Here’s to Spring, and the Spring Tour!

If you are in BC, I hope you can come and be with dear friends and me!

At each event, I’ll read my poem, ‘The Stand of Oak” in honor of the Vimy centenary,
http://www.vimyfoundation.ca/vimy-100/vimy-oaks-poetry/the-stand-of-oak/.
I will be reading from Quattro Books’ BARBARIC CULTUAL PRACTICE (http://quattrobooks.ca/books/barbaric-cultural-practice/) at events sponsored by The League of Canadian Poets and pieces from Sound Opera and my new play (https://teresaharrisdreamlife.wordpress.com/) at events sponsored by the Playwrights’ Guild of Canada.

Thursday, April 6, 2017, 7-9 pm. “After Cézanne”: Ekphrastic reading: Fort Langley Art Gallery with Susan McCaslin. Contact: Edith Krause. http://www.fortgallery.ca/first-thursday-arts-evenings. http://www.langleytimes.com/entertainment/416981724.html. Sponsored by Playwrights Guild of Canada.

Poster Fort Callery April 17

Sunday, April 9, 2-4 pm, 2017. Poetry New West, Heritage Grill Backstage Room, 447 Columbia Avenue, New Westminster BC. Contact: Alan Hill, afjhill@hotmail.com, @poetrynewwest. Reading “A Stand of Oak”, http://www.vimyfoundation.ca/vimy-100/vimy-oaks-poetry/the-stand-of-oak/. Sponsored by League of Canadian Poets. https://www.facebook.com/events/1755788391312780/

Vimy flute 2017

Penn April 9 2017

@poetrynewwest Photo: Creighton Studios

Tuesday, April 11, 2017, 2:00 4:00 pm. “An Afternoon of Performance and Paper Works”, with Terry Ann Carter and Penn Kemp. Free. Oak Bay Library, Greater Victoria Public Library, 1442 Monterey Ave. Victoria, BC V8S 4W1. Contact: terryanncarter3@gmail.com or Carl Cavanagh, Public Service Librarian, 250-382-7241 ext. 381ccavanagh@gvpl.ca. Writers Readers & Storytellers. For Adults. Ontario-based poet and playwright Penn Kemp will kick off this program with a performance of her play sponsored by Playwrights Guild of Canada, followed by a paper craft led by artist Terry Ann Carter. Fold paper into a concertina-style, accordion book, using hand-written letters, words and text to decorate the interior pages. Use water colour pencil crayons to add embellishments to your keepsake book. Register at gvpl.ca or email Joy, jhuebert@gvpl.ca. Call 250-940-GVPL (4875) for more information.

Poem On Light Terry Ann CarterSaturday, April 15, 3pm: Reading with Mona Fertig. Salt Spring Island Public Library, 129 McPhillips, Salt Spring Island BC V8K 2T6. Contact: Karen Hudson, Chief Librarian. 250-537-4666, ext. 223, khudson@saltspringlibrary.com. http://saltspring.bc.libraries.coop/. http://saltspring.bc.libraries.coop/event/mona-fertig-and-penn-kemp/?instance_id=96840. Sponsored by League of Canadian Poets.  https://www.facebook.com/events/231320154008905/

SSI Poster 2016 MonaApril 16, 11:30-1:30pm. Reading with Sharon Thesen, Poetic Justice, Boston Pizza, 1045 Columbia St, New Westminster BC V3M 1C4. “two writers who have not been carving but excavating literary history in Canada. Their reputations have already made it to the top-most bookshelf. It’s likely this will be a poetry reading you’ll remember for a while.” Contact: James Felton, james@PoeticJusticeNewWest.org, 604-767-6908. Sponsored by League of Canadian Poets. http://poeticjusticenewwest.org/uncategorized/april-poetry-reading/.

APRIL 2017 Kemp Thesen

James Felton writes;
A Reunion of Sorts

Back in the 70s and early 80s, Vancouver boasted a vibrant poetry scene and next month’s featured poets were no small part of the ‘happening’. Good friends Penn Kemp and Sharon Thesen have sustained a friendship and their prolific writing paths ever since.

Though both now live elsewhere, Poetic Justice is honoured to bring these two exceptional writers back together for our special Easter Sunday reading.  Read more about our fabulous April featured poets on our website.

Happy spring, whenever it arrives! Bring on the Magnolias. Bring on the Cherry Blossoms!

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The Triumph of Teresa Harris March 22-25 at The Palace

http://www.palacetheatre.ca/shows-and-events/2016/9/8/the-triumph-of-teresa-harris

www.eldonhouse.ca

The Palace Theatre and Eldon House present The Triumph of Teresa Harris
Procunier Hall, The Palace Theatre, 710 Dundas St., London ON. 519-432 1029.

The indomitable explorer Teresa Harris returns to London in Penn Kemp’s new play

The Triumph of Teresa Harris!

Her adventures are on stage in 5 Performances…

Procunier Hall @ The Palace Theatre 710 Dundas Street London, ON, N5W 2Z4 Canada

Press

“From the pen of Penn Kemp”, http://www.thelondoner.ca/2017/03/08/from-the-pen-of-penn-kemp

“Writer revisits adventures of heroine Teresa Harris” https://www.ourlondon.ca/community-story/7165300-writer-revisits-adventures-of-heroine-teresa-harris/ by Mike Maloney

“Two productions by poet Penn Kemp celebrate 19th-century London woman who ‘untied the corset strings’” by Joe Belanger
http://www.lfpress.com/2017/03/03/two-productions-by-poet-penn-kemp-celebrate-19th-century-london-woman-who-untied-the-corset-strings

Bob Smith interviews Penn about March events celebrating Teresa Harris: http://www.rogerstv.com/daytimelondon
The video is up on http://rogerstv.com/show?lid=12&rid=9&sid=3268&gid=271401

“Play stands as tribute to one woman’s Triumph”,
http://news.westernu.ca/2017/01/play-stands-tribute-one-womans-triumph/

A scene from our March 4 performance of The Dream Life of Teresa Harris:interactive video by Mary McDonald:
http://touchcast.com/…/dream_life_of_teresa_harris_march_20….

“A marvelous performance, blending music and words to bring an amazing woman to life. Can’t wait to see the pla based on this story at the Procunier Hall, at the Palace Theater. We have our tickets already. They are going fast!” Susan Cassan

“I almost checked my passport on returning home for extra stamps (such was the journey we were on today)” John Hassan

Publications

The script of the complete play, THE TRIUMPH OF TERESA HARRIS is now available, on line & in print!
https://www.playwrightsguild.ca/triumph-teresa-harris-0.

The Eldon House version, THE DREAM LIFE OF TERESA HARRIS is also now available, on line, in print & in London Public Library!
http://www.playwrightsguild.ca/dream-life-teresa-harris

See http://www.playwrightsguild.ca/playwright/penn-kemp.

