Fox Haunts reviewed

What caught your imagination when you were young?

For me it was Foxes:
https://www.youtube.com/watch?v=E58HtvVZQXs*

Two beautiful reviews Fox Haunts came in this evening
one after the other
on little fox feet from the Okanagan.

How could I not share them with you?

FoxHaunts-Cover

 

Fox Haunts. Poems by Penn Kemp. Aeolus House, 2018. 97 pages. $20.

Review by Bill Arnott

First time I saw a fox I was atop an open-air double decker, trundling along rugged coast, intermittently thrashed by leafy birch as though in a weaving Finnish sauna. I was compelled to shield my eyes – the same reaction as when something’s beyond comprehension, available only to the worthy. In fact it was present for everyone. Laid bare, unabashedly rich in beauty and lore. A slender, russet blonde animal, taller than I imagined. Regal. Same as when I met Penn Kemp. Somewhere a fellow trickster – Loki, Kokopelli perhaps, danced a gleeful jig, as I carried a newly signed Fox Haunts to my semi-detached lair.

Adaptation runs through this London Laureate’s new poems in darting twists, flight from imagined hunter’s horn. At times furtive, dreamily camouflaged, or bounding in plain sight, Kemp’s artistry enraptures. We join Penn in childhood, parents fused into fox memories with “A Child’s Garden Fox.”

“Sleepy, sleeping in my mother’s lap. Nestled. / When. A fox ran in front of the car. And / was transfixed by the headlights. Ran and / ran in front of the car but could not escape”

In red hued monochrome we glimpse dead fur and living banshees in “Steal, Stole, Stun.”

“The dried heads of black fox hung / from my grandmother’s stole as if / ready to strike. Dead flat button jet / eyes shut tight to their own secret”

And with fireside ease we move through seasons, geography and myth, playful “Glow” perching us parrot-like on the writer’s shoulder, experiencing evolving words while peering real-time into her thoughts.

“That narrow snout surfaces to / figure your next ploy, asking / curiously: ‘Who do you serve?’ // The essential question mocks / my reply. The whole, of course.”

Reading Kemp’s work I feel nestled in a sidecar affixed to the master’s motorbike, confident in her route, at times in conversation, storytelling, or akin to a lie-down on a therapist’s sofa. This book can leave one simultaneously inspired and intimidated, seeing genius expand exponentially with time.

Writing this I’m at Penn’s desk, at least the one she left for me to use in Vernon, BC. Beside me Fox Haunts lies curled and content, in its rightful place atop the rest. Through a broad bay window a few last leaves cling in vixen colours and from “Entertaining the Fox” the author’s words linger. “May you be translated. And remain / entirely your own.”

poetscorner.ca/team/

Image result for fox glyph

Review by Fern G. Z. Carr

Penn Kemp’s Fox Haunts (Aeolus House, 2018) is an intriguing exploration of all that is vulpine – a quest to define the quintessential nature of the fox. In keeping with its elusive nature, her portrayal of this creature is fluid and dynamic.

The title, Fox Haunts, is an apt play on words.  This is not only a work of place but a work that is indeed haunting – whether by its mastery of surreal imagery such as the reverie of miniature firefly-like foxes or the cruel reality of rabies.

Poems are contrasting yet complementary: predation vs. elegance (“sharp white teeth” / “Vixen slips off her black gloves”) and science vs. folklore (“The earth’s magnetic field serves as a reference guide for our Fox” / “foxglove holds the power of opposites”).

After having examined the vicissitudes and psyche of the fox, Kemp ultimately concludes that a fox is but a fox.  Her final poem in this collection is essentially a benediction with a proviso that the species will be fine as long it can be freed from pejorative mythologies and human interference – a caveat reflecting the sensibilities of the enchanting poems in this book.

www.ferngzcarr.com

 

Stanley Fefferman‘s review is up on http://poets.ca/2018/08/10/review-fox-haunts-by-penn-kemp/ and http://opusonereview.com/?p=4786.

FOX HAUNTS is available from pennkemp@gmail.com for $20 plus shipping, signed.

