of ‘es muss sein’”—Beethoven’s motto in his last quartet. The phrase, “It must be”, figures prominently in  Milan Kundera’s novel, The Unbearable Lightness of Being as well, designating an acceptance of fate. A line of poetry also interprets another string quartet in a phrase from Eliot’s The Waste Land. One art is presented in terms of another, engaging both feeling and intellect.

Fefferman’s commentary is a “solo series of precision shifts between attitudes of stillness and repose [that] encode/ a lifetime of contemplation” in a veteran’s “deep acceptance of the world as it is.” Blues, jazz, traditional folk and classical works, Fefferman covers and comments on it all, from O’Carolan to David Bowie to John Hammond to Mozart and Claude Vivier. Fefferman is at his best presenting female singers like Lhasa De Sela in one of his most touching laments, as well as poems to composers cut off too soon by war. His beautiful last poem, dedicated to Dvorak’s Piano Trio in E minor, is a spiritual resolution for both Fefferman and his readers:

“the sound of peace itself
a melody so exquisitely played
the mind is overwhelmed with pleasure
and comes to rest in its own place
like the reflection of sky in lake.”

Fefferman’s epigraph announces that he associates the heart of music with the moment of happiness that he is offering in these poems. Indeed, The Heart of All Music is a paean to Music and Musicians. The cadenced rhythm of these poems will resonate long after the last note, the final phrase. To paraphrase Rumi, in this beautifully produced collection from Aeolus House, “We have fallen into the place where everything is music.”

//

Poet, performer and playwright Penn Kemp has been lauded as a trailblazer, “a poetic El Nino”, and a “one-woman literary industry”. She was  London’s inaugural Poet Laureate . Her 2018 books of poetry are Local Heroes (Insomniac), and Fox Haunts (Aeolus House). See http://www.pennkemp.weebly.com.

This review is now up on http://bywords.ca/november2018/review1.htm, thanks to Amanda Earl.

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Published Works by Penn Kemp

PoemforPeaceVol2BerniceVincentpainting

Publication History

 

BEARING DOWN (1972) poetry.  Coach House Press, 401 Huron St. Toronto ON

TRANCEFORM  (1976) poetry.  Soft Press, Victoria BC. Reprinted 2006, Pendas

THE EPIC OF TOAD AND HERON (1977) play.  Black Moss Press, Windsor ON

Reprinted 1985 by Playwrights Union, Toronto

CLEARING (1977) poetry. B.C. Monthly, Vancouver  BC

CHANGING PLACE (1978) poetry/prose.  Fiddlehead, U.N.B., Fredericton NB

ANGEL MAKERS (1978) play. Playwrights Union, Toronto

TOAD TALES(1981) poetry. White Pine Press 76 Center St. Fredonia NY 14063

CVii: Spiritual Poetry in Canada (1982), ed. Box 3062, Winnipeg R3C 4E5

ANIMUS (1984) poetry.  Caitlin Press. Reprinted, 2005, Pendas Productions, London

BINDING TWINE (1984) poetry. Ragweed Press, Charlottetown PEI

SOME TALK MAGIC (1986) Ergo Productions, Box 4460 London ON N5W 5J2

TRAVELLING LIGHT (1986) poetry. Moonstone Press, London ON

EIDOLONS (1988) poetry. White Pine Press, 76 Center St. Fredonia NY 14063

THROO (1989) poetry.  Moonstone Press, Book. CD, Pendas Productions, London

THE UNIVERSE IS ONE POEM; FOUR POETS TALK POETRY (1990) Simon & Pierre

WHAT WHAT THE EAR HEARS LAST (1994) play. Playwrights Union, Toronto

FOUR WOMEN (1999) poetry. Red Kite Press, Guelph ON

INCREMENTALLY (2000) poetry Pendas Productions, London.  Book and CD combo

TIME LESS TIME (2000) poetry. Pendas Productions

SUITE ANCIENT EGYPT (2001) poetry. Mothertongue Press, BC

VOCAL BRAIDINGS (2001) with Patricia Keeney, poetry. Pendas Productions

WHAT SPRINGS TO MIND (2001), Pendas Productions

Poem for Peace in Many Voices, ed., Vol. 1 & 2 (2002), book and CD

SARASVATI SCAPES (2002) with Angela Hryniuk, Pendas Productions

C’LOUD (2003) poetry, Pendas Productions. Book and CD combo

SARASVATI SCAPES: a sound opera, CD, Pendas Productions

MELISMA, CD (2002) with Angela Hryniuk and Penn Kemp

GATHERING VOICES (2002) with Gloria Mulcahy, Pendas. Book and CD combo

POEMAS ESCOLHIDOS DE PENN KEMP/ Selected Poems (2004) ABECAN, Brazil

PINCELADAS (2005, 2011) with Gloria Mulcahy, Pendas Productions

RE:ANIMATING ANIMUS (2006) Pendas Productions.  Book and CD combo.  London ON

HELWA1 (2011), PigeonBike Press. London ON. CD forthcoming with Light of East Ensemble