Upcoming

“I believe I have a little of the Bedouin Arab in me.”-Teresa Harris

March 22-25, The Triumph of Teresa Harris: a play in two acts

Performances

March 22, 2017 – 8:00 PM

March 23, 2017 – 8:00 PM

March 24, 2017 – 8:00 PM

March 25, 2017 – 2:00 PM ** Matinee

March 25, 2017 – 8:00 PM

Tickets:  $23 seniors/students. $25 adults. Online: an additional $1.00.
Preview, March 27: $15

The Triumph of Teresa Harris is written by Penn Kemp and directed by Diane Haggerty <info@londoncommunityplayers.com>

Performed by a cast of 16 with 2 musicians!

The Cast for The Palace Production, March 2017

DIRECTOR: Diane Haggerty

MUSICIANS: Mary Ashton and Panayiotis Giannarapis

ACTORS

Ammar Abraham: Lieutenant/Tenzin

Dean Andrews: Scott

Bridget Corbett: Sister

Grace Ginty:  Sister

Maya Gupta: Mid-Teresa

Brenda Hamilton: Amelia 2

Afia Kyei: Chris

Kassia Mobbayal: John

Christopher Noble: St. George

Irene Paibulsinjit: Annie

Karina Redick: Sister

Kendall Robertson: Sister

Jan Sims: Amelia 1

Old Teresa: Maureen Spencer Golovchenko

Passing Stranger/Cook: Heather Weitzel

Young Teresa: Jordyn Taylor

With thanks to London Community Players at the Palace Theatre.

https://teresaharrisdreamlife.wordpress.com

The main character is Teresa Harris, b.1839, Eldon House,
London. She tells her amazing life story from her home in
Eldon House. Born the youngest of a prosperous pioneer
family intent on bettering itself, Teresa married a Scottish
military man who promised to carry her off to foreign parts
she had dreamed of all her life. Teresa’s story emerges
through her own voice and that of her protective mother
and her two husbands. Both men offered Teresa escape
from the ordinary domestic constraint for a woman of her
time and position in colonial London society.
Young Teresa 2017
Young Teresa: Jordyn Taylor
(Photo Credits: Harris Family Fonds, Teresa on Camel Photo, Western Archives, Western University)
The Triumph of Teresa Harris
Previously…
March4 Penn Panayiotis Teresa
Penn and Panayiotis Giannarapis performing The Dream Life with Mary Ashton.
Photo: Mary McDonald

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Books read and recommended

An eclectic collection!  But then I started young:)

penn-1950

Books Read, 2015-6.  I’m surprised at the gender balance in books I’ve read over the last two years: I would have thought I’d read more women. You can tell I go on author-binges… Most books came from London Library, with my thanks.

David Abram, The Spell of the Sensuous
Caroline Adderson, Ellen in Pieces
Chimamanda Ngozi Adichie, Americanah
Jussi Adler-Olsen, The keeper of lost causes
Jussi Adler-Olsen; translated by William Frost. The hanging girl
Carmen Aguirre, Mexican hooker #1: and my other roles since the revolution
Madhur Anand, A new index for predicting catastrophes: poems
Gail Anderson-Dargatz, The Spawning Grounds
Alaa Al Aswany, The Automobile Club of Egypt

Kamal Al-Solaylee, Intolerable: a memoir of extremes

Isabel Allende, The Japanese lover: a novel
Martin Amis, The zone of interest: a novel
Amish, The secret of the Nagas

Andre Alexis, Fifteen Dogs: An Apologue
Andre Alexis, The Hidden Keys

Marguerite Andersen, The bad mother / translated by Donald Winkler
Donald Antrim, The emerald light in the air: stories
John Ashbery, Breezeway: new poems
Kevin Ashton, How to fly a horse: the secret history of creation, invention, and discovery
Kate Atkinson, Human Croquet
Kate Atkinson, God in Ruins
Kate Atkinson, Not the End of the World
Kate Atkinson, Started early, took my dog
Kate Atkinson, When will there be good news?  

Margaret Atwood, The Heart Goes Last
Margaret Atwood, Hag-Seed
Margaret Avison, The essential Margaret Avison: [poems] selected by Robyn Sarah
Mona Awad,13 ways of looking at a fat girl
Ken Babstock, On Malice
Julianna Baggott, Harriet Wolf’s Seventh Book of Wonders
Marie Annharte Baker, Indigena awry
Sarah Bakewell, At the existentialist café: freedom, being and apricot cocktails with Jean-Paul Sartre [and others]
Muriel Barbery, The Life of Elves

Jo Baker, A country road, a tree

Pat Barker, Noonday: a novel

Julian Barnes, Keeping an eye open: essays on art
Julian Barnes, The Noise of Time
James Bartleman, Exceptional circumstances: a novel
Gary Barwin, Yiddish for pirates: being an account of Moishe the Captain, his Meshugeneh life & astounding adventures, his Sarah, the horizon, books & treasure, as told by Aaron, his African grey p 110
Stephen Batchelor, After Buddhism: rethinking the Dharma for a secular age

Peter S. Beagle, We Never Talk About My Brother

Ann Beattie, The state we’re in: Maine stories

Linda Bender, Animal wisdom: learning from the spiritual lives of animals

Melanie Benjamin, The swans of Fifth Avenue
Elizabeth Berg, The dream lover: a novel

Nina Berkhout, The gallery of lost species

Wendell Berry, Our only world: ten essays

Clark Blaise, Essays on His Works, ed. J.R. (Tim) Struthers

Harold Bloom, The Daemon Knows: Literary Greatness and the American Sublime
Judy Blume, In the unlikely event
Giles Blunt, The hesitation cut
Cynthia Bourgeault, The Meaning of Mary Magdalene: discovering the woman at the heart of Christianity
Cynthia Bourgeault, Mystical Hope: Trusting in the Mercy of God

Erin Bow, The swan riders

Gail Bowen, What’s left behind
George Bowering, The world, I guess: poems
Joseph Boyden, Wenjack
Nadia Bozak, Thirteen Shells
Alan Bradley, Chimney Sweepers Come to Dust
Alan Bradley, Thrice the Brinded Cat Hath Mew’d

Dionne Brand, Love Enough
Geraldine Brooks, The Secret Chord

Peter Brooks, editor with Hilary Jewett, The humanities and public life
Brené Brown, Rising strong
Brené Brown, Daring greatly: how the courage to be vulnerable transforms the way we live, love, parent and lead
Carrie Brownstein, Hunger makes me a modern girl: a memoir
Jan Bruce, Andrew Shatte, Adam Perlman, Mequilibrium: 14 days to cooler, calmer, and happier
Carol Bruneau, These good hands
Bill Bryson, The road to Little Dribbling: more notes from a small island
NoViolet Bulawayo, We Need New Names
Jessie Burton, The Muse

Steve Burrows, A Siege of Bitterns
Steve Burrows, A pitying of doves
Roberto Calasso, Ardor; translated from the Italian by Richard Dixon
Julia Cameron with Emma Lively, It’s never too late to begin again: discovering creativity and meaning at midlife and beyond
Peter Carey, Amnesia
Anne Carson, Glass, irony, and God; introduction by Guy Davenport
Anne Carson, Short talks; with a new afterword by the author and a new introduction by Margaret Christakos

Helen Castor, Joan of Arc: a history
Dana Chamblee Carpenter, Bohemian Gospel
Tracy Chevalier, Burning bright
Tracy Chevalier, At the edge of the orchard

Lee Child, Personal: A Jack Reacher Novel
Noam Chomsky, Who Rules the World?