*Video of my reading by Dennis Siren.

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Upcoming Poetry Launches!

Happy to be launching 2018 collections, Local Heroes (Insomniac Press) and Fox Haunts (Aeolus House). I’ll also read from Barbaric Cultural Practice (Quattro Books)

https://www.amazon.com/Fox-Haunts-Penn-Kemp/dp/1987872142/ref=sr_1_5?s=books&ie=UTF8&qid=1525695775&sr=1-5

FoxHaunts-Cover

Saturday August 25, 5:00-6:00 pm. Reading from Fox Haunts for Synaeresis #3 launch, The Black Walnut’s back room, 134 Wortley at Askin St., London ON) http://harmoniapress.blogspot.com/2018/07/synaeresis-issue-4-call-for-submissions.html. Contact: andreasgripp@hotmail.com

Sunday, September 9, 2018, 4-6 pm. Launch of Fox Haunts, with Aeolus House poets: Ariane Blackman, Brian Cameron, Stanley Fefferman, Tom Hamilton, Penn Kemp and Colin Morton. Pressed (waffle house), 750 Gladstone Ave, Ottawa, ON K1R 6X5. (613) 680-9294. Contact: Allan, abriesmaster@outlook.com.**

Monday, Sept. 10, 7 pm. Launch, Local Heroes and Fox Haunts. Novel Idea, 156 Princess St, Kingston, ON K7L 1B1. Introduced by Elizabeth Greene. Contact: (613) 546-9799, egreene4@cogeco.ca. Bruce Kauffman’s radio show “finding a voice”—a showcase of spoken-word events  broadcast weekly, Friday 4pm-6pm EST on CFRC 101.9FM. http://75.103.74.42/wp/eventscalendar/

Wednesday, Sept. 12, 7-9 pm. Launch of Fox Haunts, with Aeolus House poets: Ariane Blackman, Brian Cameron, Tom Hamilton, Penn Kemp and Sydney White. Supermarket Restaurant, 268 Augusta Ave., Toronto. Contact: Allan, abriesmaster@outlook.com.*

Sunday, September 23, 2018, 1pm. Launch of Out of Line by Tanis MacDonald with Tom Cull. Reading from Local Heroes and Fox Haunts. Oxford Book Shop, 262 Piccadilly St, London, N6A 1S4. Contact: Hilary  519-438-8336, http://www.oxfordbookshop.com

October 1-31, 2018.  Kalamaka Press Writer-in-Residence, Caetani Cultural Centre, Vernon, BC.  Readings TBA. http://www.kalwriters.com/residency/residency.html, https://www.caetani.org/about/.

Sunday October 14th.  Reading with Daphne Marlatt. Co-op People’s Bookstore. 1391 Commercial Dr, Vancouver, BC V5L 3X5. Contact: Rolf (604) 253-6442, coopbks@telus.net

Tuesday, October 16, 2018, 8:00 pm. Launch and reading with Susan McCaslin. Spoken Ink Reading Series, Burnaby Arts Council, Deer Lake Gallery, 6584 Deer Lake Ave., Burnaby, BC. Host Lara Varasi, lvaresi@shaw.ca (604)240-8903.*

Wednesday, October 17, 2018. Launch and reading with Sharon Thesen. Poets’ Corner, Massy Books, 229 E. Georgia, Vancouver BC. Sponsored by the Canada Council.
Contact: James Felton,  (604) 767-6908  www.massybooks.com/. jamesfelton52@gmail.com***

Thursday, October 18, 2018. Launch and reading with Damian Rogers at Milkcrate Records. Kelowna, BC. Contact: Matthew Rader, matthew.rader@ubc.ca.

Saturday, October 20, 2018. Nelson, BC.  Launch, Local Heroes and Fox Haunts.  TBA. Contact: Elizabeth Cunningham, elizabeth@waterside.ca

November 2-4, Museum London theatre, 421 Ridout St N, London, ON N6A 5H4. Time TBA. Mary McDonald and I are presenting new poems and augmented reality for riverrevery.ca as part of Poet Laureate Presents: River of Words.  Sponsored by the London Arts Council and the City of London.