FROM DREAM SEQUINS (2012), Lyrical Myrical Press, Toronto ON
THE EPIC OF TOAD AND HERON (2012), reprint. Pendas Productions, London ON
JACK LAYTON: ART IN ACTION (2013), editor, Quattro Books, Toronto

WHAT SPRINGS TO MIND (2016), second edition, forthcoming. Pendas Productions
WOMEN & MEDIA, editor and contributor, Living Archive Series, Feminist Caucus, League of Canadian Poets, http://poets.ca/feministcaucus/. Launched June 17, 2016.
WOMEN & PERFORMANCE, editor and contributor, Living Archive Series. June 18, 2016.

BARBARIC CULTURAL PRACTICE (2016), Quattro Books, Toronto
THE TRIUMPH OF TERESA HARRIS (2017), Playwrights Guild of Canada, Toronto
LOCAL HEROES (2018), Insomniac Press
FOX HAUNTS (2018), Aeolus House

FoxHaunts-CoverPenn Local Heroes LFP

Launch of The Dream Life of Teresa Harris, CD, with Augmented Reality!

Summer Blessings!

SUNDAY, JULY 22, 1:00 P.M.

Join local poet and playwright Penn Kemp for an afternoon of readings from The Dream Life of Teresa Harris and Local Heroes, paired with a viewing of ‘Augmented Reality’ exhibits by artist Mary McDonald.  Books and CD’s will be available for purchase.

Mary’s visual art and animation of my play will run for a week in Eldon House following the tea.

Details on http://www.eldonhouse.ca/events/ and https://www.facebook.com/events/2111776722426553/.

Eldon House
481 Ridout Street North
London, Ontario
519.661.5169
info@eldonhouse.ca

ELDON HOUSE INTERPRETIVE CENTRE
(AND GROUNDS FOR TEA OPTION)

COST: $6.00 + HST IN ADVANCE OR $8.00 AT THE DOOR (FOR ADMISSION ONLY)

OR $30.00 + HST FOR ADMISSION PLUS AFTERNOON TEA WITH THE AUTHOR AND ARTIST! THIS OPTION INCLUDES OUR REGULAR SUMMER TEA MENU.

Registration required through Eldon House.

Video by Mary McDonald

Launch of LOCAL HEROES

Launch of Local Heroes (Insomniac Press) by Penn Kemp

April 19,2018, Lecture Theatre
Museum London, 421 Ridout St N.

6:30-7:15. Curator Tour: Women’s Lives in Canada: A History, 1875-2000
7:30-8:30. Penn’s reading
8:30-9 pm. Book signing

Join London poet and playwright Penn Kemp for the launch of her book
Local Heroes (Insomniac Press). Local Heroes is a celebration of regional artists from Greg Curnoe and James Kemp to writers Alice Munro, Colleen Thibaudeau and Bonnie Burnard.  New poems about explorer Teresa Harris are featured.

The evening includes an exhibition tour with curator Amber Lloydlangston, followed by Insomniac Press publisher Mike O’Connor and Penn’s reading.

The theatre will show several short videos on Local Heroes by Dennis Siren, Mary McDonald and Western’s Community Engaged Learning. The poet will then sign books.

Contact: Museum London, 519 661-0333, info@museumlondon.ca
http://museumlondon.ca/programs-events/event/2458/2018/04/19
promo video: https://youtu.be/x-edwKodu0s
https://www.facebook.com/events/181506832475203/

For more about LOCAL HEROES, please see http://poetryminiinterviews.blogspot.ca/2018/03/penn-kemp-part-one.html.

https://www.amazon.ca/Local-Heroes-Penn-Kemp/dp/1554832063

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Cover photo courtesy Harris Fonds, Western Archives, Western University

Poetry Mini Interview

What are you working on?
 
My next project, LOCAL HEROES, Insomniac Press, 2018, celebrates legendary cultural heroes from London, Ontario. These poems evoke a specific city in its particular landscape and history. London’s literary and artistic heritage is documented, honouring artists in fields ranging from visual and language arts to figure skating. Presented as an overview, the collection stretches from Victoria explorer Teresa Harris to the contemporary arts scene. Local Heroes acknowledges the Indigenous peoples here, and the ongoing waves of settlers who have called the area home, as London grew from colonial outpost to vibrant cultural centre. Local Heroes spans time but remains in place.
 