Margaret Christakos, Her paraphernalias: on motherlines, sex/blood/loss & selfies
Dawson Church, The genie in your genes: epigenetic medicine and the new biology of intention

George Elliott Clarke, The Motorcyclist

Joan Clark, The Birthday Lunch

Ann Cleeves, Thin air

Hillary Clinton, Tim Kaine, Stronger together: a blueprint for America’s future

Bruce Cockburn, Rumours of glory: a memoir
J. M. Coetzee, The good story: exchanges on truth, fiction and psychotherapy

Michael C Corballis, A Very Short Tour of the Mind: 21 Short Walks Around the Human Brain

Daniel Allen Cox, Mouthquake, Arsenal Pulp Press
Joan Crate, Black apple: a novel

David Cronenberg, Consumed
Lynn Crosbie, Life Is About Losing Everything
Lorna Crozier, The wild in you: voices from the forest and the sea
Michael Crummey, Hard light Michael Crummey, Little dogs: new and selected

Amy Cuddy, Presence: bringing your boldest self to your biggest challenges
Michael Cunningham, The snow queen: a novel
Michael Cunningham, A Wild Swan: And Other Tales
Michael Cunningham, A home at the end of the world
Kayla Czaga, For Your Safety Please Hold On
Roald Dahl, The BFG
Ram Dass, Polishing the mirror: how to live from your spiritual heart
Meghan Daum, The unspeakable: and other subjects of discussion
Lauren B. Davis, Against a darkening sky

Lydia Davis, Can’t and Won’t
Alain de Botton, The Consolations of Philosophy
Don DeLillo, Zero K
Patrick deWitt, Undermajordomo minor
Louis de Bernières, The dust that falls from dreams: a novel
Alain de Botton, The Consolations of Philosophy

Elisabeth de Mariaffi, The Devil You Know
Sadiqa de Meijer, Leaving Howe Island
Emily Dickinson, http://www.openculture.com/2013/10/the-online-emily-dickinson-archive.html
Annie Dillard, The Abundance
Diane di Prima, The Poetry deal
Michael Dirda, Browsings: a year of reading, collecting, and living with books
Chitra Banerjee Divakaruni, Before we visit the goddess

Sean Dixon, A God in need of help: a play in two acts (or five, if you think about it)
Sandra Djwa, Journey with no maps: a life of P. K. Page
Anthony Doerr, All the light we cannot see: a novel
Norman Doidge, The brain’s way of healing: remarkable discoveries and recoveries from the frontiers of neuroplasticity
Emma Donoghue, The Wonder

Mark Doty, Deep lane: poems
Marilyn Dumont, The Pemmican Eaters
Kat Duff, The Secret Life of Sleep
Wayne W. Dyer, Memories of heaven: children’s astounding recollections of the time before they came to earth

Umberto Eco, The Book of Legendary Lands
Umberto Eco, Numero zero
Danticat Edwidge, Untwine: a novel
Dave Eggers, A hologram for the king: a novel   And film.
William Egginton, The man who invented fiction: how Cervantes ushered in the modern world

Normandi Ellis, Dreams of Isis: a woman’s spiritual sojourn
Marina Endicott, Close to Hugh
Karen Enns, Ordinary hours
Karen Enns, That Other Beauty
Anne Enright, The Green Road
Louise Erdrich, LaRose
Joel Faflak & Sky Glabush, editors. (Re)imagining Regionalism

Elena Ferrante, My brilliant friend. Book one, Childhood, adolescence
Elena Ferrante, The story of a new name
Elena Ferrante, Those who leave and those who stay
Elena Ferrante, The Story of the Lost Child
Richard Flanagan, The Narrow Road to the Deep North, Australian Booker prize
Tim Flannery, Atmosphere Of Hope: The Search for Solutions to the Climate Crisis
Jonathan Safran Foer, Here I Am

Karen Joy Fowler, We are all completely beside ourselves
Jonathan Franzen, Purity
Antonia Fraser, My History: A Memoir of Growing Up

Antonia Fraser, editor. The pleasure of reading: 43 writers on the discovery of reading and the books that inspired them

Diana Gabaldon, Written in my own heart’s blood
Diana Gabaldon, The Outlandish Companion Volume Two

Neil Gaiman, The sleeper and the spindle
Neil Gaiman, The view from the cheap seats: selected nonfiction
Jonathan Galassi, Muse
Mavis Gallant, A fairly good time: with green water, green sky

Steven Galloway, The confabulist
Connie Gault, A beauty

Elizabeth George, A Banquet of Consequences: A Lynley Novel
Anne Giardini and Nicholas Giardini, Startle and illuminate: Carol Shields on writing

Camilla Gibb, This Is Happy
Douglas Gibson, Across Canada by story: A Coast-to-Coast Literary Adventure
William Gibson, The Peripheral
Elizabeth Gilbert, Big Magic: Creative Living Beyond Fear
Sky Gilbert, St. Francis of Millbrook
Philip Glass, Words without music: a memoir
Susan Glickman, Safe as houses: a mystery
Louise Glück, Faithful and virtuous night
Michael Golding, A poet of the invisible world
Natalie Goldberg, The great spring: writing, Zen, and this zigzag life
Katherine Govier, The Three Sisters Bar and Hotel: a novel

Catherine Graham, Her Red Hair Rises with the Wings of Insects
Laurie D. Graham, Settler Education
James Grainger, Harmless
Germaine Greer, White beech: the rainforest years
Philippa Gregory, The king’s curse
Philippa Gregory, The Taming of the Queen
Philippa Gregory, Three Sisters, Three Queens
Nicola Griffith, Hild
Lauren Groff, Fates and Furies
Sara Gruen, At the Water’s Edge
Hanif Kureishi, The last word
Louise Bernice Halfe, Burning in this midnight dream