* The launches in Ottawa and Burnaby are sponsored by the League of Canadian Poets and the Canada Council for the Arts. Thanks for their continued support!
** The launch in Toronto is sponsored by the League of Canadian Poets, Metro Readings in Public Places.
***The launch in Vancouver is sponsored by the Canada Council for the Arts.

 

Local Heroes cover

LOCAL HEROES: Poetry  ·  Canada $19.95  ·  US $19.95  ·  Trade paperback  ·  ISBN 978-1-55483-206-4 ·  154 pages  ·  5″ x 8”

“It is an excellent collection of poems which celebrate London cultural pioneers. It is full of Penn’s humour and wordplay. These poems evoke the city in its particular landscape and history.
And as anyone who knows Penn, a launch is never merely a launch. It is more like an evening with Penn and friends.
The evening began with a curator tour: Women’s Lives in Canada: A History, 1875-2000. Then Penn read from the book. They also showed several short videos on Local Heroes by Dennis Siren, Mary McDonald and Western’s Community Engaged Learning.
Dennis Siren recorded much of the evening at https://www.youtube.com/watch?v=F-zCVUjonwk.
You can also keep up to date with Penn at her blog https://pennkemp.wordpress.com
She is a poetic El Nino.”  Mike O’Connor, Insomniac Press

The LOCAL HEROES event held on July 22 at Eldon House in London, was a great success.  It featured poems from “Teresa Harris Rides Again”. Mary McDonald created several augmented reality videos which were shown and displayed as qr markers in the house all week.  You can see them on https://teresaharrisdreamlife.wordpress.com/

 

The Triumph of Teresa Harris March 22-25 at The Palace

http://www.palacetheatre.ca/shows-and-events/2016/9/8/the-triumph-of-teresa-harris

www.eldonhouse.ca

The Palace Theatre and Eldon House present The Triumph of Teresa Harris
Procunier Hall, The Palace Theatre, 710 Dundas St., London ON. 519-432 1029.

The indomitable explorer Teresa Harris returns to London in Penn Kemp’s new play

The Triumph of Teresa Harris!

Her adventures are on stage in 5 Performances…

Procunier Hall @ The Palace Theatre 710 Dundas Street London, ON, N5W 2Z4 Canada

Press

“From the pen of Penn Kemp”, http://www.thelondoner.ca/2017/03/08/from-the-pen-of-penn-kemp

“Writer revisits adventures of heroine Teresa Harris” https://www.ourlondon.ca/community-story/7165300-writer-revisits-adventures-of-heroine-teresa-harris/ by Mike Maloney

“Two productions by poet Penn Kemp celebrate 19th-century London woman who ‘untied the corset strings’” by Joe Belanger
http://www.lfpress.com/2017/03/03/two-productions-by-poet-penn-kemp-celebrate-19th-century-london-woman-who-untied-the-corset-strings

Bob Smith interviews Penn about March events celebrating Teresa Harris: http://www.rogerstv.com/daytimelondon
The video is up on http://rogerstv.com/show?lid=12&rid=9&sid=3268&gid=271401

“Play stands as tribute to one woman’s Triumph”,
http://news.westernu.ca/2017/01/play-stands-tribute-one-womans-triumph/

A scene from our March 4 performance of The Dream Life of Teresa Harris:interactive video by Mary McDonald:
http://touchcast.com/…/dream_life_of_teresa_harris_march_20….

“A marvelous performance, blending music and words to bring an amazing woman to life. Can’t wait to see the pla based on this story at the Procunier Hall, at the Palace Theater. We have our tickets already. They are going fast!” Susan Cassan

“I almost checked my passport on returning home for extra stamps (such was the journey we were on today)” John Hassan

Publications

The script of the complete play, THE TRIUMPH OF TERESA HARRIS is now available, on line & in print!
https://www.playwrightsguild.ca/triumph-teresa-harris-0.