Landscape shapes us by its distinctive atmosphere. Southwestern Ontario (Souwesto) is a peninsula bordered by two Great Lakes and by the United States. Local Heroes examines the works of artists who have been influenced by the pervading spirit of Souwesto. In classical Rome, a genius loci was the protective spirit of the local, depicted as a figure holding a libation bowl. London is situated in a bowl scraped out from receding glaciers. This bowl teems over with the productions of its arts through time. Why? What has made London a creative centre? As a mid-sized county seat set in the fertile farmland of Middlesex County, London is in the middle, entre lacs, between two metropolises, Toronto and Detroit, at the edge of the Snow Belt. Because it is so surrounded, London began as a garrison, a fiercely conservative British enclave that held tight to tradition and conventional mores. Artists who lived here could rebel, conform or leave.
 
The collection present three sections, in historical order. It opens with an exploration of the exploits of Teresa Harris, who escaped her corsets along with her colonial upbringing in London’s Eldon House. Like me, this explorer travelled widely for decades before returning home with memories and mementoes. The poems devoted to Teresa consist of outtakes from my play, The Triumph of Teresa Harris, that were best expressed as poetry. The middle section is What the Heart Parts, also produced as a play and a Sound Opera.When the Heart Parts is based on the life and death of her father, Jim Kemp, London artist and mentor of artists in the 1950s. In my work, poetry and drama intersect, the way two branches of the Thames meet at the Forks.
 
The second half of the book is a tribute to local London creators. I was lucky enough to grow up in an artistic household and so was introduced to many of London’s cultural icons. Anecdotes abound. “London Local Heroes” recognizes several of those artists who broke through conservative conventions to create and celebrate their own community. Cultural activists had to develop their own vibrant and exciting arts scene or be pulled away to the larger metropolis east or west of London. Transformation happens in the local, through the intersection of culture, art and geography that defines the regional. Local Heroes offers an empowering vision of regionalism: we are at our own centre, our own gravitational field, where activism is most effective. We are at the centre of a cultural cauldron where opposites mingle and mix. Here the arts are cultivated and emerge as rich as the farmland surrounding London. The centre not only holds but opens up to the world, rippling out in concentric circles.
Penn Kemp
For more, please see
by Thomas Whyte.

 

Upcoming Events with Penn

Here’s my reading schedule for the next few months: I hope to see you!
All events are free and open to the public.

Tuesday, March 6, 2018 in London: Reading with Penn Kemp and Daphne Marlatt, 3:30 to 4:20 p.m. AHB-3R07, Western University. The Arts and Humanities Building is the old Ivey Business building, directly south of University College.

Saturday, March 10, 2018 in Toronto: Words and Music Salon, 12:30 to 3:30 pm. I’m reading 2:30-3:00 pm. The Tiki Room, the Tranzac, 292 Brunswick Ave. Sponsored by the League of Poets, Metro Reading in Public Places.

Thursday, April 19, 2018 in London: The launch of Local Heroes (Insomniac Press 2018) by Penn Kemp. The evening includes an exhibition tour with curator Amber Lloydlangston, followed by Penn’s reading @ 7:30 pm. The theatre will show several short videos on Local Heroes by Dennis Siren, Mary McDonald and Western’s Community Engaged Learning students.
6:30 to 7:15 p.m. – Curator Tour: Women’s Lives in Canada: A History, 1875-2000;          7:30 to 8:30 p.m. – Penn’s reading; and 8:30 to 9 p.m. – book signing.
Lecture Theatre, Museum London, 421 Ridout St N.

Wednesday, April 25, 2018, 8 pm: ‘ALT’ show, Victoria Poetry Project Caffè Fantastico, 965 Kings Road, Victoria, British Columbia V8T 1W7. Contact shayne avec i grec vegabard@gmail.comhttps://www.facebook.com/vicslam/.

Friday, April 27, 2018 in Edmonton, Alberta:  Featured reader, “Wine and Wild Women Wordsmiths”, The Edmonton Poetry Festival. They match a wine to the poet. I’ve offered to be a full-bodied Red! https://edmontonpoetryfestival.com

Monday, May 28, 2018 in London, 7 to 8:30 pm: Women Trailblazers: Writers and Voices for Change: Heroes. A reading and lecture series celebrating Canadian women writers.
Featured guests: Judy Rebick and Penn Kemp, Stevenson & Hunt Room, Central Library, 251 Dundas StreetJudy is reading from Heroes in My Head (Anansi) and Penn from Local Heroes (Insomniac).

Penn Kemp and Daphne Marlatt Reading 2018

With thanks to Debbie Okun Hill for her profile and updates:

https://okunhill.wordpress.com/2018/02/10/poet-profile-penn-kemp-and-barbaric-cultural-practice/

Review, Barbaric Cultural Practice

Adebe deRango Adem, Quill & Quire, December, 2016.

“Down the paths of most resistance”!

This review truly gets the book, I’m grateful to say!  It’s available for $18 from

quattrobooks.ca/books/barbaricculturalpractice/.Quill & Quire.p40.review column December 2016.jpgbarbaric-cultural-practice_front-cover