Phil Hall, Conjugation

Garth Risk Hallberg, City on Fire
Jane Hamilton, The excellent Lombards

Thich Nhat Hanh, Inside the now: meditations on time
Thich Nhat Hanh, Love

Graham Hancock, Magicians of the gods: the forgotten wisdom of Earth’s lost civilisation
Kristin Hannah, The Nightingale
Rick Hanson, Meditations to change your brain: rewire your neural pathways to transform your life

Michael Harris, Party of One: Stephen Harper and Canada’s radical makeover
Teva Harrison, In-Between Days

Nadia Hashimi, When the moon is low
Paula Hawkins, The girl on the train
Elizabeth Hay, His Whole Life
Seamus Heaney, Human Chain
Steven Heighton, The waking comes late

Sheila Heti, Heidi Julavits, Leanne Shapton & 639 others ; Women in Clothes
Carl Hiaasen, Skink no surrender
Tomson Highway, Fox on the ice
Tomson Highway, Caribou song
Tomson Highway, A tale of monstrous extravagance: imagining multilingualism
Oscar Hijuelos, Twain & Stanley enter paradise
Geoffrey Hill, Somewhere is such a kingdom; poems 1952-1971
Lawrence Hill, The Illegal
Lawrence Hill, Dear Sir, I intend to burn your book: an anatomy of a book burning

Jane Hirshfield, Ten windows: how great poems transform the world
Jane Hirshfield, The beauty: poems
Jane Hirshfield, editor, Women in praise of the sacred: 43 centuries of spiritual poetry by women
P.C. Hodgell, The God stalker chronicles
Alice Hoffman, The Marriage of Opposites
Linda Hogan, Intimate nature: the bond between women and animals / edited by Linda Hogan, Deena Metzger, and Brenda Peterson

Nick Hornby, Funny Girl
A. E. Hotchner, Hemingway in love: His Own Story

Michel Houellebecq, Submission

Liz Howard, Infinite Citizen of the Shaking Tent

Tom Howell, The Rude Story of English
Helen Humphreys, The Evening Chorus
Aislinn Hunter, The World Before Us
John Irving, Avenue of Mysteries
Kazuo Ishiguro, The Buried Giant
Eowyn Ivey, The snow child: a novel
Eowyn Ivey, To the Bright Edge of the World

Greg Jenkins, Theban oracle: discover the magic of the ancient alphabet that changes lives
Maureen Jennings, Dead Ground In Between

Erica Jong, Fear of dying
Heidi Julavits, The Folded Clock
Paul Kalanith, When Breath Becomes Air
A.L. Kennedy, On writing
Christine Kenneally, The invisible history of the human race: how DNA and history shape our identities and our futures
Michael Kenyon, Astatine
Wab Kinew, The Reason You Walk
James King, Inward journey: the life of Lawren Harris

James King, The life of Margaret Laurence

Laurie R. King, The murder of Mary Russell: a novel of suspense featuring Mary Russell and Sherlock Holmes

Mary Russell’s War And other stories of suspense

Stephen King, Finders keepers: a novel
Michael Kinsley, Old age: a beginner’s guide
Naomi Klein, This Changes Everything
Marie Kondo, Spark joy: an illustrated master class on the art of organizing and tidying up

Marie Kondo, The life-changing magic of tidying up: the Japanese art of decluttering and organizing
Kathryn Kuitenbrouwer, All the Broken Things
Hanif Kureishi, The Last Word
Jhumpa Lahiri, In other words; translated from the Italian by Ann Goldstein
M. Travis Lane, Crossover

Patrick Lane, Washita
Lori Lansens, The Mountain Story
Harper Lee, Go Set a Watcher
Ursula K. Le Guin, Steering the craft: a twenty-first-century guide to sailing the sea of story

Ursula K Le Guin, The lathe of heaven: a novel

Donna Leon, Falling in love
Donna Leon, The waters of eternal youth
Ben Lerner, 10:04
Ben Lerner, The hatred of poetry

Christopher Levenson, Night vision
Stephen Levine, Becoming Kuan Yin: the evolution of compassion
Tim Lilburn, The names

Tracey Lindberg, Birdie
Bruce Lipton and Steve Bhaerman, Spontaneous evolution: our positive future and how to get there from here
Alex Lloyd with Ben Johnson, The healing code: 6 minutes to heal the source of your health, success, or relationship issue ’
Scott Lynch, The Lies of Locke Lamora
Ben Macintyre, A spy among friends
Gregory Maguire, After Alice
Emily St. J. Mandel, Station Eleven
Alberto Manguel, Curiosity
Dennis Maloney, Listening to Tao Yuan Ming
Hilary Mantel, The Assassination of Margaret Thatcher

Stephen Marche, The Hunger of the Wolf
Yann Martel, The High Mountains of Portugal

Garth Martens, Prologue for the age of consequence
Giuseppe Mazzotta, Reading Dante
Colum McCann, Thirteen Ways of Looking
Ian McEwan, The child in time
Ian McEwan, Nutshell

Ami McKay, The Witches of New York
Don McKay, Angular Unconformity
Robert McKee, Dialogue: the art of verbal action for the page, stage, and screen
Sean Michaels, Us Conductors
Valerie Mills-Milde, After Drowning
David Mitchell, Slade House
Tara Mohr, Playing big: find your voice, your mission, your message
JLisa Moore, Open: stories
Erin Morgenstern, The Night Circus
Toni Morrison, God Help the Child
Erin Moure, Kapusta
Jane Southwell Munro, Grief notes & animal dreams
Jane Munro, Blue Sonoma
Colleen Murphy, Armstrong’s war
George Murray, Glimpse: selected aphorisms
Susan Musgrave, A taste of Haida Gwaii: food gathering and feasting at the edge of the world

Ralph Nader, Unstoppable: the emerging left-right alliance to dismantle the corporate state
Azar Nafisi, The republic of imagination: America in three books
Maggie Nelson, The Argonauts

Pablo Neruda, Isla Negra / poems by Pablo Neruda; edited by Dennis Maloney
Christiane Northrup, Goddesses never age: the secret prescription for radiance, vitality, and well-being
Joyce Carol Oates, Soul at the white heat: inspiration, obsession, and the writing life

Edna O’Brien, The Little Red Chairs
Flannery O’Connor, A prayer journal
Nuala O’Connor, Miss Emily
Alexandra Oliver, Let The Empire Down
Mary Oliver, Blue horses
Mary Oliver, Dog songs: thirty-five dog songs and one essay
Mary Oliver, Felicity
Alice Oswald, Memorial: a version of Homer’s Iliad; with an afterword by Eavan Boland

Cynthia Ozick, Metaphor & Memory
Cynthia Ozick, Critics, monsters, fanatics, and other literary essays