The Eldon House version, THE DREAM LIFE OF TERESA HARRIS is also now available, on line, in print & in London Public Library!
http://www.playwrightsguild.ca/dream-life-teresa-harris

See http://www.playwrightsguild.ca/playwright/penn-kemp.

Upcoming

“I believe I have a little of the Bedouin Arab in me.”-Teresa Harris

March 22-25, The Triumph of Teresa Harris: a play in two acts

Performances

March 22, 2017 – 8:00 PM

March 23, 2017 – 8:00 PM

March 24, 2017 – 8:00 PM

March 25, 2017 – 2:00 PM ** Matinee

March 25, 2017 – 8:00 PM

Tickets:  $23 seniors/students. $25 adults. Online: an additional $1.00.
Preview, March 27: $15

The Triumph of Teresa Harris is written by Penn Kemp and directed by Diane Haggerty <info@londoncommunityplayers.com>

Performed by a cast of 16 with 2 musicians!

The Cast for The Palace Production, March 2017

DIRECTOR: Diane Haggerty

MUSICIANS: Mary Ashton and Panayiotis Giannarapis

ACTORS

Ammar Abraham: Lieutenant/Tenzin

Dean Andrews: Scott

Bridget Corbett: Sister

Grace Ginty:  Sister

Maya Gupta: Mid-Teresa

Brenda Hamilton: Amelia 2

Afia Kyei: Chris

Kassia Mobbayal: John

Christopher Noble: St. George

Irene Paibulsinjit: Annie

Karina Redick: Sister

Kendall Robertson: Sister

Jan Sims: Amelia 1

Old Teresa: Maureen Spencer Golovchenko

Passing Stranger/Cook: Heather Weitzel

Young Teresa: Jordyn Taylor

With thanks to London Community Players at the Palace Theatre.

https://teresaharrisdreamlife.wordpress.com

The main character is Teresa Harris, b.1839, Eldon House,
London. She tells her amazing life story from her home in
Eldon House. Born the youngest of a prosperous pioneer
family intent on bettering itself, Teresa married a Scottish
military man who promised to carry her off to foreign parts
she had dreamed of all her life. Teresa’s story emerges
through her own voice and that of her protective mother
and her two husbands. Both men offered Teresa escape
from the ordinary domestic constraint for a woman of her
time and position in colonial London society.
Young Teresa 2017
Young Teresa: Jordyn Taylor
(Photo Credits: Harris Family Fonds, Teresa on Camel Photo, Western Archives, Western University)
The Triumph of Teresa Harris
Previously…
March4 Penn Panayiotis Teresa
Penn and Panayiotis Giannarapis performing The Dream Life with Mary Ashton.
Photo: Mary McDonald

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Review, Barbaric Cultural Practice

Adebe deRango Adem, Quill & Quire, December, 2016.

“Down the paths of most resistance”!

This review truly gets the book, I’m grateful to say!  It’s available for $18 from

quattrobooks.ca/books/barbaricculturalpractice/.Quill & Quire.p40.review column December 2016.jpgbarbaric-cultural-practice_front-cover

Acknowledgements Barbaric Cultural Practice

Available from Quattro Books, http://quattrobooks.ca/books/barbaric-cultural-practice/

Next readings/launches:
November 6, 10am. Penn Kemp and Madeline Bassnett read together for this session @ Words, London’s Literary and Creative Arts Festival, http://wordsfest.ca/. The Lecture Theatre, Museum London, 421 Ridout St N, London, ON N6A 5H4. Contact: Joshua D Lambier, Artistic Director, jlambie2@uwo.ca. https://www.facebook.com/events/1136768886402917/http://wordsfest.ca/events/2016/penn-kemp-madeline-bassnett-in-conversation