Helen Oyeyemi, What Is Not Yours Is Not Yours
P.K. Page, Kaleidoscope: selected poems
Kurt Palka, The Piano Maker
Orhan Pamuk, A strangeness in my Mind Being the Adventures and Dreams of Mevlut Karatas, a Seller of Boza, and of His Friends, and Also a Portrait of Life in Istanbul Between 1969 and 2012 From Many Different Points of View
Tim Parks, Where I’m reading from: the changing world of books
Sooyong Park; foreword by John Vaillant, Great soul of Siberia : passion, obsession, and one man’s quest for the world’s most elusive tiger
Priya Parmar, Vanessa and Her Sister
Ann Patchett, This is the story of a happy marriage
Ann Patchett, Commonwealth

Molly Peacock, Alphabetique, 26 Characteristic Fictions
Soraya Peerbaye, Tell: poems for a girlhood

Louise Penny, The nature of the beast: a Chief Inspector Gamache novel
Louise Penny, A Great Reckoning

David Perlmutter, Brain Maker: the power of gut microbes to heal and protect your brain—for life

Alison Pick, Between gods: a memoir
Jodi Picoult, Leaving Time
Stephen Pinker, Sense of Style: The Thinking Person’s Guide to Writing in the 21st Century
Richard Powers, Orfeo
Terry Pratchett, Reaper Man
Terry Pratchett, A slip of the keyboard: collected non-fiction
Terry Pratchett, Mrs Bradshaw’s handbook: an illustrated guide to the railway by Mrs Georgina Bradshaw; produced in association with Ankh-Morpork & Sto Plains Hygienic Railway.
Terry Pratchett, The shepherd’s crown

Terry Pratchett, The Long Cosmos

Francine Prose, Reading Like a Writer: a guide for people who love books and for those who want to write them

Annie Proulx, Barkskins

Michael Puett and Christine Gross-Loh, The path: what Chinese philosophers can teach us about the good life
Edna O’Brien, The Love Object

Edna O’Brien, The Red Chair
Lisa Randall, Dark matter and the dinosaurs: the astounding interconnectedness of the universe

John Raymond, Tin House, The world split open: great authors on how and why we write

Paula Reeves. CD, Lighting the Forbidden Lamp: A Woman’s Journey to the Self: The myth of Eros and Psyche Retold

Paula Reeves, CD, Every Woman’s Story Cinderella and Her Sisters: The Shadow Side of Envy

Monty Reid, Meditatio placentae: poems
Raziel Reid, When Everything Feels Like the Movies
Ruth Rendell, The girl next door
Ruth Rendell, Dark corners
Nino Ricci, Sleep
Adrienne Rich, Diving into the wreck: poems, 1971-1972

Adrienne Rich, The dream of a common language: poems 1974-1977

Tanis Rideout, Arguments with the lake
Tanis Rideout, Above all things
Marilynne Robinson, Lila
Marilynne Robinson, Balm of Gilead
Jennifer Robson, Moonlight over Paris: a novel
Leon Rooke, The April poems
Gregory David Roberts, Shantaram
Robbie Robertson, Testimony

Peter Robinson, When the Music’s Over

Catherine Sheldrick Ross, Lynne (E.F.) McKechnie, and Paulette M. Rothbauer, Reading matters: what the research reveals about reading, libraries, and community

Hannah Rothschild, The Improbability of Love

J K Rowling, Harry Potter and the Cursed Child: Parts I and II
Armand Garnet Ruffo, Norval Morrisseau: Man Changing into Thunderbird
Rumi, Soul fury: Rumi and Shams Tabriz on friendship / translations by Coleman Barks
Salman Rushdie, Two years, eight months and twenty-eight nights: a novel
Sarah Ruhl, Dear Elizabeth: a play in letters from Elizabeth Bishop to Robert Lowell and back again
Richard Russo, Everybody’s Fool
Oliver W Sacks, On the move: a life
Robyn Sarah, My Shoes Are Killing Me

Jocelyne Saucier, And The Birds Rained Down
John Ralston Saul, The Comeback
Lisa Robertson, Cinema of the present
Paul Savoie, Nocturnes

Lisa Scottoline, Keep Quiet
Nazneen Sheikh, The Place of Shining Light – House of Anansi
Stacy Schiff, The Witches: Salem, 1692
Stacy Schiff, Vera (Mrs. Vladimir Nabokov): portrait of a marriage
Anakana Schofield, Malarky
Anakana Schofield, Martin John

The Shambhala Sun and Andrea Miller, editors, Buddha’s daughters: teachings from women who are shaping Buddhism in the West
Barbara Shapiro, The Art Forger

Dr. Vandana Shiva, Sacred seed / introduction; essays by Patriarch Bartholomew, Pir Zia Inayat-         Khan, His Holiness the 17th Gyalwang Karmapa, Ogyen Trinley Dorje
Leonard Shlain, Leonardo’s brain: understanding da Vinci’s creative genius

Jane Smiley, Some luck
Jane Smiley, Horse heaven
Jane Smiley, Early warning
Jane Smiley, Golden age
Alexander McCall Smith, The Handsome Man’s De Luxe Café
Alexander McCall Smith, Sunshine on Scotland Street: a 44 Scotland Street novel
Alexander McCall Smith, The novel habits of happiness
Alexander McCall Smith, What W.H. Auden can do for you
Ali Smith, Artful
Ali Smith, How To Be Both
Ali Smith [collected by], The book lover
Dominic Smith; The Last Painting of Sara De Vos; narrated by Edoardo Ballerini

Murdoch Neil Smith, Boo: a novel
Patti Smith, The M Train
Tracy K Smith, Life on Mars
Tracy K Smith, Ordinary light: a memoir

Wilbur Smith, Desert God: A Novel of Ancient Egypt
Mary Soderstrom, River music: a novel
Karen Solie, The road in is not the same road out

Carolyn Marie Souaid, This World We Invented
Julia Spencer-Fleming, I shall not want
The Spoken Arts treasury. Volume II: 100 modern American poets reading their poems
William Stafford, Ask me: 100 essential poems
David Staines, editor. The worlds of Carol Shields

Gloria Steinem, My Life on the Road
Ricardo Sternberg, Map of dreams
Mark Strand, Collected Works
Mark Strand, Eavan Boland, editors, The making of a poem: a Norton anthology of poetic forms
Elizabeth Strout, Olive Kitteridge
Elizabeth Strout, My Name Is Lucy Barton

Cordelia Strube, On the shores of darkness, there is light
J.R. (Tim) Struthers, ed. Clark Blaise, Essays on His Works