Saturday, November 26, 2-4, pm. Book signing and Launch of Women & Multimedia and Performing Women: Playwrights and Performance Poets. The Living Archives Series, The Feminist Caucus, League of Canadian Poets, http://poets.ca/wordpress/programs-2/feminist-caucus. Essayist and editor of the two anthologies. AND Barbaric Cultural Practice! Brown & Dickson, 519-318-1983, books@brownanddickson.com, http://www.brownanddickson.com, 609 Richmond Street, London  N6A 3G3

barbaric-cultural-practice_front-coverMany of the poems in Barbaric Cultural Practice were provoked into being by political events, ongoing, so I have co-opted the hashtag, #BarbaricCulturalPractice. I’m thrilled that Quattro was able to insert QR codes to sixteen of these poems, so you can experience them off the page as audio and video. My impulse in writing hovers along a long spectrum of indignation, compassion, horror, scorn and ridicule: a multitude of response that only poetry can, for me, express. Such reactions are expressed in http://www.thelondoner.ca/2016/09/28/penn-kemp-as-barbarian and this interview: https://pacifictranquility.wordpress.com/2016/08/21/what-made-me-a-poet-curiosity-the-thrill-of-adventure-of-new-worlds-qa-with-poet-penn-kemp/.

I’m deeply grateful for family and friends’ encouragement en route and ongoing during the evolution of these poems. The list is long and extends back decades. Special thanks to Allan Briesmaster, my editor and publisher of Barbaric Cultural Practice. A fine poet himself, he is the ideal editor, encouraging, engaging, and always astute. Thanks as well to my dear poet friends, Katerina Fretwell, Susan McCaslin, and most especially to Susan McMaster, for their keen eyes and ears and discerning comments. I’m grateful to all who wrote such enthusiastic endorsements: Di Brandt, George Elliot Clarke, Katerina Fretwell, Laurie D. Graham, Leona Graham, Dennis Maloney, Susan McCaslin, Susan McMaster, Elizabeth Waterston and Sheri-D Wilson! See https://pennkemp.wordpress.com/2016/09/18/endorsements-for-barbaric-cultural-practice/. Thanks to J. R. (Tim) Struthers, for suggesting the title, “The Hart of London.” And to Catherine Ross, my literary executrix!

The cover painting, Transporting, is by my beloved friend, Anne Anglin. It is her vivid
interpretation of an equally vivid dream I had. Gavin Stairs included some of these poems in artbooks, republishing earlier works through our little company, Pendas Productions. I have posted poems on www.pennkemp.wordpress.com. Several of these poems or lines therein have been published in my books: Binding Twine (Ragweed Press), Trance Form (Soft Press), Some Talk Magic (Ergo Productions), Throo (Moonstone Press), ANIMUS (Caitlin Press), as well as two chapbooks: Eidolons (White Pine Press) and from Dream Sequins, (Lyrical Myrical Press).

Poetry needs to be heard as well as read, so I have concentrated in recent years on audio renditions and videopoems in collaboration with Bill Gilliam, John Magyar, Dennis Siren, and Gavin Stairs: available from Pendas Productions, pendas@pennkemp.ca.

Several of the poems in Barbaric Cultural Practice were commissioned by activist organizations. Versions of most of the poems were first published in magazines, literary journals and newspapers. I would like to thank the editors of all the literary magazines that support Canadian writing. The London Free Press and Metro News (London) have been most supportive in publishing occasional poems over the last decade. I would like to thank all those editors who support and promote Canadian writing. The League of Canadian Poets has supported most of the readings where these poems were performed. A Toronto Arts Council grant gave me much appreciated time to write

Where you may have read these poems, in other incarnations or reprinted:

“Celebrating Tree in Souwesto,” “The Hart of London.” Another London Anthology, harmonia press, September 2016

Tuck Magazine in Britain recently reprinted the following poems: “Arms and the Boy”, “Demeter’s Exclusion Sector” and “May Day, 1945”, http://tuckmagazine.com/2016/10/06/poetry-558/. “Smog Alert” and “Gender Bias Even Among the Elements”, http://tuckmagazine.com/2016/09/19/poetry-532/. “Synaesthetics”, “Filling the Cart” and “Giving Your Word”, http://tuckmagazine.com/2016/09/05/poetry-512/.
“Tip Line”, “The Nature of Food”, Tuck Magazine, http://tuckmagazine.com/2016/08/23/poetry-493/

Seven poems are in Danse Macabre: An Online Literary Magazine #99, Pictures of Life, Eletkepek, July 2016.  The poem “Solstice” was chosen as Danse Macabre du Jour, https://dmdujour.wordpress.com/2016/07/12/penn-kemp-solstice/  “Reflecting Mimesis” and “All things Considered”, https://dmdujour.wordpress.com/2012/04/16/penn-kemp-two-poems/  and http://dansemacabre.art.officelive.com/DanseMacabreDuJour.aspx.