Noah Strycker, The Thing with Feathers
Rosemary Sullivan, Stalin’s Daughter: The Extraordinary and Tumultuous Life of Svetlana Alliluyeva
Margaret Sweatman, Mr. Jones
Graham Swift, England and other stories
Graham Swift, Mothering Sunday
Magda Szabo, The door; introduction by Ali Smith
Wisława Szymborska, Map: collected and last poems; edited by Clare Cavanagh
Diana Tamblyn, From the earth to Babylon, Book one, the story of Gerald Bull & the supergun
James Tate, Dome of the hidden pavilion : new poems
Barbara Brown Taylor, An Altar in the World: A Geography of Faith
Barbara Brown Taylor, Learning to walk in the dark: because sometimes God shows up at night

Patrick Taylor, An Irish doctor in peace and at war: an Irish country novel
Madeleine Thien, Do not say we have nothing

Joan Thomas, The Opening Sky
Judith Thompson, White biting dog & other plays
Russell Thornton, The hundred lives
Kim Thúy, Ru
Sara Tilley, Duke
Colm Toibin, Nora Webster
Colm Tóibín, On Elizabeth Bishop
Colm Toibin, Brooklyn

Kim Trainor, Karyotype
Tomas Tranströmer, The great enigma: new collected poems; translated from Swedish by Robin Fulton
Rose Tremain The American Lover
Linda Tucker; foreword by Andrew Harvey. Saving the white lions: one woman’s battle to save Africa’s most sacred animal
Anne Tyler, The beginner’s goodbye
Anne Tyler, A Spool of Blue Thread
Anne Tyler, Vinegar Girl
Luis Alberto Urrrea, Into the beautiful North : a novel
Jane Urquhart, The Night Stages
David Usher, Let the elephants run : unlock your creativity and change everything
John Vaillant, The Jaguar’s Children
Guy Vanderhaeghe, Daddy Lenin and Other Stories
Mario Vargas Llosa, The discreet hero
M. G Vassanji, Nostalgia: a novel
Llewellyn Vaughan-Lee, Anima Mundi
Norah Vincent, Adeline: a novel of Virginia Woolf
Colleen Wagner, Home

Jo Walton, Among Others

Sarah Waters, The paying guests

Phyllis Webb, Peacock Blue, The Collected Poems

Colson Whitehead, The Underground Railroad

Robert J. Wiersema, Black Feathers
E. O. Wilson, The meaning of human existence
Simon Winchester, Pacific: silicon chips and surfboards, coral reefs and atom bombs, brutal dictators, fading empires, and the coming collision of the world’s superpowers
Kathleen Winter, Boundless: Tracing Land and Dream in a New Northwest Passage
Michael Winter, Into the blizzard: walking the fields of the Newfoundland dead
Jeanette Winterson, The gap of time: The Winter’s Tale retold

David Whyte, The house of belonging
Kym Wolfe, Conversations with the artist Philip Aziz
Tom Wolfe, The Kingdom of Speech

Susan J. Wolfson, Reading John Keats
Marion Woodman’s CD, Emily Dickinson and the Demon Lover

Marion Woodman’s CD, Holding the Tension of Opposites

Marion Woodman’s CD, Rolling Away the Stone

Marion Woodman’s CD, Sitting by the Well

Marion Woodman and Robert Johnson’s CD, When Souls Meet

Richard B. Wright, A life with words: a writer’s memoir
Richard B. Wright, Nightfall
Ronald Wright, The gold eaters

Hanya Yanagihara, A Little Life

Alissa York, The Naturalist
Deanna Young, House Dreams
David Zinczenko, Zero belly diet

Ode for the Feast of Words

WORDSFEST is happening all weekend long at Museum London: see http://www.wordsfest.com/

http://www.lfpress.com/2016/11/03/words-fest-gives-instant-feedback
Send your responses about the Festival to http://www.wordsfestzine.com/. Work for this zine will be collected from Festival-goers on Friday and Saturday, then published and launched at the Rhino Lounge in Museum London Sunday, Nov. 6, at 5pm. Whew! Here’s my poem for the zine:

Ode for the Feast of Words

Our London Muses, amused, proclaim:

Come join our Museum feast in joy

of joining, reading, weaving a way,

riding a wave, waving a welcome,

well, come in then. Here. Hear!

Attendance’s high, attention is close.

Words are our vocation, invoking

the vocative, pro vocative, calling us,

calling on us, call sure, culture, meeting

our many cultures, collected. Whatever

the weather, we conjure com pose

words worth envisioned, inclusive in

terms of the other, for all our sakes.

Describing the arc, friends collect and

meet new, gathering poets in harmony |

with other authors.  Rhythm rhymes us.

Creating community, fusion delights

this spacious collective, call elect if

held in the London community bowl.

The Graces are present, spirits high.

Lift the cup and dance, sing, speak, tell

the tale told, win, write welcome.

O may the best manifest

fest if all festivity

Cheer and exult.

Hail and salute!

Here, here!
Penn Kemp

http://www.lfpress.com/2016/11/02/wordsfest-authors-and-eager-fans-come-out-from-under-the-covers

wordsfest-belanger

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Photo: Toban Black

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Q & A Featured, Playwright’s Guild of Canada

What a celebration of Canadian writing in all its forms! Such an opportunity on such a scale is unprecedented in Canada and a terrific occasion for synergy. It will be fun to meet old friends from across the country and to hear and meet writers new to me.

  • What do you see as the role of the playwright within the greater Canadian writing community?

By their public nature, plays have a great sense of community and collaboration, involving so many— whether on stage, off stage, or in the audience. Other writing forms are more private or personal: the author of a poem or novel is single

Plays written with the local in mind bring that sensibility wherever they are performed across Canada, so that we get to know each other better, experiencing different communities and perspectives in their public expression. The particular becomes universal.

I’m closely tied to the idea of collective in writing and co-creating plays. For me playwriting is an interactive political act as the actors are so immediately present and engaged with the audience. The stage offers a chance for dialogue among opposing personalities, forces, themes, opinions: that’s what makes up a drama.

I think our deepest purpose as playwrights hasn’t changed since Aristotle stated claimed that drama should portray a form of truth. Molière claimed that tragedy might be heroic, but comedy must hold the mirror to nature. To continue the idea that plays reflect nature as well as society, I can but quote Hamlet in his advice to the players:

Suit the action to the word, the word to the action, with this
special observance, that you o’erstep not the modesty of nature:
for any thing so o’erdone is from the purpose of playing, whose
end, both at the first and now, was and is, to hold as ’twere the
mirror up to nature: to show virtue her feature, scorn her own
image, and the very age and body of the time his form and
pressure.

  • You will be speaking on the Performing Women: Playwrights and Performance Poets panel on Saturday, June 18th. How did this panel come together?

Every year, the Feminist Caucus of the League of Canadian Poets publishes a chapbook. At the annual League meeting last June, I suggested the topic, Women and Multimedia, and agreed to edit such a work. Ideas proliferated so quickly that it soon became apparent that we’d need another anthology: Performing Women: Playwrights and Performance Poets, for which I put out a call. What started off as chapbooks soon expanded to 70-80 pages each. The two anthologies I edited will be launched at the Summit. See www.poets.ca/feministcaucus. We are also hoping to produce a CD, Performing Women, from the panel proceedings.