“Given a Line.”CV2. Contemporary Verse 2.V.38.3, Winter 2016. http://www.contemporaryverse2.ca/en/store/issue/the-open-issue3

“Walking on the Moon.” Cordite/Arc. http://cordite.org.au/content/poetry/ohcanada/, http://cordite.org.au/newsblog/walking-on-the-moon/

“Grazing the Face of Climate Change,” “Gender Bias Even Among the Elements,” “Middle March and Beyond.” Canadian Woman Studies: Women and Water, Vol. 30, Nos. 2, 3. Inanna Publications, http://inanna.ca/index.php/catalog/women-and-water/

“Heart to Art,” “Too Close for Comfort.” Goddess Pages, Issue #27: Summer 2015. http://www.goddess-pages.co.uk/three-poems-from-penn-kemp/#more-2890    https://pennkemp.wordpress.com/2015/07/17/goddess-poems-2015/

“Five Poems on Food.”
http://www.londonpoetryopenmic.com/biographies–featured-poets–musicians/penn-kemp-featuring-with-john-nyman-at-london-open-mic-april-1st-bio-and-poems

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Barbaric Cultural Practice

http://quattrobooks.ca/books/barbaric-cultural-practice/

16 QR Codes will lead you to audio and video poems!

Barbaric-Cultural-Practice_front-cover.jpg

In praise and rant, the poems in Barbaric Cultural Practice pay tribute to our dear MotherWorld’s enchantments as well as her upheavals. They confront the stresses of urban life as juxtaposed to nature’s round, and deal, for example, with the effect of computers on our psyche and with the imprint of electronic media upon perception, consciousness and dream life. They are a response to the need for action against climate change and a humorous protest against overwhelming technology.

Barbaric Cultural Practice is an urgent set of makings, of remarkable and dramatic word-acts, that reminds us that language – the hallmark of civilization – also enables barbaric, human imposition on Nature and the eternal. The inaugural Poet Laureate of London (ON), Penn Kemp is an expert tool-and-die versifier. Proof? Well, that very pun you’ve just read is indebted to her, for she employs every poetry technique available – every tool in the toolbox – to stress the stubborn connection between concrete reality and supposedly abstract words. Nor does Kemp flinch from pondering how our distancing embrace (that’s not an oxymoron) of electronica interferes with our relationships to the earth, each other, and to Art. Barbaric Cultural Practice is so timely, it is an alarm clock, shocking us awake to our drowsy, Eloi circumstances.

– George Elliott Clarke, Parliamentary Poet Laureate of Canada

Penn Kemp’s Barbaric Cultural Practice is a stunning and magical tribute of travel wisdom of vision of longing of voices and of Goddess ways of seeing into and circumnavigating the heart of old ways of ancient catapulting into futures of tech-knowledge-able dancing back and forth of swaying of seeds of truth gardening matter of otherworldly mantras singing of the everyday made extraordinary. what movement in stillness what stillness in motion. what beauty what love!

– Sheri-D Wilson, author of Open Letter: Woman Against Violence Against Women

A witty tongue-wrestle with the mechanics and metaphors of the poet’s new tools, in a techno-unbounded universe where the only limitations are the electrical conduits from brain through fingers to glaring screen. What happens when the lyric power of a highly experienced and galvanically charged poet dances in the electron stream? Connect with a surging circuit of Penn Kemp’s energetic and eclectic words, connect and recharge.

– Susan McMaster

Fall Events with Penn Kemp

See you at these Upcoming Events!