Our project is a joint venture between Playwrights Guild and the League of Canadian Poets. How wonderful to see the close and keen co-operation between our writers’ organizations in supporting both the panel and the anthology— a collaboration to be celebrated in itself! With thanks to Anne Burke, chair of the Feminist Caucus and publisher; the League of Canadian Poets staff; and Robin Sokolski from Playwrights Guild of Canada: they were midwives to this anthology.

Our panelists are playwrights, performers, poets… and several are all three. Kelley Jo Burke and Cornelia Hoogland were sponsored by the Guild of Canadian Playwrights. Catherine Kidd, Susan McMaster and I were sponsored by the League of Canadian Poets. Sheri-D will be with us in spirit: her work is in the anthology

Each panelist will present her experience and ideas concerning performance— reading from her essay or performing work that illustrates her points. We’ll conclude with a Q & A. I’m truly honoured to work with such talented co-creators. It is inspiring to hear the personal stories that have transcended and unfolded with creases the tumultuous experience of twisting experience and ideas into art

  • Tell us about the anthology you’re launching at this event that is being published in the League of Canadian Poets’ Feminist Caucus Archive series.

“Playwrights and Performance Poets: the Panel, the Anthology”

Here’s an anthology that surges with energy to create a resonating concert of variety and scope. These pieces are not just lifted off the page: they are singing, dancing spheres of possibility, sparking new connections. So many threads weave through the works. With titles like these, how could you not read on?

Kelley Jo Burke, “Why Ducks, Anyway?”
Cornelia Hoogland, “Red Dresses Hang from the Trees and Towers: Red and Rapunzel are Missing”
Penn Kemp, “Sounding the depth, the surface resounding”
Catherine Kidd, “Zoomorphic Poetics (or, Why I Write So Many Poems About Wildlife)”
Susan McMaster, “How does collaboration enhance performance poetry? The Intimate Power of Co-Creation”
Sheri-D Wilson, “Spoken Word Poetry as Political Act”

For the cover of our anthology, I’ve chosen the red dress of REDress, contributed by Cornelia Hoogland. This emblematic installation connects us graphically to the natural world: the post comes alive as a woman wrapping her arms around herself. Cornelia writes that she had “a fulsome email discussion with women who i thought were in a better position to provide a caption. Here is what we’ve ended up with, written mostly by Maxine Matilpi:”

“This installation was inspired by Jaime Black’s REDress project, an aesthetic response to the more than 1000 missing and murdered Indigenous women in Canada. The location, Village Point (on Denman Island, B.C.), formerly a Pentlatch village, serves as a reminder that the story of missing and murdered Indigenous women is not only a current reality but is also deeply connected to colonial history.” Maxine Matilpi

Such a moving tribute is one of the most profound ways of stirring folks to take action for change, however it manifests. The line between actor/subject and audience dissolves in a sense of our mutual humanity. I believe that such shared participation is a core purpose of performance art, whatever guise it takes.

Performance of necessity demands a wider exploration and communication of the subjective self, as it expresses itself in the world with other people and/or other mediums. How does collaboration enhance and expand a single artist’s vision? With that sense of inquiry in mind, I called for playwrights and poets to explore the topic of women performing. Three of our contributors are primarily Spoken Word poets. It is fascinating to read how these women have expanded the possibilities of performing to include ritual and visual references as well as the resonance of sound.

Performing Women: Playwrights and Performance Poets can be read along with the Feminist Caucus anthology Women and Multimedia. All but one of the contributors to Women in Performance are also members of the League of Poets, so their work fits in beautifully. For even more synergy, take a look at these poets’ essays from Women and Multimedia: Poetry Collaboration/Elaboration: don`t these titles entice you to read on?

Di Brandt, “Wild, wild, wild woman”
Terry Ann Carter, “Poetry and the Artist’s Book
Moe Clark, “Prayer + Performance: Intersections of poetic transformation
Penn Kemp, “I am translated: How does multimedia give form to a poem’s alternate expression?”
Judith Neale, “Sum of all parts”
Cathy Petch, “De-Mystifying the Language of Tech”

Performing Women: Playwrights and Performance Poets is available from http://www.poets.ca/feministcaucus/ and the copyscript program of the Guild of Canadian Playwrights, https://www.playwrightsguild.ca/about/programs-and-services, Contact orders@playwrightsguild.ca.

5) People are perhaps most familiar with your work as a poet, especially in your capacities as the inaugural Poet Laureate of London, Ontario (2010 – 2012) and your Life Membership in the League of Canadian Poets. What drew you to playwriting? How influential is your poetic work on your playwriting? How do you balance your roles as poet, performer, and playwright?

All of my plays have begun as poems. In poetry, I can succinctly express the essence of my preoccupation in concrete lines that can then be drawn out, teased into different voices and displayed more elaborately on stage. My first concern is always with language itself, how a voice finds itself. I was drawn to playwriting when I started to hear voicesJ that grew more insistent as a theme developed. These voices erupted into dialogue and the conversation continued. Poetry is a fireball; sometimes it radiates out in different expressions into different characters.

Writing poetry is a necessarily solitary pursuit. I’m my own editor. But in plays, I depend very much on collaboration, even while the script is in process. I’ve worked with brilliant directors like Anne Anglin and Louise Fagan who have more of a dramatic sensibility than I do. They can visualize and enact the narrative thrust and arc of the drama. They can imaginatively realize the action on stage in ways that I don’t.

Sometimes, one form demands to be and experienced from the different perspectives of other art forms: a performance, a monologue, a drama. As an activist and Poet Laureate, I was able to draw attention to local and global issues in the community. When a poem can not contain such imperatives, I turn to plays or what I call Sound Opera. This is a collaborative form I developed in performance and recording over the last four decades, in a desire to lift poetry off the page to the stage. Our first performance, directed by Anne Anglin from my book, Trance Form, was in 1976 at Harbourfront. Sound Opera is based on text but it expands poetic possibilities to include voice, music and movement in expressing  narrative when emotions burst the seams of print. Anne also directed my play, What the Ear Hears Last, for Theatre Passe Muraille: a translation of my long poem, When the Heart Parts. The latter is also a Sound Opera!

The focus is different on stage. When I write plays, I am thinking politically and publicly about some topic that vexes or intrigues me. I am taking a position and attempting to persuade and to present different views. For example, my first play, ANGEL MAKERS, presented the first play dealing with abortion in Canada. Though firmly pro-choice, it presented the complex experiences of the six characters. My first radio play, BEARING DOWN, portrayed a woman in labour and its aftermath in a long sound poem on a subject that had not been articulated. What the Ear Hears Last is about a man dying in hospital, another subject that was at the time taboo, developed as well from a sound poem.

Thanks for the opportunity to articulate my writing process!

6) In a 2014 interview with Stan Burfield, you speak in great detail about your love of world mythology. How does that love translate itself into your playwriting?

Certainly my first play is based on fable and fairy tale. The Epic of Toad and Heron was created as a protest when Toronto Islanders were threatened by Metro with eviction. Instead of buttonholing Torontonians in protest, I chose to write a play that was first performed on the Island (and subsequently in schools). Even now my hero, the flying Toad, is proudly displayed on the Toronto Island flag.

Mythology for me is closely connected to the poetic spirit, where archetypes can dance more abstractly than on the stage. Perhaps my connection to mythology in theatre comes through my love of history and history’s resonance in the present. My latest play presents a Victorian woman, Teresa Harris, who marries to leave her colonial life in London ON, much as I did a century later. How does her life correspond with and differ from my own, or yours?

Another long poem, ANIMUS, had its own narrative arc that director Anne Anglin and I developed into a play, EROS RISING, Theatre Passe Muraille. It is also a Sound Opera, Re:Animating Animus . The recurring theme in both Sound Opera, poem and play is the myth of Eros and Psyche. That archetype is apparent in each title.

7) Do you have any advice for aspiring playwrights? What advice do you wish you had received when you started writing?

When I started writing for theatre, it was 1975, and Canadian theatre was just coming into its own: a very exciting time that allowed for theatre to break down the fourth wall. I came of age in the flaunted Sixties, so capitalism was anathema to me if we were going to change the world. It would have been useful through the years to realize that a more pragmatic approach was necessary if I were to support myself as a writer into old age. My way was to lower my standard of living through the decades since!

I think young artists are much more aware of the practical business demands of getting the work out there: the necessity of promotion and marketing through the present avenues that social media offers. So, aspiring playwrights… Let that spirit of the Sixties expand the possibilities of theatre. May collaboration replace competition. Throw caution to the winds and keep the doors open to let that fresh air blow through all your preconceptions of what theatre can be. But keep your business savvy.

8) What’s next for Penn Kemp?

This summer, I’ll be preparing several plays, Eros Rising and The Dream Life of Teresa Harris for the copyscript program. And hanging out in the garden.

March 2017 will be a busy month for me! Forthcoming then is a new collection of poetry, Barbaric Cultural Practice, from Quattro Books as well as a play, The Triumph of Teresa Harris. I’ll be working on this play after the Summit… trying not even to think about it till then! But it’s an exciting project. Eldon House Heritage Museum and The Palace Theatre in London have asked me to develop The Dream Life of Teresa Harris, an earlier processional play I did at Eldon House, into a two full act production for the Palace Theatre, with ten actors and the original two musicians. Teresa Harris was the youngest daughter growing up in Eldon House. She became one of the greatest explorers of the Victorian age, but her character is complex and contradictory: she remains a woman of her times. A fascinating project that once again began with a long poem.

More updates are on www.pennkemp.wordpress.com and https://www.facebook.com/Penn-Kemp-126450531030/ as well as https://twitter.com/pennkemp. See you there!

“Featured Playwright Q&A”, 2016

The Cover of “Women and Multimedia”crystalEldonsm

Photo: Daniela Sneppova for “The Dream Life of Teresa Harris”

Playwright Reading, Sept. 12, St. Catherines ON

Author Series: 2015 – Penn Kemp, St. Catharines Public Library

September 12, 10am- noon. Reading and seminar  with Penn for Canadian Authors, Niagara Branch, St. Catharines Public Library. 54 Church St, St Catharines, ON L2R 7K2. Phone:+1 905-688-6103. Contact: Keith Inman inman@vaxxine.com.

There is no charge for this reading/workshop and all are welcome.

Workshop Description

Penn Kemp will begin with a reading from The Dream Life of Teresa Harris, a character play performed in situ in London’s oldest house and recorded there for an upcoming CD. After reading from this play, Penn will lead us in exploring and developing characters through sound and image. By allowing our Muses to speak through us, we’ll be surprised at the unfolding process of new writing.  Penn’s reading is sponsored by Playwrights Guild of Canada, open to the public.

Penn Kemp is an inspiring workshop presenter, poet, playwright, performer, activist and London’s inaugural poet laureate. www.mytown.ca/pennkemp.

DreamLifeofTeresa flyer

For more information on the play, see https://teresaharrisdreamlife.wordpress.com/teresa-harris/.

Penn’s reading is sponsored by Playwrights Guild of Canada.and her workshop by Canadian Authors, Niagara Branch.
https://www.playwrightsguild.ca

Activist poet, playwright and performer, Penn Kemp has been awarded spoken word artist of 2015-6 and a life member by the League of Canadian Poets, Penn has performed her Sound Operas around the world, also giving readings and workshops, often in schools. A prolific artist, Penn has to date published over twenty-five books and had six plays produced. She is one of Canada’s most active performance poets, with ten CD’s: see http://www.mytown.ca/pennkemp. Upcoming events are up on http://www.pennkemp.wordpress.com and twitter.com/pennkemp.

crystalEldonsm(2)

Photo of Eldon House by Daniela Sneppova.

Penn Winnipeg bear

Poem from Windsor Review: “Telling Tales”

Telling Tales

        for the Harris family of Eldon House, London

crystalEldonsm

A white house in white snow
gleams against reflected past.

The family entertain suitable
suitors to maintain their station.

They conform to a norm long
past fashion in Home County.

They adapt but do not adopt
the lay of the land. The lie is

implicit in living on middens
of territory they claim as theirs.

They plant and supplant. They
judge. They determine the law

to be real, to replace all that
went before by sheer resolve,

might of Empire at their heel.
They tell their children stories

of Home, not to be outdone but
to outdo. Tradition regulates.

Trees surround them. Sycamore
approaches imported plane tree.

Winter reverses realities: the native
ghost tree glints sunshine while plane

fades to bare-bough obscurity. Imposed
perimeters held down only by survey.

We glimpse peripheral reminiscence
half dreamt, half recollected in shards.

No telling where their multiple truths lie.
The family assume their place in the past,

proper and prosperous. Their trophies live
on in collected memorabilia, in the words

and deeds they chose to commit to paper.
Palimpsests imposed on old growth woods

as if summoning the Old World to replace
place names with their own, erasing other pasts.

teresawmaplong

Penn Kemp, from Windsor Review: Special Alice Munro Issue

Photos by Daniela Sneppova at Eldon House, from my play, The Dream Life of Teresa Harris.

1. Eldon House through Daniela’s crystal ball

2, Map plus Donna Creighton as Teresa Harris in Eldon House