November 6, 10am. Penn Kemp and Madeline Bassnett read together for this session @Words, Words, London’s Literary and Creative Arts Festival, http://wordsfest.ca/. The Lecture Theatre, Museum London, 421 Ridout St N, London, ON N6A 5H4. Contact: Joshua D Lambier, Artistic Director, jlambie2@uwo.ca.
http://wordsfest.ca/events/2016/penn-kemp-madeline-bassnett-in-conversation

Saturday, November 26, 2-4, pm. Book signing of Barbaric Cultural Practice and Launch of Women & Multimedia and Performing Women: Playwrights and Performance Poets from The Living Archives Series, The Feminist Caucus, League of Canadian Poets: Penn is essayist and editor of the two anthologies.Brown & Dickson, 609 Richmond Street, London  N6A 3G3. Contact: 519-318-1983, books@brownanddickson.com, http://www.brownanddickson.com

http://www.thelondoner.ca/2016/09/28/penn-kemp-as-barbarian

http://www.londonculture.ca/things-we-do/poet-laureate/past-poet-laureates
Thanks for a grand couple of years to the London Arts Council!

Penn, sounding at Canadian Writers’ Summit at Toronto’s Harbourfront, June 2016.  Photo: Monique Renaud for Playwrights Guild of Canada

penn-sound-performing-women-2016-monique-renaud

Recently…

Wednesday, October 5, 2016; doors open 7:00 pm; start time 7:30 p.m. Quattro Book Launch, Toronto, Supermarket Restaurant, 268 Augusta Ave. (event room at rear of dining area) Free. Contact: info@quattrobooks.ca, http://www.supermarketto.ca/
Six authors: Sanita Fejzić, from Ottawa, with her novella Psychomachia
Penn Kemp, from London ON, with her book of poetry Barbaric Cultural Practice
Susan McCaslin, from Victoria, BC, with her book of poetry Painter, Poet, Mountain
Richard Osler, from Duncan, BC, with his book of poetry Hyaena Season
Cora Siré, from Montreal, with her novella The Other Oscar
Laura Swart, from Calgary, with her novella Blackbird Calling

Friday, October 7, 2016, 7:30- 8:30pm. Tributes + Tributaries, 1971-1989, AGO Friday Nights in October, Signy Eaton Gallery, Art Gallery of Ontario, 317 Dundas Street West, Toronto  M5T 1G4. Call 1-877-225-4246 or 416-979-6648. AGO features Penn Kemp and Paul Dutton, sound poets. The topic is streaming influences from the ’70’s: http://www.ago.net/new-ago-exhibition-explores-the-experimental-energy-of-the-toronto-art-scene-in-the-70s-and-80s.  More details, including a schedule of performances, will be posted on http://www.ago.net. Host Lillian Allen. Toronto: Tributes + Tributaries, 1971-1989 is included with the price of general admission and is free to AGO members.
“I am wanting to feature some of the roots of the aesthetic influence on our city. I am thinking about the important and artistically liberating roles your  (mostly) sound works played. The fact that you were a woman inspired me so much. Your sound explorations and experimentations always make me feel so happy and empowered. The power of your art has never left me. So I am paying tribute to you by asking you to read/perform in this series.” Lillian Allen. https://www.ago.net/toronto-tributes-tributaries-1971-1989

Tuesday, October 11, 7 pm. London launch of Penn’s poetry book, Barbaric Cultural Practice (Quattro Books). Oxford Book Shop, 262 Piccadilly Street, London N6A 1S4.
Contact: Hilary bookorderprocessing@oxfordbookshop.com. Tel: 519-438-8336.

Saturday, October 15, 2016, 2 pm. Penn reading from her play “The Triumph of Teresa Harris” and Barbaric Cultural Practice. With Daniel Kolos, Antony Christie. The Garafraxa Café, 131 Garafraxa Street South (Highway 6), Durham ON. Contact: danielkolos123@gmail.com or Michelle and Kevin Bossi, 226-432-2175, garafraxacafe@gmail.com. Sponsored by Playwrights Guild of Canada.

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